The Gulf (audio story): Difference between revisions

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The Doctor sends Sarah to the [[library]] with Pen to discover what phenomena made the spin drifter's crew leave and warns her to keep her distance from Laurel, who is secretly given instructions by a monster she has made an agreement with. However, after reading about how the crew experienced [[night terror]]s and heard screams, Sarah is told by Pen about the project she heard Laurel and Lynette talking about and decides to investigate it despite the Doctor's warning. Lynette catches them trying to [[spy]] on her and they find a Barbican [[communicator]] indicating that she is a rebel in opposition to the Depot, of which she believes the Doctor and Sarah to be agents. As Lynette has information that Pen does not want shared with Marta, Pen asks Sarah not to report what they have discovered.
The Doctor sends Sarah to the [[library]] with Pen to discover what phenomena made the spin drifter's crew leave and warns her to keep her distance from Laurel, who is secretly given instructions by a monster she has made an agreement with. However, after reading about how the crew experienced [[night terror]]s and heard screams, Sarah is told by Pen about the project she heard Laurel and Lynette talking about and decides to investigate it despite the Doctor's warning. Lynette catches them trying to [[spy]] on her and they find a Barbican [[communicator]] indicating that she is a rebel in opposition to the Depot, of which she believes the Doctor and Sarah to be agents. As Lynette has information that Pen does not want shared with Marta, Pen asks Sarah not to report what they have discovered.


As the Doctor and Marta descend to the generators, Marta explains that the Depot have only allowed the artists to reside on the spin drifter to avoid having to decommission it and that nobody has been to the generators in quite some time. The doors, however, have clearly been serviced recently and the area is full of containers of raw trivax.
As the Doctor and Marta descend to the generators, Marta explains that that nobody has been to the generators in quite some time, but the doors have clearly been serviced recently and the area is full of containers of raw trivax. Once they reach the main area, which Marta notes could allow the Doctor to reach the TARDIS, the Doctor notices that seawater has been leaking onto the generators and Sarah and Pen join them to inform them of Laurel and Lynette's project. The Doctor deduces that they are extracting trivax to sell to Barbica and that the supposed screams are the sounds of the machinery, but he also believes that a psychic force is at play and they hurry to the [[kitchen]] when they hear Jesko crying. There, Lynette has collapsed after witnessing Laurel using psychic powers to force Jesko to relive [[Jesko's son|her son]]'s [[funeral]] and seeing a creature inside of Jesko.


''to be completed''
''to be completed''
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* The [[Marquis of Piff]] once visited the Collective.
* The [[Marquis of Piff]] once visited the Collective.
* [[Kurtz (The Gulf)|Dr Kurtz]] worked on the spin drifter.
* [[Kurtz (The Gulf)|Dr Kurtz]] worked on the spin drifter.
* Marta says that the Doctor could swing across a series of [[chain]]s to the other side of the spin drifter like "an industrial [[Tarzan]]".
* [[Jesko's son]] died in the first Barbica strike.


== Notes ==
== Notes ==

Revision as of 12:05, 17 October 2024

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audio stub

The Gulf was the second and final story in the audio anthology The Third Doctor Adventures: Volume Seven, produced by Big Finish Productions. It was written by Tim Foley and featured Tim Treloar as the Third Doctor and Sadie Miller as Sarah Jane Smith.

Publisher's summary

The TARDIS lands on an ocean planet where the Doctor and Sarah find themselves stranded on a former rig, which has recently been converted into an artistic retreat.

But art is far from the residents’ minds. A troubled member of their collective has disappeared, and the Doctor senses a sinister psychic presence. The waves are rising. And there's something in the water.

Plot

Part one

The TARDIS materialises on an obsolete Earth Empire spin drifter on an ocean world and the Doctor and Sarah look around, crossing a bridge towards a figure that Sarah sees. The figure disappears, but Lynette warns them that the bridge is unsafe and it collapses because of their weight as they reach the other side, separating them from the TARDIS. Although Lynette is unhappy about their arrival as she believes them to be from Depot, the conglomeration that owns the spin drifter, Marta welcomes them and has Lynette take Sarah to Pen for some dry clothes. She explains to the Doctor that the spin drifter, known as the Collective, is a retreat for artists and that Laurel, one of their number, disappeared the night before.

