Ernie Vincze: Difference between revisions
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{{inuse}}{{real world}}[[image:ErnieVincze.jpg|thumb|right|250px|Vincze, as he appeared on the set of ''[[The Unquiet Dead]]''. (''[[Doctor Who Confidential|DWC]]'': "Tardis Tales")]] | {{inuse}}{{real world}}[[image:ErnieVincze.jpg|thumb|right|250px|Vincze, as he appeared on the set of ''[[The Unquiet Dead]]''. (''[[Doctor Who Confidential|DWC]]'': "Tardis Tales")]] | ||
'''Ernest Vincze, BSC, GBCT''' — usually credited as '''Ernie Vincze, BSC''' — has been the [[director of photography]] of more ''[[Doctor Who]]'' stories than any other person. This distinction applies even when counting "[[studio lighting|studio lighters]]", the closest thing to a cinematographer in the 1963 version of the programme. He was the first (and, as of [[Series 5 (Doctor Who)|Matt Smith's first series]]) | '''Ernest Vincze, BSC, GBCT''' — usually credited as '''Ernie Vincze, BSC''' — has been the [[director of photography]] (DOP) of more ''[[Doctor Who]]'' stories than any other person. This distinction applies even when counting "[[studio lighting|studio lighters]]", the closest thing to a cinematographer in the 1963 version of the programme. He was the first (and, as of [[Series 5 (Doctor Who)|Matt Smith's first series]], ''only'') DOP who was a member of the British Society of Cinematographers at the time of their work on ''[[Doctor Who]]''.<ref>Previously, the only nationally-accredited director of photography on ''Doctor Who'' was [[Doctor Who (1996)|the 1996 tele-film's]] [[Glen MacPherson]], who was a member of the American and Canadian societies.</ref> | ||
Vincze was the exclusive director of photography for [[Series 1 (Doctor Who)|the Christopher Eccleston series]], and then began to alternate production | Vincze was the exclusive director of photography for [[Series 1 (Doctor Who)|the Christopher Eccleston series]], and then began to alternate [[production block]]s with [[Rory Taylor]], following [[David Tennant]]'s hiring. He fully "bookended" the [[Russell T Davies]] era, by lighting both ''[[Rose (TV story)|Rose]]'' and ''[[The End of Time (TV story)|The End of Time]]''. | ||
Vincze was named the "Best Director of Photography" by the members of the [[Welsh]] chapter of the [[BAFTA|British Academy for Television Arts]] for his work on ''[[Voyage of the Damned]]''. Consequently, he is the highest-decorated cinematographer or lighting director in the history of ''Doctor Who''. | Vincze was named the "Best Director of Photography" by the members of the [[Welsh]] chapter of the [[BAFTA|British Academy for Television Arts]] for his work on ''[[Voyage of the Damned]]''. Consequently, he is the highest-decorated cinematographer or lighting director in the history of ''Doctor Who''. | ||
Revision as of 23:36, 23 March 2010
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Ernest Vincze, BSC, GBCT — usually credited as Ernie Vincze, BSC — has been the director of photography (DOP) of more Doctor Who stories than any other person. This distinction applies even when counting "studio lighters", the closest thing to a cinematographer in the 1963 version of the programme. He was the first (and, as of Matt Smith's first series, only) DOP who was a member of the British Society of Cinematographers at the time of their work on Doctor Who.[1]
Vincze was the exclusive director of photography for the Christopher Eccleston series, and then began to alternate production blocks with Rory Taylor, following David Tennant's hiring. He fully "bookended" the Russell T Davies era, by lighting both Rose and The End of Time.
Vincze was named the "Best Director of Photography" by the members of the Welsh chapter of the British Academy for Television Arts for his work on Voyage of the Damned. Consequently, he is the highest-decorated cinematographer or lighting director in the history of Doctor Who.
External link
Notes
- ↑ Previously, the only nationally-accredited director of photography on Doctor Who was the 1996 tele-film's Glen MacPherson, who was a member of the American and Canadian societies.
