Dead Romance (novel)

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Publisher's summary

'All right, let's start with the basics. The world ended on the twelfth of October, Nineteen Seventy...'

I don't know why I'm writing this. It's not like anybody's going to read it. At least, nobody who cares about the fact that I'm a desperate, dying, 23-year-old human being who's just had the whole of history taken away from her.

To whoever's out there, to whatever's left, this is the way things were, just before the end. This is the story about the last days of London, about murder and love and waking up in the ruins, about all the people buried in the wreckage...

I'm lying, obviously. This is my story. This is what I was doing, when October the twelfth came. Because, let's face it, I'm the only one who really matters.

I'm the only one who got out alive.

Characters

  • Is an agent of the Time Lords.
  • The Time Lords have altered his biology to make him more suited to dealing in their affairs, they also changed his memory of his time with the Doctor, making him the 'Evil Renegade' instead.
  • After meeting with the Daleks Chris comes back to Christine and has sex with her.
  • Has regenerated at least once (quite possibily more than once).
  • Has sex with Christine to prove a point.
  • The Horror
  • A gestalt of all the stuff lost in the vortex.
  • Cwej's Employers
  • The Sphinxes

References

Notes

  • At the start of the novel it contains a note from Miles which states:
Note for continuity purists and nobody else: the universe in which much of 'Dead Romance' takes place - the universe of the Gods, the planet Dellah and Bernice Summerfield - is the same universe in which 'Christmas on a Rational Planet, 'Down' and indeed every other New Adventure takes place. However, this absolutely and positively isn't the same universe in which any other books I might have written are set.
Believe me.

This referred to Miles' attempt, here and in (EDA: Interference), to use the device of bottle universes nested inside each other to establish that the NAs and EDAs occured in separate continuities. This has been roundly ignored and contradicted by most other writers, and Miles admits in the foreword to the Mad Norwegian edition of Dead Romance that it was a bad idea anyway.

  • Starting on page 199 is a discussion through the Summerfield Family Tree (from the 'real' universe, ie Bernice Summerfield's family tree).
  • The cover of the novel is actually part of the plot, it is the photo Christine takes of London, shortly after the Time Lords take over the bottle Earth.

Mad Norwegian Reprint

Reprinted in 2004 by Mad Norwegian, not strictly as part of their Faction Paradox range but as a companion to it, the newer edition includes some additional material.

Within the main text of the novel, the terminology the BNAs had used to avoid mentioning the Time Lords directly was amended to the terminology the Faction Paradox range now uses for a similar purpose.

Continuity

  • Also in Interference it's mentioned that the Time Lords are making 'Ogron Lords' by altering them to be time compatible, this concept is first introduced in this novel.

External links

Footnotes

  1. Dead Romance, page 112
  2. Dead Romance, page 215