Marta, whom the Doctor realises is the famed painter Marta Malvani, gives the Doctor a tour and introduces him to Jesko, a cook, before taking him to the hydroponic garden. At the Doctor's request, she takes him to Laurel's room where they are joined by Sarah and Pen and look at Laurel's latest watercolour, one depicting tentacled creatures in the ocean. Looking at them gives the Doctor a feeling which he felt whilst outside. Although this is a theme present in many of the artists' works, there is supposedly no life native to the planet and Marta states that they are likely metaphorical. The Doctor touches the painting once Marta and Pen have gone and realises that Laurel used water from the sea, which is poisoned by trivax.

At dinner, Sarah admires a portrait of Marta's daughter, who was killed at the border of Barbica whilst on a pleasure cruise. When the Doctor asks the group what they think of the retreat, Pen says that the sea screams at night and Jesko reports that those who worked at the spin drifter before its closure experienced strange phenomena which led to Depot pulling out. Marta disregards this, however. The Doctor and Sarah spend the night in the observation lounge to listen out for the screams and hear a knocking from the deck below. Pen warns them not to go outside through the hatch, but the Doctor ignores her and the hatch opens.

Part two

Laurel enters through the hatch and Marta sends her straight to bed rather than making her answer questions on her whereabouts. In the morning, she explains that she fell into the water for a few seconds and spent several hours recovering before making the considerable climb back up the spin drifter. She returns to her work without eating breakfast and the Doctor recommends that Marta contacts the authorities via an astral flare regardless of Laurel's return, telling Sarah that she could not have survived the trivax nor made the climb. The spin drifter's systems began to falter and the Doctor, suspicious of the timing given Laurel's return, goes to examine the tidal generators to ensure that the Collective does not fall into the sea. Laurel, meanwhile, tells Lynette that their secret project is over and Lynette threatens the eavesdropping Pen into silence.

The Doctor sends Sarah to the library with Pen to discover what phenomena made the spin drifter's crew leave and warns her to keep her distance from Laurel, who is secretly given instructions by a monster she has made an agreement with. However, after reading about how the crew experienced night terrors and heard screams, Sarah is told by Pen about the project she heard Laurel and Lynette talking about and decides to investigate it despite the Doctor's warning. Lynette catches them trying to spy on her and they find a Barbican communicator indicating that she is a rebel in opposition to the Depot, of which she believes the Doctor and Sarah to be agents. As Lynette has information that Pen does not want shared with Marta, Pen asks Sarah not to report what they have discovered.

As the Doctor and Marta descend to the generators, Marta explains that that nobody has been to the generators in quite some time, but the doors have clearly been serviced recently and the area is full of containers of raw trivax. Once they reach the main area, which Marta notes could allow the Doctor to reach the TARDIS, the Doctor notices that seawater has been leaking onto the generators and Sarah and Pen join them to inform them of Laurel and Lynette's project. The Doctor deduces that they are extracting trivax to sell to Barbica and that the supposed screams are the sounds of the machinery, but he also believes that a psychic force is at play and they hurry to the kitchen when they hear Jesko crying. There, Lynette has collapsed after witnessing Laurel using psychic powers to force Jesko to relive her son's funeral and seeing a creature inside of Jesko.

to be completed

Part three

to be added

Part four

to be added

Cast

Worldbuilding

Notes

Continuity

  • The Doctor tells Sarah that the TARDIS is capable of towing a planet, and that if she is lucky, she may see this one day - something she would indeed witness many years later. (TV: Journey's End)
  • The Doctor likens the mental displacement caused by the Gulf to being inside the mind of Omega. (TV: The Three Doctors)
  • The TARDIS is able to float on the water again. (TV: Fury from the Deep)
  • Lauren tries to use Sarah's memories of Aunt Lavinia Smith. (TV: A Girl's Best Friend)

External links