Transmat:Doctor Who

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Rose was the first episode of the BBC Wales version of Doctor Who. As the first televised story of the 21st century, it had to introduce the concept of the programme, as well as new regulars, Christopher Eccleston and Billie Piper. Its success on BBC One was immediate. As of 2013, it remained the second highest-rated season opener in Doctor Who history, behind only Destiny of the Daleks, a story that aired without any competition from other broadcasters. Aired in March, 2005 — several years before the BBC offered full scale digital content streaming — it picked up nearly 11 million terrestrial and cable BBC One viewers. The episode boasted a number of behind-the-scenes firsts, aside from merely being the first episode to feature Russell T Davies' vision of the show — such as being the first episode shot in a widescreen aspect ratio. It was also the first British-made episode to utilise an modern production style, and was thus the first time that credited cinematographers, production designers, colourists, digital artists, and any number of skilled professions had been credited on British-made Doctor Who.

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Jane Tranter was an important advocate for the return of Doctor Who to BBC One in the early 2000s.

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s.
John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers.
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television.
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger. However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

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