Vision mixer: Difference between revisions
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They also were responsible for some [[visual effect]]s, such as the insertion of pre-recorded material [[playback|played back]] into a scene, and indeed the achievement of the original title sequence. Undoubtedly, however, their most important visual effect was that of [[regeneration]], which — as established by ''[[The Tenth Planet (TV story)|Tenth Planet]]'' vision mixer, [[Shirley Coward]] — was always achieved by some form of camera cross-fade. | They also were responsible for some [[visual effect]]s, such as the insertion of pre-recorded material [[playback|played back]] into a scene, and indeed the achievement of the original title sequence. Undoubtedly, however, their most important visual effect was that of [[regeneration]], which — as established by ''[[The Tenth Planet (TV story)|Tenth Planet]]'' vision mixer, [[Shirley Coward]] — was always achieved by some form of camera cross-fade. | ||
Interviewed on ''[[The Sensorites (TV story)|The Sensorites]]'' [[DVD]] extra ''[[Vision On]]'', early [[William Hartnell| | Interviewed on ''[[The Sensorites (TV story)|The Sensorites]]'' [[DVD]] extra ''[[Vision On]]'', early [[William Hartnell|Hartnell]]-era vision mixer, [[Clive Doig]], had this to say about his job: | ||
{{quote|What I'm doing as a vision mixer is cutting to the camera against the dialogue of the [camera script that the [[director]] has prepared]."|[[Clive Doig]]}} | {{quote|What I'm doing as a vision mixer is cutting to the camera against the dialogue of the [camera script that the [[director]] has prepared]."|[[Clive Doig]]}} | ||
