10 October (production): Difference between revisions
From Tardis Wiki, the free Doctor Who reference
m (Piped italics fix: P2) |
m (Standardising template spacing and order) |
||
(4 intermediate revisions by 4 users not shown) | |||
Line 1: | Line 1: | ||
{{#ifeq:{{PAGENAME}}|10 October (production)|{{real world}}{{DayNavLateral}}{{DayNav}}|}} | {{#ifeq:{{PAGENAME}}|10 October (production)|{{real world}} | ||
{{DayNavLateral}}{{DayNav}}|}} | |||
{{#ifeq:{{PAGENAME}}|10 October (production)|{{ProductionDayLead}}|}}<!-- | {{#ifeq:{{PAGENAME}}|10 October (production)|{{ProductionDayLead}}|}}<!-- | ||
PLEASE do not alter anything ABOVE this line | PLEASE do not alter anything ABOVE this line | ||
=================== --> | =================== --> | ||
* [[1963 (production)|1963]] | * [[1963 (production)|1963]] | ||
* | ** [[Donald Wilson]] wrote an extensive memo to [[Donald Baverstock]], [[Sydney Newman]], [[Joanna Spicer]] and [[Richard Levin]]. He passionately argued for a higher [[special effect]]s effort than the SFX department had apparently been prepared to give. He also pushed back against the apparent institutional sloth in deciding whether to go beyond the first four episodes. Wilson argued that the ''[[Doctor Who]]'' production team needed a longer commitment, due to extraordinary lead time necessary to produce the show. | ||
* [[1965 (production)|1965]] - This was the first full day of the [[John Wiles]] [[producer]]-ship, since [[Verity Lambert]]'s final credited episode, ''[[Mission to the Unknown (TV story)|Mission to the Unknown]]'' was broadcast the [[9 October (releases)|previous day]]. | ** The fight between [[Za]] and [[Kal]] in the final episode of ''[[An Unearthly Child (TV story)|An Unearthly Child]]'' began being pre-filmed at [[Ealing Studios]]. It was [[Director (crew)|directed]] by [[production assistant]] [[Douglas Camfield]]. ([[INFO]]: ''An Unearthly Child'') | ||
* [[1965 (production)|1965]] - This was the first full day of the [[John Wiles]] [[producer]]-ship, since [[Verity Lambert]]'s final credited episode, ''[[Mission to the Unknown (TV story)|Mission to the Unknown]]'' was broadcast the [[9 October (releases)|previous day]]. Wiles had been shadowing Lambert for some time before then, and had already been making most of the decisions for a few weeks. | |||
* [[1969 (production)|1969]] - Location filming for ''[[Spearhead from Space (TV story)|Spearhead from Space]]'' took place. ([[REF]]: ''[[Doctor Who The Handbook: The Third Doctor]]'') | * [[1969 (production)|1969]] - Location filming for ''[[Spearhead from Space (TV story)|Spearhead from Space]]'' took place. ([[REF]]: ''[[Doctor Who The Handbook: The Third Doctor]]'') | ||
* [[1970 (production)|1970]] - Studio filming for ''[[Terror of the Autons (TV story)|Terror of the Autons]]'' took place at BBC Television Centre 8. ([[REF]]: ''[[Doctor Who The Handbook: The Third Doctor]]'') | * [[1970 (production)|1970]] - Studio filming for ''[[Terror of the Autons (TV story)|Terror of the Autons]]'' took place at BBC Television Centre 8. ([[REF]]: ''[[Doctor Who The Handbook: The Third Doctor]]'') | ||
* [[1978 (production)|1978]] - Studio filming for ''[[The Power of Kroll (TV story)|The Power of Kroll]]'' took place at BBC Centre Television studio 6. ([[REF]]: ''[[Doctor Who The Handbook: The Fourth Doctor]]'') | * [[1978 (production)|1978]] - Studio filming for ''[[The Power of Kroll (TV story)|The Power of Kroll]]'' took place at BBC Centre Television studio 6. ([[REF]]: ''[[Doctor Who The Handbook: The Fourth Doctor]]'') | ||
* [[2013 (production)|2013]] | * [[2013 (production)|2013]] | ||
* | ** The [[Big Finish Productions|Big Finish]] audio story ''[[The War To End All Wars (audio story)|The War To End All Wars]]'' was recorded at [[the Moat Studios]]. | ||
