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{{Infobox Story | {{Infobox Story SMW | ||
|image = Daleks in Manhattan.jpg | |image = Daleks in Manhattan.jpg | ||
|series = [[Doctor Who television stories|''Doctor Who'' television stories]] | |series = [[Doctor Who television stories|''Doctor Who'' television stories]] | ||
|season number = Series 3 (Doctor Who) | |season number = Series 3 (Doctor Who 2005) | ||
|series episode number = 4 | |series episode number = 4 | ||
|story number = 182a | |story number = 182a | ||
|scripturl = https://www.bbc.co.uk/writersroom/documents/doctor-who-3-episode-4-daleks-in-manhattan-green-revisions-21112006.pdf | |||
|doctor = Tenth Doctor | |doctor = Tenth Doctor | ||
|companions = [[Martha Jones|Martha]] | |companions = [[Martha Jones|Martha]] | ||
|enemy = [[ | |enemy = [[Dalek Sec]] | ||
|setting = [[New York City]], [[1930]] | |setting = [[New York City]], [[1930]] | ||
|writer = | |writer = Helen Raynor | ||
|director = [[James Strong]] | |director = [[James Strong]] | ||
|producer = [[Phil Collinson]] | |producer = [[Phil Collinson]] | ||
|confidential = A New York Story (CON episode) | |confidential = A New York Story (CON episode) | ||
|broadcast date = | |broadcast date = 21 April 2007 | ||
|network = | |network = BBC One | ||
|format = 1x45-minute episode<br/>1st in a two-part story | |format = 1x45-minute episode<br/>1st in a two-part story | ||
|production code = 3.4 | |production code = 3.4 | ||
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|bts = Meet Tallulah - Doctor Who Confidential - BBC | |bts = Meet Tallulah - Doctor Who Confidential - BBC | ||
}} | }} | ||
'''''Daleks in Manhattan''''' was the fourth episode of [[Series 3 (Doctor Who)|series 3]] of ''[[Doctor Who]]''. | '''''Daleks in Manhattan''''' was the fourth episode of [[Series 3 (Doctor Who 2005)|series 3]] of ''[[Doctor Who]]''. | ||
It marked the reappearance of the [[Cult of Skaro]] and [[the Doctor]]'s second visit to the [[Empire State Building]]. | It marked the reappearance of the [[Cult of Skaro]] and [[the Doctor]]'s second visit to the [[Empire State Building]]. | ||
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The Doctor and Martha talk to Solomon. He asks the Doctor why people can build the [[Empire State Building]], which will be the tallest building in the world when completed, when there is a Hooverville in midtown Manhattan. | The Doctor and Martha talk to Solomon. He asks the Doctor why people can build the [[Empire State Building]], which will be the tallest building in the world when completed, when there is a Hooverville in midtown Manhattan. | ||
At the top of the Empire State Building, as construction workers toil to complete work, a [[businessman]] named Mr [[Diagoras]] orders one of his [[Foreman (Daleks in Manhattan)|foremen]] to speed up construction on the roof mast, telling him that there is extra work demanded by his bosses that must be completed by tonight. When the foreman refuses to accelerate the speed of work and threatens a strike, Mr Diagoras tells the man that he should instead complain to the masters himself, and quickly presses the elevator call button. As the elevator comes up, the foreman asks him about his new "masters", but Diagoras is very vague about them, only saying that they are from out of town and beyond the [[human]] imagination. | At the top of the Empire State Building, as construction workers toil to complete work, a [[businessman]] named Mr [[Diagoras]] orders one of his [[Foreman (Daleks in Manhattan)|foremen]] to speed up construction on the roof mast, telling him that there is extra work demanded by his bosses that must be completed by tonight. When the foreman refuses to accelerate the speed of work and threatens a strike, Mr Diagoras tells the man that he should instead complain to the masters himself, and quickly presses the elevator call button. As the elevator comes up, the foreman asks him about his new "masters", but Diagoras is very vague about them, only saying that they are from out of town and beyond the [[human]] imagination. | ||
