Midnight (TV story)

Taking a big space truck with a bunch of strangers across a diamond planet called Midnight... What could possibly go wrong?The Doctor

Synopsis

The Doctor is trapped, alone, powerless and terrified, on the planet Midnight. Soon, the knocking on the wall begins. Only a woman called Sky seems to know the truth – but as paranoia turns into a witch-hunt, Sky turns the Doctor's greatest strengths against him, and a sacrifice must be made...

Plot

The Doctor and Donna spend some leisure time on the crystalline planet Midnight, which orbits close enough to its sun that the Xtonic radiation exposure would vaporise any living thing to walk unprotected on its surface. Donna opts to relax at a spa while the Doctor takes a four-hour shuttle bus ride to the Sapphire Waterfall. Other passengers include the Cane family (Val, Biff, and their teenage son Jethro); Professor Hobbes, who is investigating the waterfall; his assistant Dee Dee Blasco; and recently-divorced businesswoman Sky Silvestry.

There is a long wait until they reach their destination, and the entertainment provided for passengers consists of several annoying television programs, so the Doctor discretely disables them with his sonic screwdriver, forcing all of the passengers to interact and get get to know each other better. Prof. Hobbes has been studying the planet and considers himself an expert on it, so he presents a slide-show he has with him about Midnight. Hobbes explains that while he considers himself more of an expert on Midnight and xtonic radiation than anyone else, that's really because no one has ever researched Midnight before, and he emphasizes that essentially nothing is known about the planet. Xtonic radiation would vaporize any known form of life in seconds, so Midnight has been totally undisturbed for millions of years: there are entire landscapes which living eyes have never seen since the universe began. Hobbes notes that even the leisure palace was pre-fabricated and dropped in from orbit. Jethro sarcastically remarks on how anyone can really know anything about the planet, to the scolding of his parents, but Hobbes agrees that that is his entire point: no one has ever really set foot on Midnight, and no one has any real idea what is on or underneath the surface.

The trip initially goes smoothly despite the shuttle being rerouted to a new course, but suddenly the shuttle stops. The Doctor checks with the shuttle's driver and mechanic, confirming that there's nothing wrong with the vehicle. He convinces them to open the shutter to look outside, and the mechanic believes he sees a shadow moving towards the bus. The crew--driver Joe, mechanic Claude, and a hostess--calls for a rescue vehicle while the Doctor returns to the main cabin.

A few moments later, something begins knocking on the shuttle's hull, copying the passengers when they knock back. The knocking moves around the shuttle, making its way towards Sky Silvestry, apparently the most frightened of the lot, and dents the door she is standing by. The lights then temporarily fail and the shuttle is violently rocked. When the lights are restored, the seats near Sky have been ripped off the floor and she is cowering in the corner. An attempt to speak to the crew reveals that their cabin has also been ripped away, vapourising driver Joe and mechanic Claude.

The Hostess dragging Sky out the cabin door

Sky initially remains motionless, but is coaxed into turning around by the Doctor. Attempts to get her to speak only cause her to repeat what she is told, making it clear that Sky is no longer in control. The delay between Sky's repetitions becomes shorter, until eventually she is repeating everyone instantly. Cabin fever sets in, and the passengers contemplate throwing her outside. The Doctor's attempts to calm the situation fail when the passengers become suspicious of him, especially when he proves unwilling to reveal his name. This is only amplified when Sky focuses solely on repeating the Doctor's words.

As the Doctor tries to reason with Sky, he suddenly starts repeating her. Most of the passengers reason that the Doctor must be possessed, while the hostess and Dee Dee reason that this is just the next step: stealing the voice of another. The other passengers refuse to listen and begin to drag the Doctor towards the nearest door, all the while being goaded on by Sky. However, the hostess realises that Sky is not talking in her own voice when she uses two phrases the Doctor had used earlier. Before the other passengers can throw the Doctor out, she sacrifices herself by dragging Sky out of another door. The Doctor slowly recovers, and as the passengers wait for the rescue shuttle, he realises that no one knew the hostess' name. At the spa, the Doctor mournfully reunites with Donna. When Donna attempts to copy one of the Doctors phrases, he tells her not to do that.

