Transmat:Doctor Who: Difference between revisions

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<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box five">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div>
<div class="tr-box five">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div>
<div class="tr-box six">Six</div>
<div class="tr-box six">Officially, only ''[[The Lodger (TV story)]]'' has been explicitly adapted from [[The Lodger (comic story)|The Lodger]]'' a comic strip. However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. </div>
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Revision as of 11:31, 8 October 2013

The Mind of Evil was a Third Doctor story that brought a radical change in the way United Nations Intelligence Taskforce was portrayed. Instead of being a primarily investigative body interested in alien or unexplained phenomena, here UNIT was mostly seen as a simple security force, guaranteeing the safety of international diplomats. In other words, the "United Nations" portion of their acronym was stressed over the "Intelligence Taskforce" bit — as would later happen in such stories as Day of the Daleks and The Time Warrior. Meanwhile, the main plot about the mind-control device was something writer Don Houghton intentionally included as an homage to A Clockwork Orange. Evil went badly over budget, thanks in no small part to one of Doctor Who's rare usages of a real helicopter in the concluding episode. An unimpressed Barry Letts therefore withdrew director Timothy Combe from his informal "director's rota", and Combe never worked on the programme again.

JaneTranter.jpg

Jane Tranter was an important advocate for the return of Doctor Who to BBC One in the early 2000s.

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s.
John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers.
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television.
Officially, only The Lodger (TV story) has been explicitly adapted from The Lodger a comic strip. However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

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