American comic book: Difference between revisions
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{{ | {{real world}} | ||
An '''American comic book''' is a periodical which is typically, but not always, 16.83 [[centimetre|cm]] wide by 26 cm tall. It usually has 32 pages, though some special issues can be of greater length. It is bound by staples, rather than glue. Its contents are overwhelmingly sequential art and advertisements | An '''American comic book''' is a periodical which is typically, but not always, 16.83 [[centimetre|cm]] wide by 26 cm tall.<ref>For most of the period of time ''Doctor Who'' American comics have existed, standard pages have been ''drawn'' on 10-[[inch]] by 15-inch art boards. According to David Marshall at the [http://www.artofthecomicbook.com/history/art-reduction.htm Art of the Comic Book website], the basic notion since the late 1970s is that American comics have a 2:3 ratio.</ref> It usually has 32 pages, though some special issues can be of greater length. It is bound by staples, rather than glue. Its contents are overwhelmingly sequential art and advertisements. | ||
== Main differences with UK publications == | == Main differences with UK publications == | ||
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Further unlike British ''Doctor Who'' publications, most of its content is devoted to a single story, and there is typically very little, if any, prose content — other than a page printing letters from readers. In almost every case, ''[[Doctor Who]]'' stories told in this format are not concluded in just one issue, but rather are spread out over several issues. It is then typical for the individual issues to be collected in [[trade paperback]]s, where the entire story can be enjoyed by readers in a single publication. | Further unlike British ''Doctor Who'' publications, most of its content is devoted to a single story, and there is typically very little, if any, prose content — other than a page printing letters from readers. In almost every case, ''[[Doctor Who]]'' stories told in this format are not concluded in just one issue, but rather are spread out over several issues. It is then typical for the individual issues to be collected in [[trade paperback]]s, where the entire story can be enjoyed by readers in a single publication. | ||
Sometimes, an American comic book can have both a main story, which takes up most of the book, and a "backup strip", comprised of just a few pages (or even panels) in the back of the book. | Sometimes, an American comic book can have both a main story, which takes up most of the book, and a "backup strip", comprised of just a few pages (or even panels) in the back of the book. | ||
As the name implies, the format is popular in the [[United States]] and has been rarely, if ever, used as the format of origination in the [[United Kingdom]]. Nevertheless, in the [[21st century]], mainly due to licenses given by [[BBC Worldwide]] to both [[IDW Publishing]] and [[Titan Publishing Group]], the format has been used to tell a number of ''[[Doctor Who]]'' stories. | |||
== Distribution == | == Distribution == | ||
In contrast with, say, ''[[TV Comic]]'' or ''[[Doctor Who Magazine]]'', American comic books are not typically sold at newsagents or bookstores. Instead, they are usually found at specialised comic shops. Like DWM, however, they are also available in digital formats. | In contrast with, say, ''[[TV Comic]]'' or ''[[Doctor Who Magazine]]'', American comic books are not typically sold at newsagents or bookstores. Instead, they are usually found at specialised comic shops. Like DWM, however, they are also available in digital formats. | ||
"Regular", "ongoing" or "mini-series" American comics almost always have a monthly release schedule. As with the mini-series, ''[[The Forgotten (comic story)|The Forgotten]]'', this release schedule can meet with artistic delays, but the ''intent'' is almost always monthly delivery. This contrasts with most every British publication with ''Doctor Who'' content, where release schedules have been occasional, weekly, fortnightly, four-weekly — but only rarely monthly. | "Regular", "ongoing" or "mini-series" American comics almost always have a monthly release schedule. As with the mini-series, ''[[The Forgotten (comic story)|The Forgotten]]'', this release schedule can meet with artistic delays, but the ''intent'' is almost always monthly delivery. This contrasts with most every British publication with ''Doctor Who'' content, where release schedules have been occasional, weekly, fortnightly, four-weekly — but only rarely monthly. | ||
== Historical overview == | == Historical overview == | ||
=== 20th century === | === 20th century === | ||
Though dominantly a format of the 21st century, the first ''[[Doctor Who]]'' story told in this format was [[Dr. Who and the Daleks (comic story)|an adaptation]] of the movie, ''[[Dr. Who and the Daleks]]''. At that time in the [[1960s]], [[Dell Publishing]] specialised in publishing adaptations of films and television shows. | Though dominantly a format of the 21st century, the first ''[[Doctor Who]]'' story told in this format was [[Dr. Who and the Daleks (comic story)|an adaptation]] of the movie, ''[[Dr. Who and the Daleks (theatrical film)|Dr. Who and the Daleks]]''. At that time in the [[1960s]], [[Dell Publishing]] specialised in publishing adaptations of films and television shows. ''Daleks'' was merely one of the hundreds of properties it had obtained the right to publish. | ||
The next major American comic book was [[Doctor Who (1984)|''Doctor Who'' (1984)]], a repackaging of stories from [[Marvel UK]] by [[Marvel Comics Group]]. | The next major American comic book was [[Doctor Who (1984)|''Doctor Who'' (1984)]], a repackaging of stories from [[Marvel UK]] by [[Marvel Comics Group]]. Though it had been prefigured by a couple of "pilot" issues in ''[[Marvel Premiere]]'', the 1984 series of ''Doctor Who'' was the first true "run" of American comic books in ''Doctor Who'' history. | ||
=== 21st century === | === 21st century === | ||
