The Prisoner (audio story): Difference between revisions

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featuring= [[Layly Landerchild|Landerchild]]|  
featuring= [[Layly Landerchild|Landerchild]]|  
enemy= |
enemy= |
year= [[Kaldor City]], the [[23rd century]]|
year= [[Kaldor City]], [[2890]]|
writer= [[Alan Stevens]]<br />[[Fiona Moore]] |
writer= [[Alan Stevens]]<br />[[Fiona Moore]] |
director= |
director= |
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"I see your problem. It's a matter of faith."
"I see your problem. It's a matter of faith."


When Kaston Iago is discovered wandering around the grounds of Landerchild's family estate, it looks like a simple case of political espionage. But is everything quite what it seems-- and who is really in control of the situation?
When [[Kaston Iago]] is discovered wandering around the grounds of [[Layly Landerchild|Landerchild's]] family estate, it looks like a simple case of political espionage. But is everything quite what it seems-- and who is really in control of the situation?


''Set in the Kaldor City universe, "The Prisoner" explores the themes and ideas set forth in earlier CDs to explore the true relationship of Iago to his fellow citizens.''
''Set in the Kaldor City universe, "The Prisoner" explores the themes and ideas set forth in earlier CDs to explore the true relationship of Iago to his fellow citizens.''
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* It’s standard security procedure to record interrogations with prisoners. When it comes to interrogation, disorientation is standard practice.
* It’s standard security procedure to record interrogations with prisoners. When it comes to interrogation, disorientation is standard practice.
* Landerchild also opposed [[Kiy Uvanov|Uvanov’s]] predecessor [[Diss Pitter]].
* Landerchild also opposed [[Kiy Uvanov|Uvanov’s]] predecessor [[Diss Pitter]].
* Iago suggests that he exists only a fictional device, as a means of moving the story along.
* Iago suggests he exists only a fictional device, as a means of moving the story along.
* Landerchild has read Iago’s security file. It’s enough to give any sane person nightmares. According to it there are no records on Iago that go back further than 10 months.
* Landerchild has read Iago’s security file. It’s enough to give any sane person nightmares. According to it there are no records on Iago that go back further than 10 months.


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* [[Layly Landerchild|Landerchild's]] family estate is surrounded by a fifteen foot high electrified fence topped with razor wire. Landerchild’s residence is far out in the eastern sector. It’s a residence Landerchild rarely visits.
* [[Layly Landerchild|Landerchild's]] family estate is surrounded by a fifteen foot high electrified fence topped with razor wire. Landerchild’s residence is far out in the eastern sector. It’s a residence Landerchild rarely visits.
* [[Kaston Iago|Iago]] was apprehended on the main concourse by the entrance to the security blockhouse. The arrest took place at midday.
* [[Kaston Iago|Iago]] was apprehended on the main concourse by the entrance to the security blockhouse. The arrest took place at midday.
* Half the population of [[Kaldor]] believe the sun goes around the planet. Despite hundreds of mathematicians proving that the planet revolves around the sun.
* Half the population of [[Kaldor]] believe the sun goes around the planet. Despite hundreds of mathematicians proving the planet revolves around the sun.


== Notes ==
== Notes ==
* This story was released as part of an MJTV Productions CD, ''The Actor Speaks: [[Paul Darrow]]'', which featured an interview and several short stories unrelated to the [[Kaldor City (audio series)|Kaldor City]] series.
* This story was released as part of an MJTV Productions CD, ''The Actor Speaks: [[Paul Darrow]]'', which featured an interview and several short stories unrelated to the [[Kaldor City (audio series)|Kaldor City]] series.
* The title points the audience to the writers' love of the ATV series ''{{w|The Prisoner}}'', and whilst it also suggests that (like that TV series) the main theme of the ''Kaldor City'' series may be the nature of reality and fiction, it also suggests (again, like the TV series) that definite answers may not be forthcoming. Notably, [[Kaston Iago]] occupies a similar narrative space Number 6 from ''The Prisoner'' as both character's are thought to have originating from another fictional world. In ''The Prisoner'', Number 6 is thought to be John Drake from 'Danger Man', a character also played by {{w|Patrick McGoohan}. In ''Kaldor City'', Kaston Iago is thought to be Kerr Avon from ''[[Blake's 7]]''.
* The title points the audience to the writers' love of the ATV series ''{{w|The Prisoner}}'', and whilst it also suggests (like that TV series) the main theme of the ''Kaldor City'' series may be the nature of reality and fiction, it also suggests (again, like the TV series) definite answers may not be forthcoming. Notably, [[Kaston Iago]] occupies a similar narrative space Number 6 from ''The Prisoner'' as both character's are thought to have originating from another fictional world. In ''The Prisoner'', Number 6 is thought to be John Drake from 'Danger Man', a character also played by {{w|Patrick McGoohan}}. In ''Kaldor City'', Kaston Iago is thought to be Kerr Avon from ''[[Blake's 7]]''.
* At the time this story was written the {{w|Abu Ghraib}} interrogations where being covered by real world news. Writer [[Alan Stevens]] used this as a source inspiration. Stevens also cites [[TV]]: ''[[Image of the Fendahl (TV story)|Image of the Fendahl]]'', which featured a discussion about how we all know the world is round and how in the old days they believed it was flat and so they acted as if it was.<ref>[http://www.radiodramarevival.com/the-true-history-of-magic-bullet-an-interview-with-alan-stevens-producer-of-kaldor-city-and-faction-paradox-part-1-of-2/ The True History of Magic Bullet: An interview with Alan Stevens, producer of Kaldor City and Faction Paradox. (Part 1 of 2)]</ref>
* At the time this story was written the {{w|Abu Ghraib}} interrogations where being covered by real world news. Writer [[Alan Stevens]] used this as a source inspiration. Stevens also cites [[TV]]: ''[[Image of the Fendahl (TV story)|Image of the Fendahl]]'', which featured a discussion about how we all know the world is round and how in the old days they believed it was flat and so they acted as if it was.<ref>[http://www.radiodramarevival.com/the-true-history-of-magic-bullet-an-interview-with-alan-stevens-producer-of-kaldor-city-and-faction-paradox-part-1-of-2/ The True History of Magic Bullet: An interview with Alan Stevens, producer of Kaldor City and Faction Paradox. (Part 1 of 2)]</ref>
* At the conclusion of the story, both characters are seemingly aware they are part of a fiction. This idea also features in  [[AUDIO]]: ''[[Metafiction (audio story)|Metafiction]]''.
* At the conclusion of the story, both characters are seemingly aware they are part of a fiction. This idea also features in  [[AUDIO]]: ''[[Metafiction (audio story)|Metafiction]]''.