Cast

Production crew

to be added

References

When The Doctor is talking to Sky. She tells the Doctor about her ex wanting more space. That being a different galaxy the Doctor mentions having a friend that went to a different universe. This reference's Rose Tyler's "exile" to Pete's World (DW: Doomsday) - foreshadowing her return in the next episode. It could also be considered a subtle reference to Romana staying behind in E-Space (DW: Warriors' Gate).
During Sky's constant copying of the Doctor, he mentions such things as Rose Tyler, Donna Noble, Martha Jones, TARDIS, Bananas and the Medusa Cascade. This is the second reference to Rose in the episode, as she also appears briefly on a monitor, and the Medusa Cascade would soon play a major role (DW: The Stolen Earth)
The lost moon of Poosh is mentioned.
When Donna impersonates the Doctor's Italian accent at the end, the Doctor says, "Don't do that," similarly to how he addressed Martha Jones and Rose Tyler's earlier attempts at accents; however on this occasion it is with serious intent and more directly referencing the fact that he is uncomfortable with her repeating the words.
A Betty Boop cartoon and Italian soubrette Raffaella Carrà are briefly shown on a screen during the voyage as part of the animation archives.

Story notes

This is the first episode in Series 4 in which The Doctor was present when Rose Tyler appeared on screen, although he did not see her.
The last time a shuttle bus was featured was in the Seventh Doctor serial The Greatest Show in the Galaxy.
This episode has marked Doctor Who's 200th story.
Donna was largely absent from this episode, as Catherine Tate was filming Turn Left. While the previous two series included one episode each referred to as "Doctor-lite" for including only brief appearances by the Doctor and, by extension, his companion, this was the first time a "companion-lite" episode focusing on the Doctor by himself has been attempted in the revived series.
Dee Dee mentions the lost moon of Poosh, continuing the theme of disappearing planetary bodies featured throughout series 4.
This episode was originally intended to be episode 8, before Steven Moffat's two-parter, but was pushed back to episode 10. The name of the shuttle bus, Crusader 50, was a reference to it originally being in the 50th episode of the new series to be screened. It was however the 50th episode of the 'New Series' to be filmed.
This is the first televised story since Genesis of the Daleks not to feature the TARDIS.
This is the second episode in which the Doctor has not had a companion to assist him. The first episode without a companion was The Deadly Assassin, although the earlier story remains the only one in which no companion appears at all (as opposed to Donna's appearances at the beginning and end of this episode).
The passengers on the shuttle planned to murder first Sky, then the Doctor. They were about to carry it out when the Hostess forced the Sky-creature out the airlock.
The villain in this episode is actually never revealed.
David Troughton, who plays the professor, is the son of Patrick Troughton, who played the Second Doctor. Episode director Alice Troughton is not directly related.
Sky Silvestry mentions to the Doctor that 'I found myself single recently, not by choice... she needed her own space', implying that she was in a lesbian relationship.
Although rumoured to have originated from an earlier episode, the brief cameo of Rose was scripted for this episode and was filmed especially for this episode by director Alice Troughton during production of Turn Left. According to the DVD commentary for this episode, Russell T. Davies decided to also include the clip in The Poison Sky, too, a fact Troughton -- and David Tennant -- were not made aware of until during the commentary recording for Midnight.
Months after the episode aired, the story element of having two characters speaking the same words at the same time, and one character trying to throw the other off by spouting random references, would be duplicated in "The Arrival", an episode of the American series Fringe.
This story was written, at short notice, to replace a script called Century House by Tom MacRae which Russell T Davies felt was too similar, in terms of plot, to The Unicorn and the Wasp.^[1]

Ratings

Official BARB ratings - 8.05 million viewers

Myths and rumours

Billie Piper's brief cameo was taken from an earlier episode, most likely The Idiot's Lantern in which she was also shown shouting silently from a TV screen, and was a last-minute addition. In fact, the scene was filmed especially for Midnight, and was scripted according to director Alice Troughton's DVD commentary for the episode.

