A Visit to the Cinema (short story)

A Visit to the Cinema (short story)

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A Visit to the Cinema
Doctor:	[[doctor::Third Doctor]]
Main setting:	London, England, UK, Earth, 1970s
Key crew
Writer:	Vanessa Bishop
Illustrator:	Andy Lambert
Release details
Printed in:	DWM 190

A Visit to the Cinema (short story) was a short story in the Brief Encounter series printed by Doctor Who Magazine. Its significance depends on the reader. It could be interpreted as canonising Dr. Who and the Daleks and Daleks' Invasion Earth 2150 A.D. as fictional elements within the Doctor Who universe. Alternately, it could be read as parody.

Summary

The Third Doctor, having a bit of free time on his hands, goes to watch a double bill of a particular duo of movies.

Characters

• Third Doctor
• Dr. Who (possibly)
• Ian (possibly)

References

• The Doctor refers to Cushing as "that splendid chap Van Helsing", a reference to Cushing's work in Hammer Horror Dracula movies.
• The text refers to several things in the 1960s Dalek films, including: a "young man" sitting on a box of chocolates, the titles of the second film being orange, and a white hanky making a return in a "highly amusing scene with a food machine".

Notes

Parody or straight?

This story can be read in two ways. Superficially, it seems to suggests that the two 1960s Dalek films are fictional parts of the DWU. After all, the Doctor is entertained by "that young chap sitting on those chocolates", a reference to a memorable moment for Roy Castle's character in Dr. Who and the Daleks. And later, the old ladies exclaim that they wish the Doctor would develop the manners of "that lovely Mr. Cushing."

However, careful reading shows that the films are never mentioned by name, and that the word Dalek doesn't appear anywhere within the piece. Thus, the reader is free to imagine that things aren't quite as they appear. The reader is given even more scope to imagine it's parody, when the Doctor says, "How wonderful to have seen that particular planet in colour at last." The Doctor can't be referring to Skaro, here, because obviously he would have seen it in colour, even if we viewers did not. Yet, if it's not Skaro he's talking about, then he's not watching Dr. Who and the Daleks. Thus, this can be read as a meta-fictional comment, which takes the piece closer to parody.

Notably, this is not the only story to suggest that the films exist as fiction within the Doctor Who universe, given that Nev Fountain's short story The Five O'Clock Shadow, from the anthology Short Trips: A Day in the Life, reveals that Dr. Who and his eight-year-old granddaughter Suzy are fictitious creations made by the real Doctor to keep the nemesis named Shadow, the embodiment of grief and sorrow, distracted until the real Doctor could overcome his grief and escape from Shadow's prison. Shadow has no hold over the cheerful, angst-free Dr. Who, who departs with Suzy on further childlike and wondrous adventures.

Continuity

• The narration suggests that the Doctor is still in exile at this point, since it says that "his afternoons off were few and far between", and it says that his other option was to enjoy a bag of chips with Sergeant Benton.
• The Doctor compares the "bizarre eye make-up" worn in the film to that employed by Jo Grant.

Timeline

• After DWM: Change of Mind
• Before DW: Colony in Space

External Links

• A Visit to the Cinema at the Doctor Who Reference Guide