The Scene Sync Story (documentary): Difference between revisions

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}}'''''{{PAGENAME}}''''' was a documentary that explained the technology of [[Scene Sync]], a [[motion control]] process for improving the composition of shots involving [[CSO]].  It interviewed two [[camera operator]]s, [[Peter Leverick]] and [[Roger Bunce]], along with [[visual effects designer]], [[Stephen Drewett]].  It was included on the ''[[Meglos (TV story)|Meglos]]'' [[DVD]], since ''Meglos'' was the only ''[[Doctor Who]]'' [[serial]] to use Scene Sync.   
}}'''''{{PAGENAME}}''''' was a documentary that explained the technology of [[Scene Sync]], a [[motion control]] process for improving the composition of shots involving [[CSO]].  It interviewed two [[camera operator]]s, [[Peter Leverick]] and [[Roger Bunce]], along with [[visual effects designer]], [[Stephen Drewett]].  It was included on the ''[[Meglos (TV story)|Meglos]]'' [[DVD]], since ''Meglos'' was the only ''[[Doctor Who]]'' [[serial]] to use Scene Sync.   
== Overview ==
== Overview ==
The documentary followed a broad outline.  First, it introduced [[CSO]] (or chroma key) and showed some examples of its use in [[1970s]] ''[[Doctor Who]]''.  Then it showed the key flaw in CSO filming that Scene Sync was meant to eliminate.  Next it followed with an explanation of some of Scene Sync's flaws.  Finally, it ended by explaining how Scene Sync eventually faded from use in the late [[1980s]], and gave an overall assessment of its efficacy while it was employed.
The documentary followed a broad outline.  First, it introduced [[CSO]] (or chroma key) and showed some examples of its use in 1970s ''[[Doctor Who]]''.  Then it showed the key flaw in CSO filming that Scene Sync was meant to eliminate.  Next it followed with an explanation of some of Scene Sync's flaws.  Finally, it ended by explaining how Scene Sync eventually faded from use in the late 1980s, and gave an overall assessment of its efficacy while it was employed.


The documentary was lightly narrated by an uncredited narrator.  
The documentary was lightly narrated by an uncredited narrator.  
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