After the successful [[BBC Wales]] return of ''Doctor Who'', [[IDW Publishing]] picked up the license for American comic books in the waning days of [[David Tennant]]'s stewardship of the programme on television. They then published a number of stories based on both the [[Tenth Doctor|Tenth]] and [[Eleventh Doctor]]s. | After the successful [[BBC Wales]] return of ''Doctor Who'', [[IDW Publishing]] picked up the license for American comic books in the waning days of [[David Tennant]]'s stewardship of the programme on television. They then published a number of stories based on both the [[Tenth Doctor|Tenth]] and [[Eleventh Doctor]]s. | ||
As [[Peter Capaldi]] loomed on the horizon, however, the BBC awarded its contract to [[Titan Publishing Group]]. Titan then embarked on the most aggressive publication schedule in ''Doctor Who''{{'}}s American comic book history. By the time [[Jodie Whittaker]]'s [[Series 11 (Doctor Who 2005)|first series]] officially began, Titan had been running no less than ''four'' ongoing monthly titles all at the same time, each starring one of the four modern series Doctors up to that point, as well as multiple miniseries starring classic Doctors, and other one-shots and special events. | |||
Titan opted to greatly increase this output once the [[Thirteenth Doctor]] arrived, retiring all of their existing ongoing ''Who'' titles in favour of [[Doctor Who: The Thirteenth Doctor|a new, single ongoing series]] starring the new incarnation. This only decreased further in subsequent years, to the point where Titan only ran limited miniseries and one-shot titles on a much more irregular basis. | |||
== Footnotes == | |||
{{reflist}} | |||
[[Category:Terminology]] | |||
[[ | [[Category:Comic production information]] | ||
Latest revision as of 20:42, 4 July 2024
An American comic book is a periodical which is typically, but not always, 16.83 cm wide by 26 cm tall.[1] It usually has 32 pages, though some special issues can be of greater length. It is bound by staples, rather than glue. Its contents are overwhelmingly sequential art and advertisements.
Main differences with UK publications[[edit] | [edit source]]
An American comic book's format makes it a radically different, and smaller, size than Doctor Who Magazine, Doctor Who: Battles in Time, Doctor Who Adventures and most anything published by Polystyle or Marvel UK.
Further unlike British Doctor Who publications, most of its content is devoted to a single story, and there is typically very little, if any, prose content — other than a page printing letters from readers. In almost every case, Doctor Who stories told in this format are not concluded in just one issue, but rather are spread out over several issues. It is then typical for the individual issues to be collected in trade paperbacks, where the entire story can be enjoyed by readers in a single publication.
Sometimes, an American comic book can have both a main story, which takes up most of the book, and a "backup strip", comprised of just a few pages (or even panels) in the back of the book.
As the name implies, the format is popular in the United States and has been rarely, if ever, used as the format of origination in the United Kingdom. Nevertheless, in the 21st century, mainly due to licenses given by BBC Worldwide to both IDW Publishing and Titan Publishing Group, the format has been used to tell a number of Doctor Who stories.
Distribution[[edit] | [edit source]]
In contrast with, say, TV Comic or Doctor Who Magazine, American comic books are not typically sold at newsagents or bookstores. Instead, they are usually found at specialised comic shops. Like DWM, however, they are also available in digital formats.
"Regular", "ongoing" or "mini-series" American comics almost always have a monthly release schedule. As with the mini-series, The Forgotten, this release schedule can meet with artistic delays, but the intent is almost always monthly delivery. This contrasts with most every British publication with Doctor Who content, where release schedules have been occasional, weekly, fortnightly, four-weekly — but only rarely monthly.
Historical overview[[edit] | [edit source]]
20th century[[edit] | [edit source]]
Though dominantly a format of the 21st century, the first Doctor Who story told in this format was an adaptation of the movie, Dr. Who and the Daleks. At that time in the 1960s, Dell Publishing specialised in publishing adaptations of films and television shows. Daleks was merely one of the hundreds of properties it had obtained the right to publish.
The next major American comic book was Doctor Who (1984), a repackaging of stories from Marvel UK by Marvel Comics Group. Though it had been prefigured by a couple of "pilot" issues in Marvel Premiere, the 1984 series of Doctor Who was the first true "run" of American comic books in Doctor Who history.
21st century[[edit] | [edit source]]
After the successful BBC Wales return of Doctor Who, IDW Publishing picked up the license for American comic books in the waning days of David Tennant's stewardship of the programme on television. They then published a number of stories based on both the Tenth and Eleventh Doctors.
As Peter Capaldi loomed on the horizon, however, the BBC awarded its contract to Titan Publishing Group. Titan then embarked on the most aggressive publication schedule in Doctor Who's American comic book history. By the time Jodie Whittaker's first series officially began, Titan had been running no less than four ongoing monthly titles all at the same time, each starring one of the four modern series Doctors up to that point, as well as multiple miniseries starring classic Doctors, and other one-shots and special events.
Titan opted to greatly increase this output once the Thirteenth Doctor arrived, retiring all of their existing ongoing Who titles in favour of a new, single ongoing series starring the new incarnation. This only decreased further in subsequent years, to the point where Titan only ran limited miniseries and one-shot titles on a much more irregular basis.
Footnotes[[edit] | [edit source]]
- ↑ For most of the period of time Doctor Who American comics have existed, standard pages have been drawn on 10-inch by 15-inch art boards. According to David Marshall at the Art of the Comic Book website, the basic notion since the late 1970s is that American comics have a 2:3 ratio.
