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Meanwhile in the TARDIS (home video): Difference between revisions
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=== Scene 2 === | === Scene 2 === | ||
==== Individuals ==== | ==== Individuals ==== | ||
* When Amy accesses [[The Doctor's TARDIS|the TARDIS]]' visual records of the inhabitants, the TARDIS plays black-and-white visual records on the round screen of many female companions, from [[Barbara Wright]] to [[Donna Noble]]. The Doctor sarcastically thanks the TARDIS ("thanks dear, miss out the metal dog why don't you"), which is a reference to [[ | * When Amy accesses [[The Doctor's TARDIS|the TARDIS]]' visual records of the inhabitants, the TARDIS plays black-and-white visual records on the round screen of many female companions, from [[Barbara Wright]] to [[Donna Noble]]. The Doctor sarcastically thanks the TARDIS ("thanks dear, miss out the metal dog why don't you"), which is a reference to [[K9]]. | ||
* Amy cracks a [[Batman]] joke by quoting "Like a great big Bat Signal in the sky" while discussing signals. | * Amy cracks a [[Batman]] joke by quoting "Like a great big Bat Signal in the sky" while discussing signals. | ||
*The Doctor compares himself to Gandalf from ''Lord of the Rings'' and Yoda from ''Star Wars''. | *The Doctor compares himself to Gandalf from ''Lord of the Rings'' and Yoda from ''Star Wars''. | ||
* When the Doctor is listing off different terms for his companions ("Yeah, sure. Loads of them. But just friends, y'know, chums, pals, mates, buddies") he immediately afterwards dismisses the term mates ("Not mates, forget mates") in a reference to how Donna Noble reacted when the Doctor told her he "just want[ed] a mate" ("You just want to mate!?... You're not mating with me, sunshine!") ([[TV]]: ''[[Partners in Crime (TV story)|Partners in Crime]]'') | |||
* When the Doctor is listing off different terms for his companions ("Yeah, sure. Loads of them. But just friends, y'know, chums, pals, mates, buddies") he immediately afterwards dismisses the term mates ("Not mates, forget mates") in a reference to how Donna Noble reacted when the Doctor told her he "just want[ed] a mate" ("You just want to mate!?... You're not mating with me, sunshine!") ([[TV]]: ''[[Partners in Crime]]'') | |||
== Story notes == | == Story notes == | ||
* These scenes join a handful of television stories that are entirely set within [[the Doctor's TARDIS]], the first ''[[The Edge of Destruction (TV story)|The Edge of Destruction]]'' was broadcast in [[1964]], however the entirely TARDIS-set TV stories have primarily been a post-2005 phenomena the format being used in short-form "minisodes" or other short format stories such as the Children in Need specials; [[Children in Need Special]] set after ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[Time Crash (TV story)|Time Crash]]''. | * These scenes join a handful of television stories that are entirely set within [[the Doctor's TARDIS]], the first ''[[The Edge of Destruction (TV story)|The Edge of Destruction]]'' was broadcast in [[1964]], however the entirely TARDIS-set TV stories have primarily been a post-2005 phenomena the format being used in short-form "minisodes" or other short format stories such as the Children in Need specials; [[Children in Need Special (TV story)|Children in Need Special]] set after ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[Time Crash (TV story)|Time Crash]]''. | ||
* These stories are the first shorts produced specifically for home video release. Past releases, such as those mentioned above, were produced with broadcast in mind. The ''Meanwhile in the TARDIS'' shorts were the first shorts produced solely for home video. This trend would continue throughout the Moffat era with additional shorts such as the ''[[Night and the Doctor]]'' shorts, or ''[[Clara and the TARDIS (home video)|Clara and the TARDIS]]''. Other shorts, such as ''[[Space (TV story)|Space]]'' and ''[[Time (TV story)|Time]]'', would eventually be produced for broadcast or release on other platforms such as YouTube or the Red Button service, with some shorts existing specifically to serve as prequels for upcoming stories (e.g. ''[[The Night of the Doctor (TV story)|The Night of the Doctor]]'', ''[[The Making of the Gunslinger (webcast)|The Making of the Gunslinger]]'') or to set up or explain events (''[[The Great Detective (TV story)|The Great Detective]]'', ''[[The Battle of Demons Run: Two Days Later (webcast)|The Battle of Demons Run: Two Days Later]]''). | * These stories are the first shorts produced specifically for home video release. Past releases, such as those mentioned above, were produced with broadcast in mind. The ''Meanwhile in the TARDIS'' shorts were the first shorts produced solely for home video. This trend would continue throughout the Moffat era with additional shorts such as the ''[[Night and the Doctor]]'' shorts, or ''[[Clara and the TARDIS (home video)|Clara and the TARDIS]]''. Other shorts, such as ''[[Space (TV story)|Space]]'' and ''[[Time (TV story)|Time]]'', would eventually be produced for broadcast or release on other platforms such as YouTube or the Red Button service, with some shorts existing specifically to serve as prequels for upcoming stories (e.g. ''[[The Night of the Doctor (TV story)|The Night of the Doctor]]'', ''[[The Making of the Gunslinger (webcast)|The Making of the Gunslinger]]'') or to set up or explain events (''[[The Great Detective (TV story)|The Great Detective]]'', ''[[The Battle of Demons Run: Two Days Later (webcast)|The Battle of Demons Run: Two Days Later]]''). | ||