Before the foreman can figure out what this means, the elevator arrives, containing [[Dalek Caan]] of the Cult of Skaro and two pig slaves. As the foreman backs away in shock, Diagoras tells Caan that the man is refusing to complete the work. Dalek Caan has the foreman taken away for "the final experiment". The pig slaves hustle the foreman into the elevator, and as the elevator doors close, Caan orders Diagoras to recruit more "bodies" for the final experiment. | Before the foreman can figure out what this means, the elevator arrives, containing [[Dalek Caan]] of the Cult of Skaro and two pig slaves. As the foreman backs away in shock, Diagoras tells Caan that the man is refusing to complete the work. Dalek Caan has the foreman taken away for "the final experiment". The pig slaves hustle the foreman into the elevator, and as the elevator doors close, Caan orders Diagoras to recruit more "bodies" for the final experiment. | ||
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They are interrupted when a young hobo from [[Tennessee]] named [[Frank (Daleks in Manhattan)|Frank]] comes in to inform them that Diagoras has stopped by. Diagoras addresses the community members, saying he wants to recruit workers to clear a sewer collapse for a dollar a day. Intrigued by Diagoras' admission that people sometimes fail to come back, the Doctor accepts the job. Martha goes with him, along with Solomon and Frank. Mr Diagoras tells them the location is about a half mile in, but they find no obstruction — just a green, pulsating lump of alien flesh. The Doctor examines and pockets it. Further on, they come across a lone pig slave. As the Doctor talks to it, more pig slaves arrive to ambush them and chase the Doctor and friends through the sewers. | They are interrupted when a young hobo from [[Tennessee]] named [[Frank (Daleks in Manhattan)|Frank]] comes in to inform them that Diagoras has stopped by. Diagoras addresses the community members, saying he wants to recruit workers to clear a sewer collapse for a dollar a day. Intrigued by Diagoras' admission that people sometimes fail to come back, the Doctor accepts the job. Martha goes with him, along with Solomon and Frank. Mr Diagoras tells them the location is about a half mile in, but they find no obstruction — just a green, pulsating lump of alien flesh. The Doctor examines and pockets it. Further on, they come across a lone pig slave. As the Doctor talks to it, more pig slaves arrive to ambush them and chase the Doctor and friends through the sewers. | ||
[[File:DaleksinManhattanNewYork.jpg|thumb|left|Dalek Cann and Diagoras look over New York City.]] | |||
Back at the top of the Empire State Building, Mr Diagoras orders the crew working there to attach strange strips of metal to the base of the mast and to complete the task that night. The workers complain about the unsafe conditions but comply. Diagoras warns them that if they do not work, he can replace them in a flash. After they leave, Dalek Caan arrives in the elevator and discusses the construction with Diagoras. Dalek Caan mentions that his planet was destroyed in a great war; he seems somewhat impressed that humans have survived across time, building and rebuilding New York City, though "humankind is weak" as it "shelters from the dark". Diagoras tells the Dalek that he fought in a war, [[World War I]], and he promised himself thereafter that he would survive at any cost. Noting that Diagoras is most like them in mentality, [[Dalek Sec]] orders him to the Cult's laboratory in the [[basement]], where he is seized for use in their "[[Final Experiment|final experiment]]". | Back at the top of the Empire State Building, Mr Diagoras orders the crew working there to attach strange strips of metal to the base of the mast and to complete the task that night. The workers complain about the unsafe conditions but comply. Diagoras warns them that if they do not work, he can replace them in a flash. After they leave, Dalek Caan arrives in the elevator and discusses the construction with Diagoras. Dalek Caan mentions that his planet was destroyed in a great war; he seems somewhat impressed that humans have survived across time, building and rebuilding New York City, though "humankind is weak" as it "shelters from the dark". Diagoras tells the Dalek that he fought in a war, [[World War I]], and he promised himself thereafter that he would survive at any cost. Noting that Diagoras is most like them in mentality, [[Dalek Sec]] orders him to the Cult's laboratory in the [[basement]], where he is seized for use in their "[[Final Experiment|final experiment]]". | ||
