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It revisited the [[Earth]]'s environmentally disastrous mid-[[21st century]] as well as the concept of [[Fixed points in time|time in flux]], with the Doctor choosing to take a step back and leaving the future in the hands of his [[human]] company, a choice that would lead to a divide between the Doctor and [[Clara Oswald|Clara]]. | It revisited the [[Earth]]'s environmentally disastrous mid-[[21st century]] as well as the concept of [[Fixed points in time|time in flux]], with the Doctor choosing to take a step back and leaving the future in the hands of his [[human]] company, a choice that would lead to a divide between the Doctor and [[Clara Oswald|Clara]]. | ||
''Kill the Moon'' was also notable from a production standpoint. [[Lanzarote]] was utilised as a filming location for the first time since [[1984 (production)|1984]] when it stood in for ''[[Planet of Fire (TV story)|Planet of Fire]]<nowiki>'</nowiki>''s [[Sarn]]. The production team played upon this | ''Kill the Moon'' was also notable from a production standpoint. [[Lanzarote]] was utilised as a filming location for the first time since [[1984 (production)|1984]] when it stood in for ''[[Planet of Fire (TV story)|Planet of Fire]]<nowiki>'</nowiki>''s [[Sarn]]. The production team played upon this — early drafts of the script were titled ''Return to Sarn'' just to mislead those who theorised that this story would feature the return of [[the Master]]. | ||
The concept behind the episode came to writer [[Peter Harness]] in [[2011 (production)|2011]], so initially it was written for [[Matt Smith]]. Harness expressed a belief that the script suited [[Peter Capaldi]] more with the Doctor-Clara dynamic playing out better. ([[DWM 478]]). | The concept behind the episode came to writer [[Peter Harness]] in [[2011 (production)|2011]], so initially it was written for [[Matt Smith]]. Harness expressed a belief that the script suited [[Peter Capaldi]] more with the Doctor-Clara dynamic playing out better. ([[DWM 478]]). |
edits