Revision as of 11:38, 11 May 2013

RealWorld.png

The Prisoner is an audio play in the Kaldor City series. Written by Alan Stevens and Fiona Moore, it features an interrogation between Iago and Landerchild, whereby Iago attempts to convince his interrogator that they are both figments of something else's imagination.

Publisher's summary

"I see your problem. It's a matter of faith."

When Kaston Iago is discovered wandering around the grounds of Landerchild's family estate, it looks like a simple case of political espionage. But is everything quite what it seems-- and who is really in control of the situation?

Set in the Kaldor City universe, "The Prisoner" explores the themes and ideas set forth in earlier CDs to explore the true relationship of Iago to his fellow citizens.

Cast

References

Individuals

  • Iago is in Landerchild's interrogation room.
  • Iago was apprehended 3 days ago on Landerchild’s family estate.
  • Landerchild’s guard squad commander recommends Iago be executed, as he believes Iago was sent to assassinate Landerchild.
  • It’s standard security procedure to record interrogations with prisoners. When it comes to interrogation, disorientation is standard practice.
  • Landerchild also opposed Uvanov’s predecessor Diss Pitter.
  • Iago suggests he exists only a fictional device, as a means of moving the story along.
  • Landerchild has read Iago’s security file. It’s enough to give any sane person nightmares. According to it there are no records on Iago that go back further than 10 months.

Locations

  • Landerchild's family estate is surrounded by a fifteen foot high electrified fence topped with razor wire. Landerchild’s residence is far out in the eastern sector. It’s a residence Landerchild rarely visits.
  • Iago was apprehended on the main concourse by the entrance to the security blockhouse. The arrest took place at midday.
  • Half the population of Kaldor believe the sun goes around the planet. Despite hundreds of mathematicians proving the planet revolves around the sun.

Notes

  • This story was released as part of an MJTV Productions CD, The Actor Speaks: Paul Darrow, which featured an interview and several short stories unrelated to the Kaldor City series.
  • The title points the audience to the writers' love of the ATV series The Prisoner, and whilst it also suggests (like that TV series) the main theme of the Kaldor City series may be the nature of reality and fiction, it also suggests (again, like the TV series) definite answers may not be forthcoming. Notably, Kaston Iago occupies a similar narrative space Number 6 from The Prisoner as both character's are thought to have originating from another fictional world. In The Prisoner, Number 6 is thought to be John Drake from 'Danger Man', a character also played by Patrick McGoohan. In Kaldor City, Kaston Iago is thought to be Kerr Avon from Blake's 7.
  • At the time this story was written the Abu Ghraib interrogations where being covered by real world news. Writer Alan Stevens used this as a source inspiration. Stevens also cites TV: Image of the Fendahl, which featured a discussion about how we all know the world is round and how in the old days they believed it was flat and so they acted as if it was.[1]
  • At the conclusion of the story, both characters are seemingly aware they are part of a fiction. This idea also features in AUDIO: Metafiction.
  • The play opens and closes with an abbreviated version of the theme music from The Logic of Empire, a fan produced Blake’s 7 audio co-written by Alan Stevens. A longer version of this music was also heard at the end of AUDIO: Checkmate.

Continuity

External links

Footnotes