Blink (TV story): Difference between revisions

From Tardis Wiki, the free Doctor Who reference
Line 100: Line 100:
*This is the first episode to be directed by a woman after 22 years, the last was [[The Mark of the Rani]].
*This is the first episode to be directed by a woman after 22 years, the last was [[The Mark of the Rani]].
*When Larry brings Sally the list of DVDs, a vintage White Star Line sticker can be seen affixed to the back of the folder; ''Titanic'', the most famous White Star vessel, would later inspire the setting for ''[[Voyage of the Damned]]''.
*When Larry brings Sally the list of DVDs, a vintage White Star Line sticker can be seen affixed to the back of the folder; ''Titanic'', the most famous White Star vessel, would later inspire the setting for ''[[Voyage of the Damned]]''.
*The main plot has also been condensed into a song by the band Chameleon Circut, and later a music video by a youtube user under the screen name shelobg.


===Ratings===
===Ratings===
Line 126: Line 127:
*When Sally pulls the last scrap of wallpaper off, the words are still slightly covered up. However, when the camera next points at them, they are completely uncovered. ''Time could have passed between these two shots, even seconds, in which Sally could remove the wallpaper, especially as this episode isn't in real time.''
*When Sally pulls the last scrap of wallpaper off, the words are still slightly covered up. However, when the camera next points at them, they are completely uncovered. ''Time could have passed between these two shots, even seconds, in which Sally could remove the wallpaper, especially as this episode isn't in real time.''


*They look away from the angels many times but they don't move. ''It's because WE are watching them. [[Steven Moffat]] is very fond of "interactivity" in his episodes, such as the little girl watching everything on TV in [[Silence in the Library]], a nod to the audience. Notice - when Sally is cornered by three Angels when one of them has the key, she always has her back to them but we can still see them and so they do not move. However she walks past two and blocks our view of them and so they move (just slightly) but don't move at all after that for we can now see them again, even if she can't. She walks past them again and they move again, for the same reason as the first- we can't see them as well.'' Isn't it still an IN-universe error? ''Not necessarily. Remember the very last scene, with the Doctor warning '''the viewer'''''. Alternatively, perhaps there is someone or animal watching them that we don't realize, maybe even another angel.
*They look away from the angels many times but they don't move. ''It's because WE are watching them. [[Steven Moffat]] is very fond of "interactivity" in his episodes, such as the little girl watching everything on TV in [[Silence in the Library]], a nod to the audience. Notice - when Sally is cornered by three Angels when one of them has the key, she always has her back to them but we can still see them and so they do not move. However she walks past two and blocks our view of them and so they move (just slightly) but don't move at all after that for we can now see them again, even if she can't. She walks past them again and they move again, for the same reason as the first- we can't see them as well.'' Isn't it still an IN-universe error? ''Not necessarily. Remember the very last scene, with the Doctor warning '''the viewer'''''. Alternatively, perhaps there is someone or animal watching them that we don't realize, maybe even another angel.


*At the start of the episode when the angel knew she was there, why didn't the angel get Sally while she was looking at the message? ''It could first be wondering why she was there as by now the Doctor and Martha would already have been zapped to 1969, so it might have thought that she could give them what they wanted. This further explains the whole thrown rock business, designed to incapacitate Sally so the Angel could investigate her further. Exactly why the angels didn't attack Sally when she was later alone in the house waiting for Larry to arrive with his DVD player is unclear, however.''
*At the start of the episode when the angel knew she was there, why didn't the angel get Sally while she was looking at the message? ''It could first be wondering why she was there as by now the Doctor and Martha would already have been zapped to 1969, so it might have thought that she could give them what they wanted. This further explains the whole thrown rock business, designed to incapacitate Sally so the Angel could investigate her further. Exactly why the angels didn't attack Sally when she was later alone in the house waiting for Larry to arrive with his DVD player is unclear, however.''

Revision as of 21:02, 6 July 2009

Don't blink, don't even blink, blink and you're dead! They are fast, faster than you could believe. Don't turn your back, don't look away, and don't blink! Good Luck.The Doctor

Synopsis

In an old, abandoned house, the Weeping Angels wait.

However, when people start disappearing, a young woman called Sally finds cryptic messages bleeding through from 1969 – messages from a mysterious stranger called the Doctor.

But can she decipher them before the Angels claim their prize?

