Transmat:Doctor Who: Difference between revisions

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<h1>Jane Tranter</h1>[[file:JaneTranter.jpg|300px|center]]
<h1>Jane Tranter</h1>[[file:JaneTranter.jpg|300px|center]]
Jane Tranter was an important advocate for the return of ''[[Doctor Who]]'' to [[BBC One]] in the early 2000s.
Jane Tranter was an important advocate for the return of ''[[Doctor Who]]'' to [[BBC One]] in the early 2000s.
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<div class="tr-box seven"><h1>Today's releases</h1>{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (releases)}}</div>
<div class="tr-box two"><h1>[[Donald Baverstock]]</h1>'''Donald Baverstock''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon its producer, [[Verity Lambert]]. By choosing to commission only a few weeks at a time, Baverstock managed to exercise very specific financial control over the production, threatening to end ''Doctor Who'' several times over the course of its first year. It was largely he that was responsible for preventing actors' salaries from massively inflating after the show became a surprise hit after the [[Dalek]]s were introduced.</div>
<div class="tr-box two"><h1>[[Donald Baverstock]]</h1>'''Donald Baverstock''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon its producer, [[Verity Lambert]]. By choosing to commission only a few weeks at a time, Baverstock managed to exercise very specific financial control over the production, threatening to end ''Doctor Who'' several times over the course of its first year. It was largely he that was responsible for preventing actors' salaries from massively inflating after the show became a surprise hit after the [[Dalek]]s were introduced.</div>
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<div class="tr-box three"><h1>Today in production history</h1>{{:{{CURRENTDAY}} {{CURRENTMONTHNAME}} (production)}}</div>
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{{reflist}}
{{reflist}}

Revision as of 11:01, 8 October 2013

PlaybackExampleTheArk.jpg

Playback was a television production technique in which pre-recorded material was literally played into a scene, rather than being added as a post-production effect. It was universally used in the 1960s as the method by which actors were seen on view screens. As seen in the picture at the left, William Hartnell was pre-recorded separately, then projected live into the scene with the actors in the foreground. Though antiquated, the technique was used even into the 1980s, most notably for the title sequence. The quality of the opening titles for the 1963 version of Doctor Who was never high, because it was never a first-generation copy of the titles. Instead, they were played live into the recording of the first scene of many episodes, causing actors to have to time their first lines to the final notes of the studio-audible Doctor Who theme.

Jane Tranter

JaneTranter.jpg

Jane Tranter was an important advocate for the return of Doctor Who to BBC One in the early 2000s.

Donald Baverstock

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon its producer, Verity Lambert. By choosing to commission only a few weeks at a time, Baverstock managed to exercise very specific financial control over the production, threatening to end Doctor Who several times over the course of its first year. It was largely he that was responsible for preventing actors' salaries from massively inflating after the show became a surprise hit after the Daleks were introduced.
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Today in production history

Today's releases

Today's births and deaths