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<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box five">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div>
<div class="tr-box five">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div>
<div class="tr-box six">Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called [[The Lodger (comic story)|The Lodger]]''.  
<div class="tr-box six">Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called ''[[The Lodger (comic story)|The Lodger]]''.  
[[File:10MickeyFootball.png|center|250px|link=The Lodger (comic story)]]
[[File:10MickeyFootball.png|center|250px|link=The Lodger (comic story)]]
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. </div>
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. </div>

Revision as of 11:34, 8 October 2013

The Caves of Androzani was the final televised story to feature Peter Davison as the Fifth Doctor, who had decided to end his tenure on Doctor Who at a three-year milestone after taking advice from former lead Patrick Troughton. As such, it depicted the regeneration of the Fifth Doctor into the Sixth Doctor, played by incoming actor Colin Baker. The story is often cited with high regard for its dramatic elements, unusually action-heavy plot, and the dynamic style of its scenes, which were directed by Graeme Harper in his first credited instance as episode director, which broke free from the less engaged atmosphere of other classic stories. The Caves of Androzani is famous for topping a Doctor Who Magazine poll in 2009 that asked readers to vote for, the single best televised story at the time. Dubiously enough, the story that came directly after this one, TV: The Twin Dilemma, crashed to the bottom of the list as the lowest-regarded of all stories ever televised at the time.

JaneTranter.jpg

Jane Tranter was an important advocate for the return of Doctor Who to BBC One in the early 2000s.

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s.
John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers.
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television.
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger. However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

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