Beryl Vertue: Difference between revisions

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Still, it's her work in television for which she undoubtedly became best known.   
Still, it's her work in television for which she undoubtedly became best known.   


As the British television industry moved into the modern era of independent production, she founded {{w|Hartswood Films}}, thereby becoming a studio head.  Her influence on British Television is difficult to specifically quantify, because she's produced or [[executive producer|executive produced]] many of the standards of British television, including: , [[Steven Moffat]]'s {{wi|Coupling}}; {{wi|Men Behaving Badly (UK TV series)|Men Behaving Badly}} with [[Martin Clunes]];  
As the British television industry moved into the modern era of independent production, she founded {{w|Hartswood Films}}, thereby becoming a studio head.  Her influence on British Television is difficult to specifically quantify, because she's produced or [[executive producer|executive produced]] many prominent British television shows of the millennial era, including: {{wi|The Savages (TV series)|The Savages}} with [[Geoffrey Palmer]]; [[Simon Nye]]'s [[Martin Clunes]] vehicle, {{wi|Men Behaving Badly (UK TV series)|Men Behaving Badly}}, and [[Imelda Staunton]] series, {{wi|Is It Legal?}}; {{wi|Supernova (TV series)}}; {{wi|Carrie & Barry|Carrie & Barry}} with [[Mark Williams]], [[Claire Rushbrook]], [[Michelle Gomez]] and [[Sarah Quintrell]]; and [[Steven Moffat]]'s {{wi|Coupling}} and {{wi|Jekyll (TV series)|Jekyll}}.


She was at various points the boss of both her daughter, [[Sue Vertue]], and her son-in-law, [[Steven Moffat]].     
She was at various points the boss of both her daughter, [[Sue Vertue]], and her son-in-law, [[Steven Moffat]].     

Revision as of 07:23, 31 January 2013

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Beryl Vertue was Terry Nation's agent at the time of the sale of script of The Daleks, and thus was responsible for negotiating the deal that gave him controlling ownership of the Daleks.

Following her critical negotiation for Nation, she moved into film production. In the later 1960s and early 1970s, she produced or executive produced some memorable British films, many of them adaptations of popular British television series. Among these were: Till Death Us Do Part, with Brian Blessed and Una Stubbs; Steptoe and Son with Mike Reid; and Up Pompeii with Frankie Howerd, Barbara Murray, and Bill Fraser. Indeed, she produced a number of Frankie Howerd film vehicles, including Up the Front and the Terry Nation-written The House in Nightmare Park. Perhaps her most famous film internationally was the rock opera, Tommy, starring Elton John and a bevy of other A-list rock stars.

Still, it's her work in television for which she undoubtedly became best known.

As the British television industry moved into the modern era of independent production, she founded Hartswood Films, thereby becoming a studio head. Her influence on British Television is difficult to specifically quantify, because she's produced or executive produced many prominent British television shows of the millennial era, including: The Savages with Geoffrey Palmer; Simon Nye's Martin Clunes vehicle, Men Behaving Badly, and Imelda Staunton series, Is It Legal?; Supernova (TV series); Carrie & Barry with Mark Williams, Claire Rushbrook, Michelle Gomez and Sarah Quintrell; and Steven Moffat's Coupling and Jekyll.

She was at various points the boss of both her daughter, Sue Vertue, and her son-in-law, Steven Moffat.

Awards and notable nominations

  • Emmy Award nomination for Sherlock
  • BAFTA (and BAFTA Cymru) TV Award for Sherlock
  • Non-competitive Alan Clarke Award for Outstanding Creative Contribution to Television, given to her solely, as the head of Hartswood Films
  • Multiple BAFTA nominations for Men Behaving Badly