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{{real world}}
{{real world}}
{{you may|The Editor|Editor (prose)}}
{{you may|The Editor|Editor (prose)}}
An '''editor''' works to marry the intent of a script with the available recorded material to tell the best possible story. Their general goal is to find the most economical way to generate the biggest emotional impact in the viewer.
An '''editor''' works to marry the intent of a script with the available recorded material to tell the best possible story. Their general goal is to find the most economical way to convey the content of the narrative to a viewer.


In so doing, an editor must view every scrap of recorded footage — often totalling many times the proposed running length of an episode — to select the best takes of each scene, with which they can produce a "rough cut". This cut will generally run overlong and serves only to give an idea of the potential of the material. From this point, the editor will add completed [[CGI]] scenes and [[pick-up]]s, working closely with [[producer]]s and [[director]]s to refine the product until it is "locked", or visually completed. Then, the editor will send their locked version to various post-production artists, such as [[grader]]s, musicians and [[ADR]] recordists. On very rare occasions, the previously "locked" episode will return to the editor for a final change, as reportedly happened with the [[Rose Tyler]] scene in ''[[Partners in Crime (TV story)|Partners in Crime]]''.
In so doing, an editor must view every scrap of recorded footage — often totalling many times the proposed running length of an episode — to select the best takes of each scene, with which they can produce a "rough cut". This cut will generally run overlong and serves only to give an idea of the potential of the material. From this point, the editor will add completed [[CGI]] scenes and [[pick-up]]s, working closely with [[producer]]s and [[Director (crew)|director]]s to refine the product until it is "locked", or visually completed. Then, the editor will send their locked version to various post-production artists, such as [[grader]]s, musicians and [[ADR]] recordists. On very rare occasions, the previously "locked" episode will return to the editor for a final change, as reportedly happened with the [[Rose Tyler]] scene in ''[[Partners in Crime (TV story)|Partners in Crime]]''.


Though they generally adhere to the writer's suggested scene order, the director's notes, and the producer's wishes, they are not simply technicians carrying out instructions. They are a vital part of the creative team, and can often bring narrative dimension to a piece that other team members could not have foreseen. On some occasions, they may independently create versions which deviate from received instructions in order to demonstrate possibilities their colleagues had not considered.
Though they generally adhere to the writer's suggested scene order, the director's notes, and the producer's wishes, they are not simply technicians carrying out instructions. They are a vital part of the creative team, and can often bring narrative dimension to a piece that other team members could not have foreseen. On some occasions, they may independently create versions which deviate from received instructions in order to demonstrate possibilities their colleagues had not considered.


Editors were initially relatively unimportant to the production of ''[[Doctor Who]]''. For most of the [[1960s]], episodes were filmed more or less in narrative order, alike to stage plays. Many early episodes do not feature even a single edit; others have no more than one or two. Instead, the show employed a process know as [[Vision mixer|vision mixing]], where "cuts" were made live in-studio between a group of cameras. Even into the 70s and 80s, many episodes employed only a "[[film editor]]", a term, while subject to somewhat ambiguous usage, normally meaning "the person who edited footage captured on film". This role existed from the beginning of the 1963 version's history, since location and [[special effect]]s work was normally captured on [[film stock]], while studio work was recorded on [[videotape]]. The shift in [[1986 (production)|1986]] to unify footage through persistent use of [[outside broadcasting]] cemented the occasional role of [[videotape editor]] in the production process.
Editors were initially relatively unimportant to the production of ''[[Doctor Who]]''. For most of the [[1960s]], episodes were filmed more or less in narrative order, alike to stage plays. Many early episodes do not feature even a single edit; others have no more than one or two. Instead, the show employed a process know as [[Vision mixer|vision mixing]], where "cuts" were made live in-studio between a group of cameras. Even into the late 70s, many episodes employed only a "[[film editor]]", a term, while subject to somewhat ambiguous usage, normally meaning "the person who edited footage captured on film". This role existed from the beginning of the 1963 version's history, since [[Location filming|location]] and [[special effect]]s work was normally captured on [[film stock]], while [[studio]] work was recorded on [[videotape]]. From [[Season 16 (Doctor Who 1963)|season 16]], the credit of [[videotape editor]] became regular, and the shift in [[1986 (production)|1986]] to unify footage through persistent use of [[outside broadcasting]] cemented the importance of the once rarified role in the production process.