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Meanwhile, in the sewers, Martha is thrust in with a parade of captives taken from Hooverville, including Frank. They are met first by Dalek Caan, and then Dalek Thay who reports that the [[Dalekanium]] is in place and the energy conductor is now complete. Dalek Caan uses his plunger arm to scan their captives' brains as the Doctor hides nearby and watches. Laszlo explains that the "low intelligence" captives become pig slaves, while the "high intelligence" ones are destined to become part of "the final experiment". Laszlo urges Tallulah to go back without him, and the Doctor joins Martha in the high intelligence group as they proceed towards "the final experiment". Tallulah runs back through the sewers but gets lost. | Meanwhile, in the sewers, Martha is thrust in with a parade of captives taken from Hooverville, including Frank. They are met first by Dalek Caan, and then Dalek Thay who reports that the [[Dalekanium]] is in place and the energy conductor is now complete. Dalek Caan uses his plunger arm to scan their captives' brains as the Doctor hides nearby and watches. Laszlo explains that the "low intelligence" captives become pig slaves, while the "high intelligence" ones are destined to become part of "the final experiment". Laszlo urges Tallulah to go back without him, and the Doctor joins Martha in the high intelligence group as they proceed towards "the final experiment". Tallulah runs back through the sewers but gets lost. | ||
[[File:DaleksinManhattanDalekSec.jpg|thumb|right|The Human-Dalek is revealed.]] | |||
The captive party reaches the Daleks' [[Transgenic Laboratory]] under the Empire State Building, where Dalek Jast attends to Dalek Sec. The Doctor tells Martha to ask what they are doing; he does not want the Daleks to notice him. Martha steps forward and demands to know what is happening. Dalek Caan tells her she will bear witness to the rebirth of the Dalek race. Dalek Sec's casing opens, and a [[humanoid]] [[Human-Dalek|creature]] emerges with a Dalek mutant-like head and brown scaly hands, wearing Mr Diagoras' suit. It flexes its new limbs as the other three Daleks recoil from it. "I am a human Dalek," it tells them all, "I am your future..." | The captive party reaches the Daleks' [[Transgenic Laboratory]] under the Empire State Building, where Dalek Jast attends to Dalek Sec. The Doctor tells Martha to ask what they are doing; he does not want the Daleks to notice him. Martha steps forward and demands to know what is happening. Dalek Caan tells her she will bear witness to the rebirth of the Dalek race. Dalek Sec's casing opens, and a [[humanoid]] [[Human-Dalek|creature]] emerges with a Dalek mutant-like head and brown scaly hands, wearing Mr Diagoras' suit. It flexes its new limbs as the other three Daleks recoil from it. "I am a human Dalek," it tells them all, "I am your future..." | ||
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* [[Tenth Doctor|The Doctor]] - [[David Tennant]] | * [[Tenth Doctor|The Doctor]] - [[David Tennant]] | ||
* [[Martha Jones]] - [[Freema Agyeman]] | * [[Martha Jones]] - [[Freema Agyeman]] | ||
* [[Tallulah]] - [[Miranda Raison]] | * [[Tallulah Francis|Tallulah]] - [[Miranda Raison]] | ||
* [[Laszlo]] - [[Ryan Carnes]] | * [[Laszlo]] - [[Ryan Carnes]] | ||
* [[Solomon (Daleks in Manhattan)|Solomon]] - [[Hugh Quarshie]] | * [[Solomon (Daleks in Manhattan)|Solomon]] - [[Hugh Quarshie]] | ||
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* [[Diagoras|Mr Diagoras]] - [[Eric Loren]] | * [[Diagoras|Mr Diagoras]] - [[Eric Loren]] | ||
