Transmat:Doctor Who: Difference between revisions

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<div class="tr-box two">'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div>
<div class="tr-box two">'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div>
<div class="tr-box three">The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]].</div>
<div class="tr-box three">The '''[[Quantel Paintbox]]''' was a graphics workstation that allowed ''[[Doctor Who]]'' to have a primitive form of [[colourist|colour grading]] in the [[1980s]].</div>
<div class="tr-box four">Four</div>
<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box five">Five</div>
<div class="tr-box five">Five</div>
<div class="tr-box six">Six</div>
<div class="tr-box six">Six</div>

Revision as of 11:17, 8 October 2013

PlaybackExampleTheArk.jpg

Playback was a television production technique in which pre-recorded material was literally played into a scene, rather than being added as a post-production effect. It was universally used in the 1960s as the method by which actors were seen on view screens. As seen in the picture at the left, William Hartnell was pre-recorded separately, then projected live into the scene with the actors in the foreground. Though antiquated, the technique was used even into the 1980s, most notably for the title sequence. The quality of the opening titles for the 1963 version of Doctor Who was never high, because it was never a first-generation copy of the titles. Instead, they were played live into the recording of the first scene of many episodes, causing actors to have to time their first lines to the final notes of the studio-audible Doctor Who theme.

JaneTranter.jpg

Jane Tranter was an important advocate for the return of Doctor Who to BBC One in the early 2000s.

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s.
John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers.
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