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Template:Transmat:Doctor Who: Difference between revisions
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| 1 = {{feature|title=Doctor Who|image=|ext=Doctor Who in five languages - BBC Worldwide Showcase|lead='''''Doctor Who''''' is both a television show and a global multimedia franchise created and controlled by the [[British Broadcasting Corporation]]. It centres on a time traveller called "[[the Doctor]]", who comes from a race of beings known as [[Time Lord]]s. He travels through space and time in a [[time machine]] he calls [[The Doctor's TARDIS|the TARDIS]].}} | | 1 = {{feature|title=Doctor Who|image=|ext=Doctor Who in five languages - BBC Worldwide Showcase|lead='''''Doctor Who''''' is both a television show and a global multimedia franchise created and controlled by the [[British Broadcasting Corporation]]. It centres on a time traveller called "[[the Doctor]]", who comes from a race of beings known as [[Time Lord]]s. He travels through space and time in a [[time machine]] he calls [[The Doctor's TARDIS|the TARDIS]] with [[companion|his friends]]. Another vital element of the show is the concept of [[regeneration]] — a process by which the Doctor can change his form when he's near death. This convenient trick thus allows the programme to change lead actors in a narratively sensible way.<br><br>Though it began on the day after the [[Kennedy assassination]] in [[1963 (releases)|1963]], it has had three distinct production eras. The first version — sometimes called "classic ''Doctor Who'' by fans — ran from 1963 to [[1989 (releases)|1989]], and contained the adventures of the first seven Doctors. In [[1996 (releases)|1996]]'' an American co-production was attempted involving the [[Eighth Doctor]]. The current iteration of the show began broadcast in [[2005]], and is by far the most popular and critically successful version, beginning with the adventures of [[Christopher Eccleston]]'s [[Ninth Doctor]]. <br><br>In addition to the televised programme, the show has spawned a rich heritage of [[:Category:Doctor Who comics stories|comics]], [[Big Finish Doctor Who audio stories|audio stories]], [[:category:Doctor Who novel series|novels]], [[:Category:Doctor Who short stories|short stories]] and even [[:category:Doctor Who stage plays|stage plays]].}} | ||
| 2 = {{feature|title=The Mind of Evil (TV story)|image=Mind of Evil - Doctor Who DVD|ext=|lead='''''The Mind of Evil''''' was a [[Third Doctor]] story that brought a radical change in the way [[United Nations Intelligence Taskforce]] was portrayed. Instead of being a primarily investigative body interested in alien or unexplained phenomena, here UNIT was mostly seen as a simple security force, guaranteeing the safety of international diplomats. In other words, the "United Nations" portion of their acronym was stressed over the "Intelligence Taskforce" bit — as would later happen in such stories as ''[[Day of the Daleks]]'' and ''[[The Time Warrior]]''. Meanwhile, the main plot about the mind-control device was something [[writer]] [[Don Houghton]] intentionally included as an homage to ''[[wikipedia:A Clockwork Orange|A Clockwork Orange]]''. ''Evil'' went badly over budget, thanks in no small part to one of ''Doctor Who''{{'}}s rare usages of a real [[helicopter]] in the concluding episode. An unimpressed [[Barry Letts]] therefore withdrew [[director]] [[Timothy Combe]] from his informal "director's [[wiktionary:rota#Noun|rota]]", and Combe never worked on the programme again.}} | | 2 = {{feature|title=The Mind of Evil (TV story)|image=Mind of Evil - Doctor Who DVD|ext=|lead='''''The Mind of Evil''''' was a [[Third Doctor]] story that brought a radical change in the way [[United Nations Intelligence Taskforce]] was portrayed. Instead of being a primarily investigative body interested in alien or unexplained phenomena, here UNIT was mostly seen as a simple security force, guaranteeing the safety of international diplomats. In other words, the "United Nations" portion of their acronym was stressed over the "Intelligence Taskforce" bit — as would later happen in such stories as ''[[Day of the Daleks]]'' and ''[[The Time Warrior]]''. Meanwhile, the main plot about the mind-control device was something [[writer]] [[Don Houghton]] intentionally included as an homage to ''[[wikipedia:A Clockwork Orange|A Clockwork Orange]]''. ''Evil'' went badly over budget, thanks in no small part to one of ''Doctor Who''{{'}}s rare usages of a real [[helicopter]] in the concluding episode. An unimpressed [[Barry Letts]] therefore withdrew [[director]] [[Timothy Combe]] from his informal "director's [[wiktionary:rota#Noun|rota]]", and Combe never worked on the programme again.}} | ||
| 3 = {{feature|title=Russell T Davies|image=David Tennant interviews Russel T Davies - Doctor Who Confidential - BBC|ext=|lead='''Russell T Davies''' was responsible for the revival of ''[[Doctor Who]]'', as well as the creation of several spin-off series, like the fictional ''[[Torchwood (TV series)|Torchwood]]'' and ''[[The Sarah Jane Adventures]]'', and the factual ''[[Doctor Who Confidential]]'' and ''[[Totally Doctor Who]]''. He is the single most prolific producer of televised entertainment in [[DWU]] history. His position is virtually unassailable, due to the fact that he was producing six different programmes in the franchise simultaneously. His decision to base ''Doctor Who'' production in his native [[Wales]] turned [[Cardiff]] into a major hub of British television production, and radically improved the local economy.}} | | 3 = {{feature|title=Russell T Davies|image=David Tennant interviews Russel T Davies - Doctor Who Confidential - BBC|ext=|lead='''Russell T Davies''' was responsible for the revival of ''[[Doctor Who]]'', as well as the creation of several spin-off series, like the fictional ''[[Torchwood (TV series)|Torchwood]]'' and ''[[The Sarah Jane Adventures]]'', and the factual ''[[Doctor Who Confidential]]'' and ''[[Totally Doctor Who]]''. He is the single most prolific producer of televised entertainment in [[DWU]] history. His position is virtually unassailable, due to the fact that he was producing six different programmes in the franchise simultaneously. His decision to base ''Doctor Who'' production in his native [[Wales]] turned [[Cardiff]] into a major hub of British television production, and radically improved the local economy.}} | ||
