Jamie Robertson: Difference between revisions
No edit summary |
(reordering, cleaning up external links, adding story) |
||
Line 10: | Line 10: | ||
Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on ''[[Relative Dimensions]]''. | Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on ''[[Relative Dimensions]]''. | ||
Through his scores, Robertson has made original contributions to each era of the Doctor | Through his scores, Robertson has made original contributions to each era of the Doctor, including his leitmotif for the [[Eighth Doctor]], [[There's a Man I Know]]. It crops up in ''[[Blue Forgotten Planet]]'' when [[Charley Pollard]] mentions that incarnation to the [[Sixth Doctor]]. | ||
Robertson has also scored a track known as "Across the Stars". This track debuted on ''[[The Chaos Pool]]''. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, ''[[The Feast of Axos]]'' featured a new, choral version. | Robertson has also scored a track known as "Across the Stars". This track debuted on ''[[The Chaos Pool]]''. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, ''[[The Feast of Axos]]'' featured a new, choral version. | ||
Line 17: | Line 17: | ||
== Post-production == | == Post-production == | ||
=== Big Finish main range === | |||
=== Big Finish | |||
* ''[[The Judgement of Isskar]]'' - music | * ''[[The Judgement of Isskar]]'' - music | ||
* ''[[The Chaos Pool]]'' - music | * ''[[The Chaos Pool]]'' - music | ||
Line 44: | Line 32: | ||
* ''[[Signs and Wonders (audio story)|Signs and Wonders]]'' - music & sound design | * ''[[Signs and Wonders (audio story)|Signs and Wonders]]'' - music & sound design | ||
=== | === 50th Anniversary === | ||
* ''[[The | * ''[[The Light at the End (audio story)|The Light at the End]]'' - music & sound design | ||
=== | === Destiny of the Doctor === | ||
* ''[[ | * ''[[Death's Deal (audio story)|Death's Deal]]'' - music & sound design | ||
=== | === Eighth Doctor Adventures === | ||
* ''[[Wirrn Dawn (audio story)|Wirrn Dawn]]'' - music & sound design | * ''[[Wirrn Dawn (audio story)|Wirrn Dawn]]'' - music & sound design | ||
* ''[[The Scapegoat (audio story)|The Scapegoat]]'' - music & sound design | * ''[[The Scapegoat (audio story)|The Scapegoat]]'' - music & sound design | ||
Line 61: | Line 47: | ||
* ''[[Relative Dimensions (audio story)|Relative Dimensions]]'' - music & sound design | * ''[[Relative Dimensions (audio story)|Relative Dimensions]]'' - music & sound design | ||
=== | === Fourth Doctor Adventures === | ||
* ''[[Destination: Nerva (audio story)|Destination: Nerva]]'' - music & sound design | |||
* ''[[The Renaissance Man (audio story)|The Renaissance Man]]'' - music & sound design | |||
* ''[[Phantoms of the Deep (audio story)|Phantoms of the Deep]]'' - music & sound design | |||
* ''[[Night of the Stormcrow (audio story)|Night of the Stormcrow]]'' - music & sound design | |||
* ''[[The King of Sontar (audio story)|The King of Sontar]]'' - music & sound design | |||
* ''[[White Ghosts (audio story)|White Ghosts]]'' - music & sound design | |||
=== Companion Chronicles === | |||
* ''[[Resistance (audio story)|Resistance]]'' - music | * ''[[Resistance (audio story)|Resistance]]'' - music | ||
* ''[[The Magician's Oath (audio story)|The Magician's Oath]]'' - music | * ''[[The Magician's Oath (audio story)|The Magician's Oath]]'' - music | ||
Line 67: | Line 61: | ||
* ''[[Peri and the Piscon Paradox (audio story)|Peri and the Piscon Paradox]]'' - music & sound design | * ''[[Peri and the Piscon Paradox (audio story)|Peri and the Piscon Paradox]]'' - music & sound design | ||
=== | === Lost Stories === | ||
* ''[[The Nightmare Fair (audio story)|The Nightmare Fair]]'' - music & sound design | |||
* ''[[The First Sontarans (audio story)|The First Sontarans]]'' - music & sound design | |||
* ''[[The Rosemariners (audio story)|The Rosemariners]]'' - music & sound design | |||
=== Novel Adaptations === | |||
* ''[[The English Way of Death (audio story)|The English Way of Death]]'' - music & sound design | |||
=== Dalek Empire === | |||