* [[Myrna]] - [[Flik Swan]] | * [[Myrna]] - [[Flik Swan]] | ||
* [[Lois | * [[Lois Shaw|Lois]] - [[Alexis Caley]] | ||
* [[Zeffrey|Man #1]] - [[Earl Perkins]] | * [[Zeffrey|Man #1]] - [[Earl Perkins]] | ||
* [[Man 2 (Daleks in Manhattan)|Man #2]] - [[Peter Brooke]] | * [[Man 2 (Daleks in Manhattan)|Man #2]] - [[Peter Brooke]] | ||
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* [[Dalek Operator]]s - [[Barnaby Edwards]], [[Nicholas Pegg]], [[Anthony Spargo]], [[David Hankinson]] | * [[Dalek Operator]]s - [[Barnaby Edwards]], [[Nicholas Pegg]], [[Anthony Spargo]], [[David Hankinson]] | ||
* [[Dalek|Dalek Voices]] - [[Nicholas Briggs]] | * [[Dalek|Dalek Voices]] - [[Nicholas Briggs]] | ||
* [[ | * [[Pig slave|Hero Pig]] - [[Paul Kasey]] | ||
=== Uncredited cast === | === Uncredited cast === | ||
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}} | }} | ||
== | == Worldbuilding == | ||
=== Species === | === Species === | ||
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* Tallulah uses the stereotype of [[Into musical theatre|liking musical theatre]] as a euphemism for [[homosexuality]]. | * Tallulah uses the stereotype of [[Into musical theatre|liking musical theatre]] as a euphemism for [[homosexuality]]. | ||
* [[Heidi Chicane]] was originally supposed to perform the song that Tallulah sings. | * [[Heidi Chicane]] was originally supposed to perform the song that Tallulah sings. | ||
=== Influences === | |||
* Tallulah was an homage to the singer played by [[Jodie Foster]] in ''[https://en.wikipedia.org/wiki/Bugsy_Malone Bugsy Malone]'' (1976). | |||
* [[Helen Raynor]] drew inspiration from [https://en.wikipedia.org/wiki/Universal_Classic_Monsters Universal Horror films], which were at their zenith during the Great Depression. [[Frankenstein (film)|''Frankenstein'']] (1931) was a main inspiration. | |||
* ''[[King Kong]] -'' The Empire State Building's role in the story and Tallulah was inspired by [https://kingkong.fandom.com/wiki/Ann_Darrow Ann Darrow]. | |||
* Tallulah and Lazlow's romance was inspired by ''[[The Phantom of the Opera]].'' | |||
== Story notes == | == Story notes == | ||
* The working title for the episode was originally | * The working title for the episode was originally ''Daleks in New York'' but was changed due to the fact that it would be easier to say Manhattan. | ||
*When the camera pans to the Statue of Liberty in the beginning, the song "{{w|Rhapsody in Blue}}", by Gershwin, can be heard in the background. | * When the camera pans to the Statue of Liberty in the beginning, the song "{{w|Rhapsody in Blue}}", by [[George Gershwin]], can be heard in the background. | ||
* In the very beginning, the song "{{w|Happy Days Are Here Again}}" is played in the background. | * In the very beginning, the song "{{w|Happy Days Are Here Again}}" is played in the background. | ||
* This is the second episode in series 3 to feature a fake gun, a recurring motif that appears at several points in series 3, foreshadowing the gun in ''[[Last of the Time Lords (TV story)|Last of the Time Lords]]''. | * This is the second episode in series 3 to feature a fake gun, a recurring motif that appears at several points in series 3, foreshadowing the gun in ''[[Last of the Time Lords (TV story)|Last of the Time Lords]]''. | ||
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* This is the first time in the New Series that the Daleks do not elevate or shout "Exterminate." | * This is the first time in the New Series that the Daleks do not elevate or shout "Exterminate." | ||
* [[Russell T Davies]] has suggested that the Daleks' arrival on the Empire State Building in ''[[The Chase (TV story)|The Chase]]'' planted the idea for their eventual influence over its construction. | * [[Russell T Davies]] has suggested that the Daleks' arrival on the Empire State Building in ''[[The Chase (TV story)|The Chase]]'' planted the idea for their eventual influence over its construction. | ||
