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(though familiar to people who give half their pay check to Big Finish, this term isn't really well understood by those who didn't grow up in a culture that still has radio drama) |
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Popular examples of full-cast audios are the so-called "main range" of [[Big Finish Doctor Who audio stories]] or the initially-crafted-for-[[radio]] [[Eighth Doctor Adventures (audio series)|Eighth Doctor Adventures]]. | Popular examples of full-cast audios are the so-called "main range" of [[Big Finish Doctor Who audio stories]] or the initially-crafted-for-[[radio]] [[Eighth Doctor Adventures (audio series)|Eighth Doctor Adventures]]. | ||
They can be contrasted with ranges like [[The Companion Chronicles]], which often have two or three actors playing multiple roles, and a much more limited foley track and score. Stories in these ranges feature a Doctor played by an actor who is no longer alive and have shorter runtimes. Or they might be little more than a dramatic reading by a single actor, as is sometimes the case with the [[Short Trips (series)|Short Trips]] series. | They can be contrasted with ranges like [[The Companion Chronicles]], which often have two or three actors playing multiple roles, and a much more limited foley track and score. Stories in these ranges feature a Doctor played by an actor who is no longer alive and have shorter runtimes. Or they might be little more than a dramatic reading by a single actor, as is sometimes the case with the [[Short Trips (series)#CD releases|Short Trips]] series. | ||
Because of these distinctions, full-cast audios are, upon initial release, much more expensive than non-full-cast audios. | Because of these distinctions, full-cast audios are, upon initial release, much more expensive than non-full-cast audios. | ||
[[Category:Terminology]] | [[Category:Terminology]] |
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