* ''[[The Fearless: Part 2 (audio story)|The Fearless: Part 2]]'' - sound design | * ''[[The Fearless: Part 2 (audio story)|The Fearless: Part 2]]'' - sound design | ||
* ''[[The Fearless: Part 3 (audio story)|The Fearless: Part 3]]'' - sound design | * ''[[The Fearless: Part 3 (audio story)|The Fearless: Part 3]]'' - sound design | ||
Line 74: | Line 76: | ||
== External links == | == External links == | ||
{{imdb name|id=1821876}} | {{imdb name|id=1821876}} | ||
{{twitter|jamiecomposer}} | |||
* [http://www.jamierobertson.me.uk '''Jamie Robertson''' - Official website] | * [http://www.jamierobertson.me.uk '''Jamie Robertson''' - Official website] | ||
{{NameSort}} | {{NameSort}} | ||
[[Category:Big Finish post production]] | [[Category:Big Finish post production]] |
Revision as of 22:31, 16 January 2015
Jamie Robertson (born 30 May 1981) is a member of the post-production team of Big Finish Productions. He has mostly served as a composer for Big Finish but has also worked on sound design for many releases.
Each year he composes music for all different ranges from the spin-offs to the main range. Most notably in 2013 Jamie Robertson was the composer for the show's 50th anniversary official audio The Light at the End.
For the first time in Doctor Who audio history, he mixed and released The Light at the End in Dolby 5.1 as a download extra via the Big Finish site.
Robertson's music varies from contemporary classic to rock-and-roll industrial. In 2010 he added something new for Big Finish: a real choir, the Poringland Singers, debuted for Big Finish on Relative Dimensions.
Through his scores, Robertson has made original contributions to each era of the Doctor, including his leitmotif for the Eighth Doctor, There's a Man I Know. It crops up in Blue Forgotten Planet when Charley Pollard mentions that incarnation to the Sixth Doctor.
Robertson has also scored a track known as "Across the Stars". This track debuted on The Chaos Pool. It has since become a standard theme for any sequence in which a character describes the wonders of space. In 2011, The Feast of Axos featured a new, choral version.
Robertson scored the theme tunes for the Eighth Doctor extras in Series 3 and afterwards, Eighth Doctor theme for Mary Shelly adventures and for The Light at the End, and Jago and Litefoot, Graceless and other Big Finish series, including Highlander and Sherlock Holmes.
Post-production
Big Finish main range
- The Judgement of Isskar - music
- The Chaos Pool - music
- Blue Forgotten Planet - music & sound design
- The Architects of History - music & sound design
- Legend of the Cybermen - music & sound design
- The Feast of Axos - music & sound design
- Heroes of Sontar - music & sound design
- Robophobia - music & sound design
- The Silver Turk - music & sound design
- The Fourth Wall - music & sound design
- Black and White - music & sound design
- 1001 Nights - music & sound design
- Signs and Wonders - music & sound design
50th Anniversary
- The Light at the End - music & sound design
Destiny of the Doctor
- Death's Deal - music & sound design
Eighth Doctor Adventures
- Wirrn Dawn - music & sound design
- The Scapegoat - music & sound design
- The Cannibalists - music & sound design
- Worldwide Web - music & sound design
- The Eight Truths - music & sound design
- Situation Vacant - music & sound design
- Relative Dimensions - music & sound design
Fourth Doctor Adventures
- Destination: Nerva - music & sound design
- The Renaissance Man - music & sound design
- Phantoms of the Deep - music & sound design
- Night of the Stormcrow - music & sound design
- The King of Sontar - music & sound design
- White Ghosts - music & sound design
Companion Chronicles
- Resistance - music
- The Magician's Oath - music
- Bernice Summerfield and the Criminal Code - music & sound design
- Peri and the Piscon Paradox - music & sound design
Lost Stories
- The Nightmare Fair - music & sound design
- The First Sontarans - music & sound design
- The Rosemariners - music & sound design
Novel Adaptations
- The English Way of Death - music & sound design
Dalek Empire
- The Fearless: Part 2 - sound design
- The Fearless: Part 3 - sound design
- The Fearless: Part 4 - sound design