*[[Steven Moffat]] was initially assigned to the two-parter but pulled out from the episodes, as he was busy with {{wi|Jekyll (TV series)|Jekyll}}. Instead, he offered to write the Doctor-lite episode to make up for the inconvenience to the production team, the result being ''[[Blink (TV story)|Blink]]''. | * [[Steven Moffat]] was initially assigned to the two-parter but pulled out from the episodes, as he was busy with {{wi|Jekyll (TV series)|Jekyll}}. Instead, he offered to write the Doctor-lite episode to make up for the inconvenience to the production team, the result being ''[[Blink (TV story)|Blink]]''. | ||
*[[Helen Raynor]] is the first woman to write a televised Dalek story, and the first woman to write a story for the revived series. | * [[Helen Raynor]] is the first woman to write a televised Dalek story, and the first woman to write a story for the revived series. | ||
*Some filming for this story was done in New York City for plates of the city, including images of Central Park, the Empire State Building, and the Statue of Liberty. However, on the online episode commentary for ''[[Gridlock (TV story)|Gridlock]]'', [[David Tennant]], when asked if he filmed in New York, replied, "I didn't, everybody else did!" All of the scenes with Martha and the Doctor in front of the Statue of Liberty were actually filmed in Wales. The production team found a wall that matched the base of the statue. | * Some filming for this story was done in New York City for plates of the city, including images of Central Park, the Empire State Building, and the Statue of Liberty. However, on the online episode commentary for ''[[Gridlock (TV story)|Gridlock]]'', [[David Tennant]], when asked if he filmed in New York, replied, "I didn't, everybody else did!" All of the scenes with Martha and the Doctor in front of the Statue of Liberty were actually filmed in Wales. The production team found a wall that matched the base of the statue. | ||
*This episode includes the first location filming outside of the United Kingdom since ''Doctor Who'''s return in 2005. | * This episode includes the first location filming outside of the United Kingdom since ''Doctor Who'''s return in 2005. | ||
*Originally, much of the action around the speakeasies which proliferated during Prohibition, including having Laszlo involved with the mob. However, [[Russell T Davies|Russell T. Davies]] wanted to avoid the jazz music which would be predominant in such an environment, and so Helen Raynor came up with the Broadway and Hooverville settings instead. | * Originally, much of the action around the speakeasies which proliferated during [[Prohibition]], including having Laszlo involved with the mob. However, [[Russell T Davies|Russell T. Davies]] wanted to avoid the jazz music which would be predominant in such an environment, and so [[Helen Raynor]] came up with the Broadway and Hooverville settings instead. | ||
* | * [[Russell T Davies|Russell T. Davies]] chose [[Helen Raynor]] to write this two-parter based on the strength of the [[Torchwood (TV series)|''Torchwood'']] episode ''[[Ghost Machine (TV story)|Ghost Machine]],'' which she wrote. | ||
* This is the first time since [[The Daleks (TV story)|the Daleks' debut story]] that one of them has actually considered leaving their shell. | |||
*This is the first time since [[The Daleks (TV story)|the Daleks' debut story]] that one of them has actually considered leaving their shell. | * An opening TARDIS scene, in which Martha convinces the Doctor to take her on one last trip through time was cut. This matched up with the opening moments of the next story to be broadcast, ''[[The Lazarus Experiment (TV story)|The Lazarus Experiment]]'', in which the Doctor finally brings Martha home. | ||
*An opening TARDIS scene, in which Martha convinces the Doctor to take her on one last trip through time was cut. This matched up with the opening moments of the next story to be broadcast, ''[[The Lazarus Experiment (TV story)|The Lazarus Experiment]]'', in which the Doctor finally brings Martha home | * Mr Diagoras was named for the fifth century BC Greek poet, [https://en.wikipedia.org/wiki/Diagoras_of_Melos Diagoras the Atheist]. | ||
