Collected Works (anthology): Difference between revisions
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Braxiatel is gone. And nature abhors a vacuum. | Braxiatel is gone. And nature abhors a vacuum. | ||
== | == Stories == | ||
{| {{prettytable}} | {| {{prettytable}} | ||
! Title || Author || Featuring | |||
|- | |- | ||
| ''[[Work in Progress (short story)|Work in Progress]]'' | |''[[Work in Progress (short story)|Work in Progress]]'' | ||
|[[Nick Wallace]] | |||
| | |||
|- | |- | ||
| ''[[The Tears of Laughter (short story)|The Tears of Laughter]]'' | |''[[The Tears of Laughter (short story)|The Tears of Laughter]]'' | ||
|[[David N. Smith]] | |||
| | |||
|- | |- | ||
| ''[[Perspectives: Tribal Reservations (short story)|Perspectives: Tribal Reservations]]'' | |''[[Perspectives: Tribal Reservations (short story)|Perspectives: Tribal Reservations]]'' | ||
|[[Philip Purser-Hallard]] | |||
| | |||
|- | |- | ||
| ''[[Outside the Wall (short story)|Outside the Wall]]'' | |''[[Outside the Wall (short story)|Outside the Wall]]'' | ||
|[[Sin Deniz]] | |||
| | |||
|- | |- | ||
| ''[[Key (short story)|Key]]'' | |''[[Key (short story)|Key]]'' | ||
|[[Jonathan Blum]] | |||
| | |||
|- | |- | ||
| ''[[The Inconstant Gallery (short story)|The Inconstant Gallery]]'' | |''[[The Inconstant Gallery (short story)|The Inconstant Gallery]]'' | ||
|[[James Swallow]] | |||
| | |||
|- | |- | ||
| ''[[Perspectives: Quire as Folk (short story)|Perspectives: Quire as Folk]]'' | |''[[Perspectives: Quire as Folk (short story)|Perspectives: Quire as Folk]]'' | ||
|Philip Purser-Hallard | |||
| | |||
|- | |- | ||
| ''[[Cabinets of Curiosities (short story)|Cabinets of Curiosities]]'' | |''[[Cabinets of Curiosities (short story)|Cabinets of Curiosities]]'' | ||
|[[Mags L. Halliday]] | |||
| | |||
|- | |- | ||
| ''[[Anightintheninthage (short story)|Anightintheninthage]]'' | |''[[Anightintheninthage (short story)|Anightintheninthage]]'' | ||
|[[Lance Parkin]] | |||
| | |||
|- | |- | ||
| ''[[Grey's Anatomy (short story)|Grey's Anatomy]]'' | |''[[Grey's Anatomy (short story)|Grey's Anatomy]]'' | ||
|[[Simon A. Forward]] | |||
| | |||
|- | |- | ||
| ''[[The Tree that Was (short story)|The Tree that Was]]'' | |''[[The Tree that Was (short story)|The Tree that Was]]'' | ||
|[[Steven Kitson]] | |||
| | |||
|- | |- | ||
| ''[[Perspectives: Forging a Bond (short story)|Perspectives: Forging a Bond]]'' | |''[[Perspectives: Forging a Bond (short story)|Perspectives: Forging a Bond]]'' | ||
|Philip Purser-Hallard | |||
| | |||
|- | |- | ||
| ''[[The Two-Level Effect (short story)|The Two-Level Effect]]'' | |''[[The Two-Level Effect (short story)|The Two-Level Effect]]'' | ||
|[[Eddie Robson]] | |||
| | |||
|- | |- | ||
| ''[[Let There Be Stars (short story)|Let There Be Stars]]'' | |''[[Let There Be Stars (short story)|Let There Be Stars]]'' | ||
|[[Mark Michalowski]] | |||
| | |||
|- | |- | ||
| ''[[Sleeptalking (short story)|Sleeptalking]]'' | |''[[Sleeptalking (short story)|Sleeptalking]]'' | ||
|[[John Fletcher]] | |||
| | |||
|- | |- | ||
| ''[[Perspectives: Intermissions (short story)|Perspectives: Intermissions]]'' | |''[[Perspectives: Intermissions (short story)|Perspectives: Intermissions]]'' | ||
|Philip Purser-Hallard | |||
| | |||
|- | |- | ||
| ''[[False Security (short story)|False Security]]'' | |''[[False Security (short story)|False Security]]'' | ||
|[[Nick Walters]] | |||
| | |||
|- | |- | ||
| ''[[The Painting on the Stair (short story)|The Painting on the Stair]]'' | |''[[The Painting on the Stair (short story)|The Painting on the Stair]]'' | ||
|[[Simon Bucher-Jones]] | |||
| | |||
|- | |- | ||
