833
edits
YoungCodger (talk | contribs) (Removed footnote that went to 2024 Big Finish website redesign attempt.) |
|||
(7 intermediate revisions by 2 users not shown) | |||
Line 37: | Line 37: | ||
The story introduced the character of [[Bev Tarrant]] who would go on to be a main character in the [[Bernice Summerfield (series)|''Bernice Summerfield'' audio range]]. | The story introduced the character of [[Bev Tarrant]] who would go on to be a main character in the [[Bernice Summerfield (series)|''Bernice Summerfield'' audio range]]. | ||
Behind the scenes, this story was notable, not just as the first Big Finish production to feature the [[Dalek]]s, but as [[Nicholas Briggs]]' first time voicing them in an official ''Doctor Who'' production. He previously voiced the Daleks for the [[Audio Visuals]] in the 1980s. Briggs later went on to voice the Daleks throughout the [[BBC Wales]] series of ''[[Doctor Who]]'', as [[Russell T Davies]] was a Big Finish subscriber and discovered him that way. | Behind the scenes, this story was notable, not just as the first Big Finish production to feature the [[Dalek]]s, but as [[Nicholas Briggs]]' first time voicing them in an official ''Doctor Who'' production. He previously voiced the Daleks for the [[Audio Visuals (fan work)|Audio Visuals]] in the 1980s. Briggs later went on to voice the Daleks throughout the [[BBC Wales]] series of ''[[Doctor Who]]'', as [[Russell T Davies]] was a Big Finish subscriber and discovered him that way. | ||
Another first behind the scenes was the first use of {{w|Pro Tools}} to edit a Big Finish story, namely by Nick Briggs, who provided the post-production and music/sound design for ''The Genocide Machine''. The small 8-track device he previously used to edit Big Finish broke down mid-production, and he was forced to upgrade. | Another first behind the scenes was the first use of {{w|Pro Tools}} to edit a Big Finish story, namely by Nick Briggs, who provided the post-production and music/sound design for ''The Genocide Machine''. The small 8-track device he previously used to edit Big Finish broke down mid-production, and he was forced to upgrade. | ||
Line 120: | Line 120: | ||
== Notes == | == Notes == | ||
* This is Big Finish's first [[Dalek]] audio drama, marked as "[[Dalek Empire (audio series)|Dalek Empire]] Part One", voiced for the first time by [[Nicholas Briggs]], who continues the role to the present day in Big Finish audios and in the revived television series. [[Alistair Lock]] also provides Dalek voices in the story. | * [[File:007 The Genocide Machine credits.jpg|thumb|CD booklet credits.]]This is Big Finish's first [[Dalek]] audio drama, marked as "[[Dalek Empire (audio series)|Dalek Empire]] - Part One", voiced for the first time by [[Nicholas Briggs]], who continues the role to the present day in Big Finish audios and in the revived television series. [[Alistair Lock]] also provides Dalek voices in the story. | ||
* This audio was featured in ''[[Doctor Who Magazine]]'' [[DWM 290|issue 290]] with an accompanying illustration by [[Lee Sullivan]]. | * This audio was featured in ''[[Doctor Who Magazine]]'' [[DWM 290|issue 290]] with an accompanying illustration by [[Lee Sullivan]]. | ||
* This audio drama was recorded on [[13 November (production)|13]] and [[14 November (production)|14 November]] [[1999 (production)|1999]]. | * This audio drama was recorded on [[13 November (production)|13]] and [[14 November (production)|14 November]] [[1999 (production)|1999]] at [[The Nu Groove Studios|Nu Groove Studios]].<ref name=":1">https://web.archive.org/web/20240726195907/https://www.bigfinish.com/releases/v/doctor-who-the-genocide-machine-625</ref> | ||
* The first two editions of ''[[AHistory]]'' dates this story to 4256, as this was the date given by the Big Finish website; however, the third edition redates it to circa 5256, since in ''[[The Judas Gift (audio story)|The Judas Gift]]'' (set in 2607), Bev Tarrant says she's from "three thousand years in the future". | * The first two editions of ''[[AHistory]]'' dates this story to 4256, as this was the date given by the Big Finish website; however, the third edition redates it to circa 5256, since in ''[[The Judas Gift (audio story)|The Judas Gift]]'' (set in 2607), Bev Tarrant says she's from "three thousand years in the future". | ||
* This story is set between [[Survival (TV story)|''Survival'']] and the [[Doctor Who (TV story)|1996 TV Movie]], and after [[The Fearmonger (audio story)|''The Fearmonger'']].<ref name=":1" /> | |||
* This story was originally titled ''Wetworks.''<ref>[https://x.com/bigfinish/status/1814252654756778430 https://twitter.com/bigfinish/status/1814252654756778430]</ref><ref>[https://x.com/bigfinish/status/1814253518095524350 https://twitter.com/bigfinish/status/1814253518095524350]</ref> | |||
== Continuity == | == Continuity == | ||
Line 140: | Line 142: | ||
== Footnotes == | == Footnotes == | ||
<references /> | |||
=== Notes === | === Notes === | ||
{{notelist}} | {{notelist}}{{BFA monthly}} | ||
{{BFA monthly}} | |||
{{BFDE}} | {{BFDE}} | ||
{{Dalek audio stories}} | {{Dalek audio stories}} |
edits