Plot

Young photographer Sally Sparrow breaks into an old house (Wester Drumlins) and begins taking photos of the abandoned furniture. She takes a photograph of the letter B, which has been written on the bare wall. She pulls back the wallpaper to reveal the word BEWARE. She tears off more wallpaper, revealing a message telling her to beware of the Weeping Angels, and telling her to “duck, Sally Sparrow.” It is only when she reveals the words “duck now” that she actually does so, narrowly missing a rock that would have hit her head. She looks out the window, from where the rock was thrown, and sees the statue of an Angel with its hands covering its eyes. She peels the rest of the wallpaper off to reveal the writer of the message – “The Doctor, 1969.”

Sally goes to her friend's house, that of a young woman called Katherine Nightingale. The TV is on playing a message of a man with glasses. The man tells the viewer not to turn away, not to look away, and not to blink – “Blink and you’re dead.” She also meets Kathy’s (naked) brother Larry.

The next morning, Kathy and Sally return to the house. Kathy is rather excited about this "investigating", and suggests the title of "Sparrow and Nightingale" for a detective show. Sally shows Kathy the message on the wall and the Weeping Angel, but notices that it is now closer to the house than before. Someone rings the doorbell; eventually, Sally goes to answer it, and Kathy waits upstairs. Kathy notices another Weeping Angel in the room and stares at it before blinking.

Sally answers the door to a man, looking for her. He says that he was told to come to this place on this exact date and time and give Sally Sparrow a letter. When Sally asks who sent him, he replies that it was his grandmother, Katherine Nightingale. Immediately recognising the name, Sally presumes she has figured out the joke and calls for her friend, but Kathy does not answer.

Kathy gets up in a field, and asks a local lad where she is. He replies that she is in Hull, but she refuses to believe it until he shows her the local paper, which not only confirms her location but also shows the date to be 1920.

Eventually, the man persuades Sally to take the letter, which happens to be from Kathy, who died twenty years ago. She explains that she had led a full and happy life (with the first man she met in Hull) and started a family. She includes photographs of her and her children from the past. She also writes that Larry will be working in a local DVD shop. In anger, Sally flings the letter down and heads upstairs to the room where she left Kathy, only to find three Weeping Angels in the room. One of them has a Yale key in its hand. She takes it and seeks out Larry.

When she gets there, she goes into the back of the DVD shop to find Larry. She also sees the man with glasses who gave her the blinking warning on a TV. Larry explains that the man features as an easter egg found on 17 DVDs and no-one, not even the manufacturers, knows how it got there. As they are talking, the DVD keeps un-pausing itself, and the man with glasses says random phrases. In the end, Larry gives her a list of the 17 DVDs that have the Easter Egg on them. She leaves the shop, and gets an idea from Larry’s co-worker ("Why does no-one ever go to the police?") about what to do next.

She goes to the police station, and meets up with DI Billy Shipton. After mentioning the house, he shows her a collection of cars with something strange in common: all of them were found outside the Wester Drumlins house (some with their motors still running) and all of their owners vanished without a trace. He then shows her a fake police phone box, with a lock that will not open. Billy coerces Sally to give him her mobile number before she leaves. ("Life is short, and you are hot.") In giving him her number, Sally makes a Freudian slip about her name ("Sally Shipton... I mean Sparrow. Sally Sparrow!"), and she rushes out, terribly embarrassed. After she leaves, he sees the Weeping Angels in the room with him, surrounding the phone box. He blinks.

Outside, Sally finds the key she took from the Angel’s hand in her coat pocket. She heads back to the garage to try it out, but both Billy and the police box have gone, and the outside door is broken, seeming forced open with violence.

Billy gets up to see the Doctor and Martha, who inform him that he is now in 1969, because of the “touch of an Angel.” After they talk, the Doctor asks Billy to give Sally Sparrow a message, and apologises for the long wait…

Back in the present, Sally gets a phone call. She goes to visit Billy Shipton, who is an old, dying man in a hospital bed. His message from the Doctor is to “look at the list”, the list being the DVD list Larry gave her. He mentions that he got into video production in the past, and she realises that he was the one who put the Easter Eggs on the DVDs. He also says that she will understand one day, but that he won’t; the Doctor has told him that this is their last meeting, and that he has only as long as the rain stops before he dies. She decides to stay with him until the end.

Later on, after the rain has stopped, Sally calls Larry. She says that she has realised what the DVDs on “the list” all have in common. They are all owned by her; specifically they are the ONLY DVDs she owns, which means that the Easter Egg must have been meant for her. She asks him to bring a portable DVD player to the old house.

Larry does so, and brings the DVD that has the best sound on the Easter Egg. They play it, and see the full message from the Doctor. He makes the same random comments from the video store, but now they fit into what Larry and Sally are saying. Realising this, Sally thinks he can hear them, but Larry explains that he always says it and that he has got a transcript of the Easter Egg with him. As the Doctor gives his message, everything Sally says seems to fit in, so Larry, now very excited, begins to add her words to the transcript.

