Roma LXIX: Difference between revisions
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'''Roma LXIX''' was one of many [[alternate timeline]]s where the [[Roman Empire]] never fell. The culture was obsessed with [[sex]], to the point that all [[religion]]s emphasised the celebration of [[fertility]] and no [[sculptor]], [[painter]], or [[tesselator]] learned how to depict [[clothing]]. | '''Roma LXIX''' was one of many [[alternate timeline]]s where the [[Roman Empire]] never fell. The culture was obsessed with [[sex]], to the point that all [[religion]]s emphasised the celebration of [[fertility]] and no [[sculptor]], [[painter]], or [[tesselator]] learned how to depict [[clothing]]. | ||
[[Marcus | [[Marcus Americanius Scriptor]] obtained a two-foot-high statue of [[Minerva]] by the [[Bernini]] of Roma LXIX and gave it to Emperor [[Emmanuel Victorius]]. Unlike traditional, more modest representations of Minerva in [[Roma I]], the statue was nude and posed seductively. A [[anisocyclorum]] was hidden in an owl on Minerva's shoulder. ([[PROSE]]: ''[[Warlords of Utopia (novel)|Warlords of Utopia]]'') | ||
== Behind the scenes == | == Behind the scenes == | ||
Revision as of 15:57, 28 August 2020
Roma LXIX was one of many alternate timelines where the Roman Empire never fell. The culture was obsessed with sex, to the point that all religions emphasised the celebration of fertility and no sculptor, painter, or tesselator learned how to depict clothing.
Marcus Americanius Scriptor obtained a two-foot-high statue of Minerva by the Bernini of Roma LXIX and gave it to Emperor Emmanuel Victorius. Unlike traditional, more modest representations of Minerva in Roma I, the statue was nude and posed seductively. A anisocyclorum was hidden in an owl on Minerva's shoulder. (PROSE: Warlords of Utopia)
Behind the scenes
In Roman numerals, LXIX is the number 69. The sexual focus of Roma LXIX culture is based off of this innuendo.