* Towards the beginning of the episode, the character Solomon breaks a piece of bread in half for the two men fighting over it. This is analogous to the biblical story of Solomon threatening to cut a baby in half for two women both claiming it. | |||
* Solomon called $1.00 a day slave wages. For perspective, the fortunate few who worked building the Empire State Building earned $2.00 an hour for tradesmen like masons and steel workers and $1.00 an hour for unskilled laborers. | |||
*Mr Diagoras was named for the fifth century BC Greek poet, Diagoras the Atheist. | * It was discovered at the last minute that no hands had been ordered for [[Eric Loren]]'s costume as the hybrid Sec, and so the actor was given a pair of black gloves to wear for the scenes in which Diagoras is absorbed by Sec. Subsequently, however, it was realised that the panic was all for naught: the hands had been fabricated after all. | ||
*Towards the beginning of the episode, the character Solomon breaks a piece of bread in half for the two men fighting over it. This is analogous to the biblical story of Solomon threatening to cut a baby in half for two women both claiming it. | * [[Helen Raynor]] had originally envisioned the TARDIS materialising on the roof of a [[Broadway]] theatre, but amended this to the base of the Statue of Liberty. | ||
*Solomon called $1.00 a day slave wages. For perspective, the fortunate few who worked building the Empire State Building earned $2.00 an hour for tradesmen like masons and steel workers and $1.00 an hour for unskilled laborers. | * The story came about when [[Russell T Davies]] noted that the previous two seasons had Daleks appearing the future, the far-future and the present day and thus wanted to put them in the past, as stories like ''[[The Evil of the Daleks (TV story)|The Evil of the Daleks]]'' had done. | ||
*It was discovered at the last minute that no hands had been ordered for [[Eric Loren]]'s costume as the hybrid Sec, and so the actor was given a pair of black gloves to wear for the scenes in which Diagoras is absorbed by Sec. Subsequently, however, it was realised that the panic was all for naught: the hands had been fabricated after all. | * [[Russell T Davies]] wanted to focus on the fact that the Daleks were genetically engineered, which he imagined would make them skilled in the discipline. | ||
*Helen Raynor had originally envisioned the TARDIS materialising on the roof of a Broadway theatre, but amended this to the base of the Statue of Liberty. | * The pig men were originally the results of experimentation on kidnapped sailors; [[Russell T Davies]] hoped that the Cardiff Docks could be made to look like their Gotham equivalents. The docks were dropped from the story because their distance from the [[Broadway]] theatre district made the plot's logistics unnecessarily complicated. | ||
* [[Helen Raynor]] was able to draw upon her own experiences for the theatre storyline, having been a theatre director for almost ten years before joining the BBC. | |||
* [[Helen Raynor]]'s duties as script editor were reduced so she could write her script. | |||
* Originally, a starting point for the Doctor's investigation was the theft of pigs from ships' cargo, and reports of lights moving under the water which would turn out to be the Daleks. | |||
* At one point, a major set piece saw Tallulah discover a cage full of the remnants of the Daleks' failed genetic experiments, but this was deemed too expensive to realise. | |||
* There was originally a damaged Dalek who had been modified to be steam-powered, since it took the focus away from the genetic manipulations at the heart of the tale. | |||
* No new Dalek casings would be required, since the story involved the same four members of the Cult of Skaro previously introduced in ''[[Doomsday (TV story)|Doomsday]].'' | |||
* One of [[James Strong]]'s goals was to achieve a convincing realisation of 1930 New York City. When he learned that ''[[Doctor Who Confidential]]'' was planning to fly [[Helen Raynor]] to the Big Apple for an on-location interview segment, he suggested to [[Phil Collinson]] that a skeleton film crew could join them to record footage for the Dalek story itself. | |||