The Doctor mentions that he has a copy of the transcript on his autocue, and that is how he knows what she is saying. He also warns about creatures from another world, the Weeping Angels. These creatures are incredibly fast, and they can send people back in time, which is how the Doctor got stuck in 1969. These Angels have a unique defence in that, if they are being looked at, they turn to stone, since “stone can’t be killed.” If any living thing looks at the Angels, they immediately turn to stone until they are no longer looked at. He calls this the 'Quantum Lock'. This, he says, explains the “Weeping”; they cannot look at each other, since it has the same effect. These Angels feed off of the days that their victims never had, and now they are looking for the TARDIS. They wish to feast on the energy of the TARDIS, and since Sally has the key, the Angels are after her now. He then says what Sally has already heard; she must keep her gaze on the Angels; she mustn’t turn away, look away, or even blink – “Blink and you’re dead.”

The Doctor is stuck in 1969, so he is relying on Sally to send the TARDIS back to him. When she asks how, he mentions that he has run out of transcript. Indeed, Larry has stopped writing, and they both notice at the same time that neither is looking at the Weeping Angel. They look up, and are shocked to find this Angel has its clawed fingers stretched out towards them, and is baring sharp teeth. Sally tells Larry to stay in the room while she searches for a way out. As she tries all the doors in the house, Larry looks away for a split second, and the Angel moves to right in front of him. Keeping his eyes on it, he leaves the room.

Sally has found the door to the cellar, which is unlocked, so she and Larry head down to see if there is a way out. When they get there, they find the TARDIS, along with the other three Weeping Angels. They head towards the door, keeping their eyes on the Angels. As they get to the TARDIS, Sally realises that the fourth Angel (the one who appeared upstairs with Larry) has appeared by the stairs and is pointing at the light. The light starts to flicker. Since Larry and Sally cannot see in the darkness, the Angels start to move towards Sally and Larry with their claws out and their teeth showing as the humans frantically try and unlock the TARDIS door. At the last minute, they break in.

As they look around a hologram of the Doctor says that the TARDIS has detected an authorised control disc, valid for one journey only; it is the DVD that Larry played to Sally to show her the message. He gets it out to find it glowing, but the Angels are shaking the TARDIS, looking for a way in. He puts it into the console and the TARDIS begins to dematerialise.

Sally realises with shock that the TARDIS is disappearing and she and Larry are not going with it. She screams at the Doctor to help them, even as the TARDIS fades, leaving them standing in the middle of the circle of Angels.

They realise quickly that the angels are dead. As they were each holding a side of the TARDIS when it dematerialised, the Angels were left looking at each other, and became frozen.

A year later, Sally and Larry are running the DVD store together, but Sally cannot let all that has happened go, and she cannot move on until she discovers who gave the Doctor the transcript and everything else she recorded. When Larry goes out to get some milk, she sees the Doctor and Martha getting out of a taxi, and realises in shock that it was her that gave the Doctor all the information; the transcript, the photos she took of the wall, everything. She rushes outside and passes it on, and warns the Doctor that he will get stuck in 1969 and that that is where it all starts. The Doctor asks her name and she tells him. The Doctor is in a hurry and cannot stay, so he and Martha eventually head off, while Sally clasps Larry’s hand and goes back into the shop; Sparrow and Nightingale's antiquarian books and rare DVDs. At the very end the doctor repeats the warning he gave to Sally, though this time it is directed at the viewer and pictures of recognizable statues are shown.

Cast

In addition, although they are never shown moving on screen, all of the Weeping Angels were in fact played by live actors.

Crew

to be added

References

  • Sally's encounter with the Weeping Angels and the events leading up to it is a predestination paradox.
  • While trapped in 1969, the Doctor builds a timey-wimey detector. It's unknown how exactly the detector functions, other than 'it goes ding when there's stuff'. The machine can also boil an egg at thirty paces, 'whether you want it to or not'. (The Doctor learned to keep away from hens, as "it's not pretty when they blow".)
  • The Weeping Angels are quantum locked, meaning that they cannot move when within anyone's sight.
  • Larry compares Wester Drumlins to "Scooby Doo's house".
  • When Kathy suggests she and Sally partner up as "Sparrow and Nightingale", Sally jokes that its "too ITV", a playful dig at BBC's chief rival network, which often produced television series with similarly formatted titles.