Filming Locations

To be added

Discontinuity, Plot Holes, Errors

The hostess twice opens the doors in the shuttle to the outside and lives, despite the Professor saying that the X-Tronic light would vaporise them in a split-second. There is an air buffer that lasts for six seconds, the glass between the Crusader and the outside world lasts for a few minutes.

When Rose appears on screen, didn't the others notice? (No-one would relise the significance of it except the Doctor - they may have assumed that the screen was faulty).

Why, after the Doctor shut down all the entertainment systems, was the screen working on which Rose appeared? Her image is not constructed by the electronics in the screen, rather it is a projection from the alternate universe. Or, this was a freak effect of the damaged electronics. Also, later on a monitor screen is clearly active - but showing a blank blue screen - on the wall behind Skye while the Doctor argues with the passengers over who he is.

This episode dosn't say what year it was set. It must be far future, because they are on an alien planet. But then how come the passengers on the Crusader 50 are in dis-beleif and surprised when the Doctor gives a hint that he is not human? Surely that far in the future they must have come in contact with aliens? The episode is a commentary on xenophobia and mob culture - the Doctor being different was an excuse to victimize him. The makers presumably want to show this type of action is irrational, which they largely succeed in doing.

As noted, the episode takes place in the future, however the EXIT signs are standard 20th century style signs, and Donna's cordless phone clearly shows a modern-day plug-in jack for a cord. Perhaps "retro" was in vogue at the time? Perhaps also it is similar to the Nineth Doctors comment about him having a northern accent, lots of planets have a 20th century. Another theory is that the TARDIS translates every language so anybody from the TARDIS understands, therefore all of the signs and languages are the same and we can see the signs from a translated point of view.

While the revelation in Turn Left that Rose has obtained the TARDIS in Donna's World could be used to explain her ability to send an image of herself to the TARDIS in The Poison Sky, it is never explained how she is able to link into a monitor in a passenger shuttle on a planet in the far future. Since the TARDIS is presumably parked somewhere on Midnight, perhaps it was somehow relaying the image to the Doctor.

When the Doctor is speaking to Donna on the phone, part of the green screen is seen on the right.

Continuity

The entity seems almost identical to the species in (DWU: A Storm of Angels), which taking place in an alternate universe with a different Doctor showed what "might have happened".
Rose Tyler is seen again this time in one of the shuttle bus's screens. This is the same clip that appeared for a second in (DW: The Poison Sky) except this time it was slightly longer, and Rose seemed to mouth "Doctor!" twice rather than the once in The Poison Sky.
'Molto Bene' is Italian for 'Very Well.' The Doctor first uttered this in a deleted scene from (DW: The Christmas Invasion), when the Doctor is thinking of a word to say instead of "Fantastic." In broadcast continuity, he first said it in (DW: The Runaway Bride). The Doctor's other favourite catchphrase "Allons-y" is also present and significant. He used it for the first time in (DW: Army of Ghosts). For the benefit of those who do not speak French, this is the first episode in which the phrase is actually translated as "Let's go!"
Plus, this is the second time The Doctor has told Donna "don't do that", as in (DW: The Unicorn and the Wasp), Donna tried to fit in by talking like a woman of the 1920's, only for The Doctor to say "don't do that".

DVD and other releases

Series 4 Volume 3 DVD Cover

Released in the Series 4 DVD boxset in November 2008 along with the rest of the Series.
Released as Series 4 Volume 3 in a vanilla edition alongside Silence in the Library and Forest of the Dead.

External links

BBC Website - Episode Guide: Midnight

Template:Series 4

References

↑ Doctor Who Magazine Issue 400, article: In The Midnight Hour

[1] Doctor Who Magazine Issue 400, article: In The Midnight Hour

[1]