* To add to the setting's believability, [[James Strong]] sought actors who spoke with a natural American accent. | |||
* Filming in Bute Park was hampered by cold and wet weather, leaving [[David Tennant]] struggling with his voice. | |||
=== Ratings === | === Ratings === | ||
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* As Diagoras walks into the lab, he removes his gloves. When the shot changes, he removes his right glove a second time. | * As Diagoras walks into the lab, he removes his gloves. When the shot changes, he removes his right glove a second time. | ||
* When Diagoras is seen being merged he has gloves on but when he becomes a hybrid the gloves are gone. | * When Diagoras is seen being merged he has gloves on but when he becomes a hybrid the gloves are gone. | ||
* In the shot where the three Daleks back away from the newly emerged Human Dalek, the eyestalk of Dalek Sec is moving - even though the casing is now empty. | |||
== Continuity == | == Continuity == | ||
* The [[Cult of Skaro]] came to New York in 1930 after their emergency [[temporal shift]] to escape the [[Battle of Canary Wharf]] in [[2007]]. ([[TV]]: ''[[Doomsday (TV story)|Doomsday]]'') | * The [[Cult of Skaro]] came to New York in 1930 after their emergency [[temporal shift]] to escape the [[Battle of Canary Wharf]] in [[2007]]. ([[TV]]: ''[[Doomsday (TV story)|Doomsday]]'') | ||
* [[Martha Jones|Martha]] recognises the name "Dalek" upon hearing one of the Daleks identify their species. She was told about the Daleks by the [[Tenth Doctor]]. ([[TV]]: ''[[Gridlock (TV story)|Gridlock]]'') | * [[Martha Jones|Martha]] recognises the name "Dalek" upon hearing one of the Daleks identify their species. She was told about the Daleks by the [[Tenth Doctor]]. ([[TV]]: ''[[Gridlock (TV story)|Gridlock]]'') | ||
* Martha recalls her and the Doctor's recent adventure in New New York, commenting she had always wanted to visit New York, but not the "new, new, new, new, new one." ([[TV]]: ''[[Gridlock (TV story)|Gridlock]]'') | |||
* Daleks briefly landed on the Empire State Building at a later point in history while chasing the [[First Doctor]] through space and time. ([[TV]]: ''[[The Chase (TV story)|The Chase]]'') | * Daleks briefly landed on the Empire State Building at a later point in history while chasing the [[First Doctor]] through space and time. ([[TV]]: ''[[The Chase (TV story)|The Chase]]'') | ||
* The Daleks previously tried to harness the [[Human Factor]], causing the Daleks involved to become more human than anticipated. ([[TV]]: ''[[The Evil of the Daleks (TV story)|The Evil of the Daleks]]'') | * The Daleks previously tried to harness the [[Human Factor]], causing the Daleks involved to become more human than anticipated. ([[TV]]: ''[[The Evil of the Daleks (TV story)|The Evil of the Daleks]]'') | ||
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<gallery position="center" captionalign="center" hideaddbutton="true"> | <gallery position="center" captionalign="center" hideaddbutton="true"> | ||
File:The Complete David Tennant Years Region 1 US DVD cover.jpg|The Complete David Tennant Years DVD<br />Region 1 US cover | File:The Complete David Tennant Years Region 1 US DVD cover.jpg|The Complete David Tennant Years DVD<br />Region 1 US cover | ||
File:Series-3-boxset.jpg|The Complete [[Series 3 (Doctor Who)|Series Three]] DVD box-set | File:Series-3-boxset.jpg|The Complete [[Series 3 (Doctor Who 2005)|Series Three]] DVD box-set | ||
File:Bbcdvd-s3-v2.jpg|thumb|Series 3 Volume 2 DVD Cover | File:Bbcdvd-s3-v2.jpg|thumb|Series 3 Volume 2 DVD Cover | ||
File:Bbcdvd-thedalekcollection.jpg|The [[Dalek]] Collection DVD box-set | |||
File:Bbcdvd-series1234.jpg|thumb|''Doctor Who: The Complete Series One to Four'' DVD box-set | File:Bbcdvd-series1234.jpg|thumb|''Doctor Who: The Complete Series One to Four'' DVD box-set | ||
File:Bbcdvd-series1234567.jpg|thumb|''Doctor Who: The Complete Series One to Seven'' DVD box-set | File:Bbcdvd-series1234567.jpg|thumb|''Doctor Who: The Complete Series One to Seven'' DVD box-set |
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