Today, most all footage is captured through a unified medium, as is industry standard. ''All'' footage thus comes through a single editing bay, making the editor a central figure in the hierarchy of post-production.
Today, most all footage is captured through a unified medium, as is industry standard. ''All'' footage thus comes through a single editing bay, making the editor a central figure in the hierarchy of post-production.
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==== Series 10 ====
==== Series 10 ====
* Adam Green (''[[The Return of Doctor Mysterio (TV story)|The Return of Doctor Mysterio]]'')
* Adam Green (''[[The Return of Doctor Mysterio (TV story)|The Return of Doctor Mysterio]]'')
* Will Oswald (''[[The Pilot (TV story)|The Pilot]]'', ''[[Smile (TV story)|Smile]]'', ''[[The Eaters of Light (TV story)|The Eaters of Light]]'', ''[[World Enough and Time (TV story)|World Enough and Time]]'' / ''[[The Doctor Falls (TV story)|The Doctor Falls]]'', ''[[Twice Upon a Time (TV story)|Twice Upon a Time]]'')
* Will Oswald (''[[The Pilot (TV story)|The Pilot]]'', ''[[Smile (TV story)|Smile]]'', ''[[Oxygen (TV story)|Oxygen]]'', ''[[The Eaters of Light (TV story)|The Eaters of Light]]'', ''[[World Enough and Time (TV story)|World Enough and Time]]'' / ''[[The Doctor Falls (TV story)|The Doctor Falls]]'', ''[[Twice Upon a Time (TV story)|Twice Upon a Time]]'')
* Adam Trotman (''[[Thin Ice (TV story)|Thin Ice]]'', ''[[Knock Knock (TV story)|Knock Knock]]'')
* Adam Trotman (''[[Thin Ice (TV story)|Thin Ice]]'', ''[[Knock Knock (TV story)|Knock Knock]]'')
* [[Xavier Russell]] (''[[Extremis (TV story)|Extremis]]'', ''[[The Pyramid at the End of the World (TV story)|The Pyramid at the End of the World]]'')
* [[Xavier Russell]] (''[[Extremis (TV story)|Extremis]]'', ''[[The Pyramid at the End of the World (TV story)|The Pyramid at the End of the World]]'')
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[[season::Series 11 (Doctor Who)]]
[[season::Series 11 (Doctor Who)]]
|?editor
|?editor
|sort=series episode number
|sort = series episode number
}} -->
}} -->


==== Series 12 ====
==== Series 12 ====
* Rebecca Trotman (''[[Spyfall (TV story)|Spyfall]]'', ''[[Orphan 55 (TV story)|Orphan 55]]'')
* Rebecca Trotman (''[[Spyfall (TV story)|Spyfall]]'', ''[[Orphan 55 (TV story)|Orphan 55]], [[Nikola Tesla's Night of Terror (TV story)|Nikola Tesla's Night of Terror]], [[Fugitive of the Judoon (TV story)|Fugitive of the Judoon]], [[Praxeus (TV story)|Praxeus]], [[Ascension of the Cybermen (TV story)|Ascension of the Cybermen]]/[[The Timeless Children (TV story)|The Timeless Children]]'')
* [[Tom Chapman]] (''Spyfall'' Part Two, ''Orphan 55'')
* [[Tom Chapman]] (''Spyfall'' Part Two, ''Orphan 55'')
* [[Joel Skinner]] (''[[Revolution of the Daleks (TV story)|Revolution of the Daleks]]'')
* [[Joel Skinner]] ([[The Haunting of Villa Diodati (TV story)|The Haunting of Villa Diodati]], ''[[Revolution of the Daleks (TV story)|Revolution of the Daleks]]'')
* Tim Hodges ([[Nikola Tesla's Night of Terror (TV story)|Nikola Tesla's Night of Terror]])
* [[Agnieszka Liggett]] ([[Can You Hear Me? (TV story)|Can You Hear Me?]], [[The Haunting of Villa Diodati (TV story)|The Haunting of Villa Diodati]])
 