| ''[[The Cost for a Collection (short story)|The Cost for a Collection]]'' | |''[[The Cost for a Collection (short story)|The Cost for a Collection]]'' | ||
|[[Ian Mond (writer)|Ian Mond]] | |||
| | |||
|- | |- | ||
| ''[[Lock (short story)|Lock]]'' | |''[[Lock (short story)|Lock]]'' | ||
|[[Kate Orman]] | |||
| | |||
|- | |- | ||
| ''[[Perspectives: The Injured Party (short story)|Perspectives: The Injured Party]]'' | |''[[Perspectives: The Injured Party (short story)|Perspectives: The Injured Party]]'' | ||
|Philip Purser-Hallard | |||
| | |||
|- | |- | ||
| ''[[Mother's Ruin (short story)|Mother's Ruin]]'' | |''[[Mother's Ruin (short story)|Mother's Ruin]]'' | ||
| | |[[Dale Smith]] | ||
| | |||
|- | |- | ||
|''[[Future Relations (short story)|Future Relations]]'' | |||
|Philip Purser-Hallard, Nick Wallace | |||
| | |||
|} | |} | ||
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{{BFBS}} | {{BFBS}} | ||
{{TitleSort}} | {{TitleSort}} | ||
[[Category:Bernice Summerfield anthologies]] | [[Category:Bernice Summerfield anthologies]] | ||
[[Category:2006 anthologies]] | [[Category:2006 anthologies]] | ||
Revision as of 18:32, 20 June 2019
Collected Works was the eighth Big Finish Bernice Summerfield story anthology. It was edited by Nick Wallace.
Publisher's summary
"It might be your name on the deeds, but you don't belong here any more. This is our home, our collection."
The Braxiatel Collection. It's a museum, art gallery, and academic institute. A home for renowned archaeologists, runaway art thieves, and galactic waifs and strays. It's been a private playground and the battlefield in the fight against tyranny. And now things are changing again.
With the Collection's founder missing, it's up to those left behind to make this place their own.
Amidst the chaos of visitors from the far future, dark secrets, old friends and new enemies, Bernice Summerfield must do whatever's necessary to keep the doors open and her family safe.
Yet through it all, there's one truth she cannot escape.
Braxiatel is gone. And nature abhors a vacuum.
Stories
| Title | Author | Featuring |
|---|---|---|
| Work in Progress | Nick Wallace | |
| The Tears of Laughter | David N. Smith | |
| Perspectives: Tribal Reservations | Philip Purser-Hallard | |
| Outside the Wall | Sin Deniz | |
| Key | Jonathan Blum | |
| The Inconstant Gallery | James Swallow | |
| Perspectives: Quire as Folk | Philip Purser-Hallard | |
| Cabinets of Curiosities | Mags L. Halliday | |
| Anightintheninthage | Lance Parkin | |
| Grey's Anatomy | Simon A. Forward | |
| The Tree that Was | Steven Kitson | |
| Perspectives: Forging a Bond | Philip Purser-Hallard | |
| The Two-Level Effect | Eddie Robson | |
| Let There Be Stars | Mark Michalowski | |
| Sleeptalking | John Fletcher | |
| Perspectives: Intermissions | Philip Purser-Hallard | |
| False Security | Nick Walters | |
| The Painting on the Stair | Simon Bucher-Jones | |
| The Cost for a Collection | Ian Mond | |
| Lock | Kate Orman | |
| Perspectives: The Injured Party | Philip Purser-Hallard | |
| Mother's Ruin | Dale Smith | |
| Future Relations | Philip Purser-Hallard, Nick Wallace |
Notes
- These stories all link together to tell the story of the Quire's visit to the Collection in the wake of Braxiatel's disappearance. Three of the stories — The Two-Level Effect, Let There Be Stars and Sleeptalking — take place simultaneously.
- Philip Purser-Hallard, who wrote the most material for the anthology, published on his blog the short story Making a Collection, which combined elements from his stories in Collected Works and Nobody's Children.
External links
- Official Collected Works page at bigfinish.com
- Collected Works at the Doctor Who Reference Guide
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