** Big Finish announced three further box sets of the ''[[Dark Eyes (audio series)|Dark Eyes]]'' series. | |||
* [[2014 (production)|2014]] - The Big Finish audio story ''[[The Secret History (audio story)|The Secret History]]'' was recorded at the Moat Studios. | * [[2014 (production)|2014]] - The Big Finish audio story ''[[The Secret History (audio story)|The Secret History]]'' was recorded at the Moat Studios. | ||
* [[2017 (production)|2017]] - The Big Finish audio story ''[[The Dispossessed (audio story)|The Dispossessed]]'' was recorded at the Moat Studios. | * [[2017 (production)|2017]] - The Big Finish audio story ''[[The Dispossessed (audio story)|The Dispossessed]]'' was recorded at the Moat Studios. | ||
* [[2018 (production)|2018]] | * [[2018 (production)|2018]] | ||
* | ** The [[The Diary of River Song: Series Six|sixth series]] of Big Finish's audio series ''[[The Diary of River Song (audio series)|The Diary of River Song]]'' was recorded. | ||
** Big Finish confirmed [[The Tenth Doctor Adventures: Volume Three|the third series]] of ''[[The Tenth Doctor Adventures (audio series)|The Tenth Doctor Adventures]]''. | |||
* [[2020 (production)|2020]] - The Big Finish audio story ''[[The Martian Invasion of Planetoid 50 (audio story)|The Martian Invasion of Planetoid 50]]'' was recorded remotely. | |||
<!-- | <!-- | ||
PLEASE do not alter anything BELOW this line | PLEASE do not alter anything BELOW this line | ||
=================== | =================== | ||
-->{{#ifeq:{{PAGENAME}}|10 October (production)|{{cat|Days of the year}}{{cat|Days of production}}{{DateSort}}|}} | -->{{#ifeq:{{PAGENAME}}|10 October (production)|{{cat|Days of the year}}{{cat|Days of production}}{{DateSort}}|}} |
Latest revision as of 20:55, 3 November 2024
1 | ||||||
2 | 3 | 4 | 5 | 6 | 7 | 8 |
9 | 10 | 11 | 12 | 13 | 14 | 15 |
16 | 17 | 18 | 19 | 20 | 21 | 22 |
23 | 24 | 25 | 26 | 27 | 28 | 29 |
30 | 31 |
On 10 October, the following important behind-the-scenes events were known to have occurred:
- 1963
- Donald Wilson wrote an extensive memo to Donald Baverstock, Sydney Newman, Joanna Spicer and Richard Levin. He passionately argued for a higher special effects effort than the SFX department had apparently been prepared to give. He also pushed back against the apparent institutional sloth in deciding whether to go beyond the first four episodes. Wilson argued that the Doctor Who production team needed a longer commitment, due to extraordinary lead time necessary to produce the show.
- The fight between Za and Kal in the final episode of An Unearthly Child began being pre-filmed at Ealing Studios. It was directed by production assistant Douglas Camfield. (INFO: An Unearthly Child)
- 1965 - This was the first full day of the John Wiles producer-ship, since Verity Lambert's final credited episode, Mission to the Unknown was broadcast the previous day. Wiles had been shadowing Lambert for some time before then, and had already been making most of the decisions for a few weeks.
- 1969 - Location filming for Spearhead from Space took place. (REF: Doctor Who The Handbook: The Third Doctor)
- 1970 - Studio filming for Terror of the Autons took place at BBC Television Centre 8. (REF: Doctor Who The Handbook: The Third Doctor)
- 1978 - Studio filming for The Power of Kroll took place at BBC Centre Television studio 6. (REF: Doctor Who The Handbook: The Fourth Doctor)
- 2013
- The Big Finish audio story The War To End All Wars was recorded at the Moat Studios.
- Big Finish announced three further box sets of the Dark Eyes series.
- 2014 - The Big Finish audio story The Secret History was recorded at the Moat Studios.
- 2017 - The Big Finish audio story The Dispossessed was recorded at the Moat Studios.
- 2018
- The sixth series of Big Finish's audio series The Diary of River Song was recorded.
- Big Finish confirmed the third series of The Tenth Doctor Adventures.
- 2020 - The Big Finish audio story The Martian Invasion of Planetoid 50 was recorded remotely.