=== Series 13 ===
* Joel Skinner (''[[The Halloween Apocalypse (TV story)|The Halloween Apocalypse]], [[War of the Sontarans (TV story)|War of the Sontarans]], [[Village of the Angels (TV story)|Village of the Angels]]'')
* [[Cat Gregory]] ([[Once, Upon Time (TV story)|Once, Upon Time]], [[Survivors of the Flux (TV story)|Survivors of the Flux]], [[The Vanquishers (TV story)|The Vanquishers]])
* Rebecca Trotman ([[The Vanquishers (TV story)|The Vanquishers]], [[The Power of the Doctor (TV story)|The Power of the Doctor]])
* [[Erline O'Donovan-Clarke]] ([[Eve of the Daleks (TV story)|Eve of the Daleks]])
* [[Tom White]] ([[Legend of the Sea Devils (TV story)|Legend of the Sea Devils]])
* Adam Green ([[The Power of the Doctor (TV story)|The Power of the Doctor]])


=== ''Torchwood'' ===
=== ''Torchwood'' ===
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[[Category:Production team titles]]
[[Category:Production team titles]]
[[Category:Television editors| ]]
[[Category:Television editors| *]]
[[Category:Editing]]
[[Category:Editing]]
[[Category:Real world lists]]
[[Category:Real world lists]]

Latest revision as of 16:47, 21 October 2024

RealWorld.png
You may be looking for The Editor or Editor (prose).

An editor works to marry the intent of a script with the available recorded material to tell the best possible story. Their general goal is to find the most economical way to convey the content of the narrative to a viewer.

In so doing, an editor must view every scrap of recorded footage — often totalling many times the proposed running length of an episode — to select the best takes of each scene, with which they can produce a "rough cut". This cut will generally run overlong and serves only to give an idea of the potential of the material. From this point, the editor will add completed CGI scenes and pick-ups, working closely with producers and directors to refine the product until it is "locked", or visually completed. Then, the editor will send their locked version to various post-production artists, such as graders, musicians and ADR recordists. On very rare occasions, the previously "locked" episode will return to the editor for a final change, as reportedly happened with the Rose Tyler scene in Partners in Crime.

Though they generally adhere to the writer's suggested scene order, the director's notes, and the producer's wishes, they are not simply technicians carrying out instructions. They are a vital part of the creative team, and can often bring narrative dimension to a piece that other team members could not have foreseen. On some occasions, they may independently create versions which deviate from received instructions in order to demonstrate possibilities their colleagues had not considered.

Editors were initially relatively unimportant to the production of Doctor Who. For most of the 1960s, episodes were filmed more or less in narrative order, alike to stage plays. Many early episodes do not feature even a single edit; others have no more than one or two. Instead, the show employed a process know as vision mixing, where "cuts" were made live in-studio between a group of cameras. Even into the late 70s, many episodes employed only a "film editor", a term, while subject to somewhat ambiguous usage, normally meaning "the person who edited footage captured on film". This role existed from the beginning of the 1963 version's history, since location and special effects work was normally captured on film stock, while studio work was recorded on videotape. From season 16, the credit of videotape editor became regular, and the shift in 1986 to unify footage through persistent use of outside broadcasting cemented the importance of the once rarified role in the production process.

Today, most all footage is captured through a unified medium, as is industry standard. All footage thus comes through a single editing bay, making the editor a central figure in the hierarchy of post-production.

List of editors[[edit] | [edit source]]

Doctor Who[[edit] | [edit source]]

Series 1[[edit] | [edit source]]

Series 2[[edit] | [edit source]]

Series 3[[edit] | [edit source]]

Series 4[[edit] | [edit source]]

Series 5[[edit] | [edit source]]

Series 6[[edit] | [edit source]]

Series 7[[edit] | [edit source]]

2013 specials[[edit] | [edit source]]

Series 8[[edit] | [edit source]]

Series 9[[edit] | [edit source]]

Series 10[[edit] | [edit source]]

Series 11[[edit] | [edit source]]

Series 12[[edit] | [edit source]]

Series 13[[edit] | [edit source]]

Torchwood[[edit] | [edit source]]

Series 1[[edit] | [edit source]]

Series 2[[edit] | [edit source]]

Series 3[[edit] | [edit source]]

Series 4[[edit] | [edit source]]

The Sarah Jane Adventures[[edit] | [edit source]]

Series 1[[edit] | [edit source]]

Series 2[[edit] | [edit source]]

Series 3[[edit] | [edit source]]

Series 4[[edit] | [edit source]]

Series 5[[edit] | [edit source]]

Class[[edit] | [edit source]]

Series 1[[edit] | [edit source]]

K9[[edit] | [edit source]]

Series 1[[edit] | [edit source]]

to be added