Story Notes

  • This episode is similar to series 2's Love & Monsters as it is a Doctor and companion 'light' episode.
  • Blink is based on a story that Steven Moffat wrote for the Doctor Who Annual 2006 entitled "What I Did on My Christmas Holidays by Sally Sparrow".
  • Banto's DVDs included: Breakfast in the Rain, Dance of Days, Civilization Zero, angel smile, Falling Star, One Oak Country, My Best Friend's Boyfriend, Mean Teens, Shooting the Sun. All of these were fake titles created for the episode, complete with DVD cover and poster designs.
  • This is the first episode to be directed by a woman after 22 years, the last was The Mark of the Rani.
  • When Larry brings Sally the list of DVDs, a vintage White Star Line sticker can be seen affixed to the back of the folder; Titanic, the most famous White Star vessel, would later inspire the setting for Voyage of the Damned.
  • The main plot has also been condensed into a song by the band Chameleon Circut, and later a music video by a youtube user under the screen name shelobg.

Ratings

  • 6.1 million - Overnight
  • 0.75 million viewers - BBC Three Sunday repeat
  • 6.62 million viewers - Final Rating

Myths

to be added

Filming Locations

  • The abandoned house is on Fields Park Road in Newport, South Wales. It is currently being renovated.

Discontinuity, Plot Holes, Errors

  • How does the Weeping Angel get hold of the TARDIS key? If from the Doctor, why did they not use the key to get into the TARDIS straight away, having zapped him and Martha to 1969? After all, DI Shipton tells Sally Sparrow that the TARDIS was also found outside Wester Drumlins. It is possible that by the time the Angels had retrieved the key, the TARDIS had already been taken away. Given the number of vehicles that have been found at the house, this implies that the police might check there reasonably frequently. It is also possible that even though the Weeping Angels found the key, they could not find the TARDIS. One of the first angels Sally sees is holding a key upstairs in the house; we don't know how long it's been since the Doctor was transported; it might have taken the angels this long to find the key.
  • In theory, the angels would be able to escape when the light bulb eventually goes out, although the light stops flickering as soon as the TARDIS departs. It's implied that the angels can see perfectly well in the dark.
  • How does the Doctor know exactly when Sally should duck? And who threw the rock? The Angel in the garden threw it, and the Doctor didn't know when Sally Sparrow should duck, he just did as the notes Sally gave him indicated. Presumably Sally indicated that she ducked right after seeing the "Duck NOW!" part of the message. (It remains odd, however, since throwing rocks is hardly the usual modus operandi of the Angels. Although, maybe someone else threw the rock...random kids, abandoned old house..been known to happen).
  • When Sally pulls the last scrap of wallpaper off, the words are still slightly covered up. However, when the camera next points at them, they are completely uncovered. Time could have passed between these two shots, even seconds, in which Sally could remove the wallpaper, especially as this episode isn't in real time.
  • They look away from the angels many times but they don't move. It's because WE are watching them. Steven Moffat is very fond of "interactivity" in his episodes, such as the little girl watching everything on TV in Silence in the Library, a nod to the audience. Notice - when Sally is cornered by three Angels when one of them has the key, she always has her back to them but we can still see them and so they do not move. However she walks past two and blocks our view of them and so they move (just slightly) but don't move at all after that for we can now see them again, even if she can't. She walks past them again and they move again, for the same reason as the first- we can't see them as well. Isn't it still an IN-universe error? Not necessarily. Remember the very last scene, with the Doctor warning the viewer. Alternatively, perhaps there is someone or animal watching them that we don't realize, maybe even another angel.
  • At the start of the episode when the angel knew she was there, why didn't the angel get Sally while she was looking at the message? It could first be wondering why she was there as by now the Doctor and Martha would already have been zapped to 1969, so it might have thought that she could give them what they wanted. This further explains the whole thrown rock business, designed to incapacitate Sally so the Angel could investigate her further. Exactly why the angels didn't attack Sally when she was later alone in the house waiting for Larry to arrive with his DVD player is unclear, however.
  • Sally and Kathy have clearly been close friends for some time - close enough for Sally to have a key to Kathy's flat. Yet Sally's never met Kathy's brother, even though he lives with his sister? The episode never really delves deeply into the Nightingales' back story. It's possible that, for reasons unrevealed, Larry has only recently come to live with his sister; or he was just staying over - which doesn't explain why the Doctor's Easter Egg is on many screens in a room in Kathy's flat (perhaps he was borrowing some of her equipment).
  • When Larry is trying to "hold" the angels while Sally is looking for an exit door and he knows he mustn't blink, he in fact blinks. This appears to be a slip-up in the filming. So long as he blinked quickly enough, it wouldn't have allowed them to move very much. Almost imperceptibly, maybe.
  • How did The Doctor know Larry would be to Sally's left? Because of the transcripts that Larry wrote out were sent back in time so the Doctor would read them. Also, this is a piece of information Sally would have certainly provided in any event as it was a key moment in the conversation.
