Clapperboard: Difference between revisions
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The information begins with the writer, whose scripts designate scene numbers. These scene numbers are usually not tampered with, even if certain scenes are cut from the script. Scene numbers that are cut are merely omitted from the later flow of information, without causing a subsequent renumbering of the remaining scenes. | The information begins with the writer, whose scripts designate scene numbers. These scene numbers are usually not tampered with, even if certain scenes are cut from the script. Scene numbers that are cut are merely omitted from the later flow of information, without causing a subsequent renumbering of the remaining scenes. | ||
These scene numbers are then written on the clapper, generally underneath the roll number. On ''Doctor Who'' the person who physically writes on the clapper is the [[assistant camera]]. The assistant in charge of actually writing the information on the slate will usually be the second assistant camera — that is, the "2AC". The 2AC is sometimes also called — but never credited on ''Doctor Who'' as – the "clapper loader". This title is perhaps more descriptive of the actual job. Not only | These scene numbers are then written on the clapper, generally underneath the roll number. On ''Doctor Who'' the person who physically writes on the clapper is the [[assistant camera]]. The assistant in charge of actually writing the information on the slate will usually be the second assistant camera — that is, the "2AC". The 2AC is sometimes also called — but never credited on ''Doctor Who'' as – the "clapper loader". This title is perhaps more descriptive of the actual job. Not only do they "load the clapper" with information, but they physically load the camera with film. Thus, they are the person most aware of the minutae of the "roll number" — probably the most vital piece of information on the entire clapper. Typically unheralded — and never, as of [[2010]], included in an interview on ''[[Doctor Who Confidential]]'' — the 2AC's job is absolutely vital to almost every other department. They start the flow of information to the post-production departments. | ||
Their counterpart in post is the [[assistant editor]], whose job it is to organise all incoming foootage for the [[editor]]. For reasons of efficiency, however, almost all members of the post will organise their planning around the assistant editor's organisational scheme, which in turn is based on the scene number the writer provided in pre-production and the clapper loader gave in production. | |||
== Use of clapper info by production staff == | == Use of clapper info by production staff == |