Civitas Solis: Difference between revisions
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'''Civitas Solis''' was a [[posthuman]] city used by the [[Pilots' Coterie]]. There, they secretly observed the [[history|historical]] probabilities that sustained the posthuman hegemony. Any probability above | '''Civitas Solis''' was a [[posthuman]] city used by the [[Pilots' Coterie]]. There, they secretly observed the [[history|historical]] probabilities that sustained the posthuman hegemony. Any probability above 66% was seen as tolerable, and most [[War in Heaven|War]] events fluctuated between 75% and 100%, but they measured that the events of [[Nate Silver]]'s life had the possibility of turning every probability to 0%. To correct this, [[Erasmus (Newtons Sleep)|Erasmus]] and two other Pilots were sent millions of years back in time to [[17th century]] [[England]] to monitor Silver's lifestream and sample his [[biodata]]. ([[PROSE]]: {{cs|Newtons Sleep (novel)}}) | ||
== Behind the scenes == | |||
''Civitas solis'', [[Latin]] for "city of the sun", was the title of a utopian philosophical dialogue written by written by {{w|Tommaso Campanella}} in 1602. | |||
[[Category:Cities]] | [[Category:Cities]] | ||
[[Category:Posthuman territory]] | [[Category:Posthuman territory]] |
Latest revision as of 15:19, 8 April 2024
Civitas Solis was a posthuman city used by the Pilots' Coterie. There, they secretly observed the historical probabilities that sustained the posthuman hegemony. Any probability above 66% was seen as tolerable, and most War events fluctuated between 75% and 100%, but they measured that the events of Nate Silver's life had the possibility of turning every probability to 0%. To correct this, Erasmus and two other Pilots were sent millions of years back in time to 17th century England to monitor Silver's lifestream and sample his biodata. (PROSE: Newtons Sleep [+]Loading...["Newtons Sleep (novel)"])
Behind the scenes[[edit] | [edit source]]
Civitas solis, Latin for "city of the sun", was the title of a utopian philosophical dialogue written by written by Tommaso Campanella in 1602.