  • Related to the above, the Doctor appears to be familiar with the early parts of Sally and Larry's discussion about the recording, even though Larry doesn't immediately start taking notes. Perhaps Larry and Sally later filled in the gaps; note that the end of the episode implies that Sally becomes rather obsessed with collecting information about the event. There's no indication that the Doctor has a literal word-for-word transcript (for example he doesn't respond when Sally jokes with Larry about shorthand).
  • The scene showing Sally working on the record of the events can also be used to rationalize two other potential discontinuities, such as how the Doctor was able to work out the timing of his responses (presumably Sally went through the recording later and provided them), and possibly even how the Doctor knew more or less where to find Shipton at the exact time of his arrival (presumably she learned the information from Billy off-screen before his death). His detector also may have helped with that.
  • The episode does not indicate what becomes of the statues. Despite Larry's statement "they'll never move again", a power failure - or the statues being separated - would result in them reviving. It would be dangerous to leave them behind. If Sally included this information in the file she gave the Doctor, it's reasonable to assume that he would have made arrangements for their safe disposal afterwards (perhaps by UNIT, or he could have done so himself - for all we know they might be sitting in the Cloister Room).
  • The recording of The Doctor talking to Sally was scripted word for word, but when Martha interrupts him to tell Sally that she's also stuck The Doctor looked quite surprised at the interruption. The interruption was part of the transcript, so Martha's interruption and the Doctor's surprised look were both part of the act.
  • Why didn't Sally and Larry simply keep one eye open thus allowing them to keep an eye on the Angels whilst at the same time giving them the opportunity to rest the closed eye and switch eyes when needed? One explanation could be that they did not want to run the risk of having both closed at the same time. Blinking is involuntary, winking isn't; therefore, upon switching eyes, it would take massive concentration to keep both eyes from closing. Also - they are clearly scared, and don't have the time to watch the episode hundreds of time and think of this.
  • With DI Billy Shipton zapped back to 1969 and dying in 2007, wouldn't it have been possible for his older and younger versions to run into each other between 1969 and 2007? While it is possible, maybe the doctor informed the older version not to go to places he had been. If they would have run into each other, it would've created a hole in the space-time continuum.
  • As Larry is watching the weeping angel, Sally runs to the front door. She runs to the right, but you can see something moving right next to the wall.
  • A few chronology-related questions remain unanswered, such as exactly when the Doctor and Martha were sent back to 1969 (it was at least several years before Sally gives the Doctor her package). Also left unrevealed is exactly how long the Doctor and Martha spent in 1969. Also, it was originally intended to establish that a year passes between the defeat of the Angels and Sally's encounter with the Doctor (which would account for the change of ownership of the DVD store and some character beats), but this reference was removed before broadcast.
  • When Sally finally gets to have her "conversation" with the Easter Egg recording, it is presented in real time. An examination of the original sequence, included as a bonus on the DVD release, reveals that the recording is presented complete, with nothing edited out. (Compare with, for example, the complete version of the Doctor's instructions to Martha in Human Nature, also included on the DVD release.)
  • Although there is no direct reference to this, the fact Billy talks about having gotten into video and DVD publishing strongly implies that he was the one who filmed the easter egg message. (This is supported by the fact that the camera is clearly being operated by someone as it pans when Martha appears, which it would not have done had it been a camera on a tripod set to film by itself.)
  • When we are shown the transcript there is no indication of how long Sally speaks for, so the Doctor would have no idea how many seconds he should wait before speaking again. This is one of those timey-wimey details that you needn't worry about. As long as the transcript shows that the Doctor doesn't interrupt her, he automatically won't when filming the message since it... It's impossible to properly explain, it just works.

Continuity

  • A similar holographic Doctor appeared to Rose in DW: The Parting of the Ways.
  • Martha once again obtains period employment in the course of her adventures with the Doctor, having previously gotten hired as a maid in DW: Human Nature. This time, she takes a job in a shop in 1969.
  • The Doctor's timey-wimey detector is destroyed in NSA: Ghosts of India.

DVD and Other Releases

  • This has been released along with Human Nature and The Family of Blood
  • It is also part of the series 3 box set. In the disc which has the episode in it (disc 4) there is an easter egg on page 2 of scene selection of "Blink". It has the Doctor's Easter egg from the episode, unedited. To access it, you have to highlight "Blink" in the page and select it. Unlike other bonus scenes and deleted footage, the Easter egg remains "filmized" rather than being rendered on video, in keeping with it supposedly having been filmed in 1969.

See Also

to be added

External Links

Template:Series 3