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* When all thirteen incarnations of the Doctor arrive to hide Gallifrey in a pocket universe, the Seventh Doctor first appears in his yellow pullover with question marks. When he appears again, his costume changes to the one he wore in the TV Movie and he is now in the Victorian parlor console room. | * When all thirteen incarnations of the Doctor arrive to hide Gallifrey in a pocket universe, the Seventh Doctor first appears in his yellow pullover with question marks. When he appears again, his costume changes to the one he wore in the TV Movie and he is now in the Victorian parlor console room. | ||
* At the end of the special, when the three Doctors are in the museum, the Tenth Doctor asks what the painting is actually called. In that shot, the door to his TARDIS is open. In every shot after that, the door is closed. | * At the end of the special, when the three Doctors are in the museum, the Tenth Doctor asks what the painting is actually called. In that shot, the door to his TARDIS is open. In every shot after that, the door is closed. | ||
* At the end in one shot, as 12 incarnations of the Doctor look at Gallifrey, all of the Doctors are inverted towards the planet, but in the next shot they are inverted away from it. Also the First Doctor is now positioned behind the Eleventh Doctor( | * At the end in one shot, as 12 incarnations of the Doctor look at Gallifrey, all of the Doctors are inverted towards the planet, but in the next shot they are inverted away from it. Also the First Doctor is now positioned behind the Eleventh Doctor (although, as this is a dream sequence, it may not count as an error). | ||
* When the Tenth Doctor has been kissed by Elisabeth in their wedding, his collar is up in one shot, and down in the next. | * When the Tenth Doctor has been kissed by Elisabeth in their wedding, his collar is up in one shot, and down in the next. | ||
== Continuity == | == Continuity == |
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