* If you select "Play All" on a disc in the Complete Series 5 set that contains a ''Meanwhile in the TARDIS'' short, it will play at the narratively-appropriate moment - Scene 1 plays between ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'' and ''[[The Beast Below (TV story)|The Beast Below]]'', and Scene 2 plays between ''[[Flesh and Stone (TV story)|Flesh and Stone]]'' and ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]''. | * If you select "Play All" on a disc in the Complete Series 5 set that contains a ''Meanwhile in the TARDIS'' short, it will play at the narratively-appropriate moment - Scene 1 plays between ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'' and ''[[The Beast Below (TV story)|The Beast Below]]'', and Scene 2 plays between ''[[Flesh and Stone (TV story)|Flesh and Stone]]'' and ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]''. | ||
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==== Scene 1 ==== | ==== Scene 1 ==== | ||
* Amy asks the Doctor if he's an alien, which provokes a lengthy discussion on this topic. ''[[The Beast Below (TV story)|The Beast Below]]'' features a similar scene, with both characters seemingly unaware that they'd already had this conversation. As this minisode was filmed long after production on '' | * Amy asks the Doctor if he's an alien, which provokes a lengthy discussion on this topic. ''[[The Beast Below (TV story)|The Beast Below]]'' features a similar scene, with both characters seemingly unaware that they'd already had this conversation. As this minisode was filmed long after production on ''The Beast Below'', this can be chalked up as a continuity error. | ||
==== Scene 2 ==== | ==== Scene 2 ==== | ||
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== Continuity == | == Continuity == | ||
=== Scene 1 === | === Scene 1 === | ||
* This scene immediately follows [[TV]]: ''[[The Eleventh Hour]]'' and immediately precedes [[TV]]: ''[[The Beast Below]]''. | * This scene immediately follows [[TV]]: ''[[The Eleventh Hour (TV story)|The Eleventh Hour]]'' and immediately precedes [[TV]]: ''[[The Beast Below (TV story)|The Beast Below]]''. | ||
* At the end of this mini-episode, the Doctor pushes Amy out into (presumably) an [[air corridor]] in space. Amy is still floating outside the TARDIS, with the Doctor tethering her from floating away, in [[TV]]: ''[[The Beast Below]]''. | * At the end of this mini-episode, the Doctor pushes Amy out into (presumably) an [[air corridor]] in space. Amy is still floating outside the TARDIS, with the Doctor tethering her from floating away, in [[TV]]: ''[[The Beast Below (TV story)|The Beast Below]]''. | ||
=== Scene 2 === | === Scene 2 === | ||
* This scene follows from [[TV]]: ''[[Flesh and Stone]]'', and immediately precedes [[TV]]: ''[[The Vampires of Venice]]''. | * This scene follows from [[TV]]: ''[[Flesh and Stone (TV story)|Flesh and Stone]]'', and immediately precedes [[TV]]: ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]''. | ||
* Amy continues her attempts to seduce the Doctor from the previous scene in her bedroom. ([[TV]]: ''[[Flesh and Stone (TV story)|Flesh and Stone]]'') | * Amy continues her attempts to seduce the Doctor from the previous scene in her bedroom. ([[TV]]: ''[[Flesh and Stone (TV story)|Flesh and Stone]]'') | ||
* The TARDIS travels from Amy's bedroom, at midnight on the morning of 26 June 2010, ([[TV]]: ''[[Flesh and Stone (TV story)|Flesh and Stone]]'') to a local pub on the prior evening. Sunlight is still flooding the pub when the Doctor fetches Rory in [[TV]]: ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]'' | * The TARDIS travels from Amy's bedroom, at midnight on the morning of 26 June 2010, ([[TV]]: ''[[Flesh and Stone (TV story)|Flesh and Stone]]'') to a local pub on the prior evening. Sunlight is still flooding the pub when the Doctor fetches Rory in [[TV]]: ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]'' | ||
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* The Doctor's sentiments about having become blasé about travelling throughout space and time are echoed by Amy, a decade into her companionship, in ''[[Dinosaurs on a Spaceship (TV story)|Dinosaurs on a Spaceship]]''. Likewise, she and Rory adopt the Doctor's fondness for seeing his less experienced, less jaded companions' view of his world, as shown when the three watch [[Brian Williams (Dinosaurs on a Spaceship)|Brian Williams]] marvelling at the Earth from high above it while silently enjoying his afternoon tea in the same episode. | * The Doctor's sentiments about having become blasé about travelling throughout space and time are echoed by Amy, a decade into her companionship, in ''[[Dinosaurs on a Spaceship (TV story)|Dinosaurs on a Spaceship]]''. Likewise, she and Rory adopt the Doctor's fondness for seeing his less experienced, less jaded companions' view of his world, as shown when the three watch [[Brian Williams (Dinosaurs on a Spaceship)|Brian Williams]] marvelling at the Earth from high above it while silently enjoying his afternoon tea in the same episode. | ||
* This story occurs shortly [minutes, less than an hour] before [[TV]]: ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]'', the Doctor having time to replace Lucy in the giant cake. | * This story occurs shortly [minutes, less than an hour] before [[TV]]: ''[[The Vampires of Venice (TV story)|The Vampires of Venice]]'', the Doctor having time to replace Lucy in the giant cake. | ||
* The Doctor compares himself to [[Gandalf]]; {{Simm|n = the Master}} previously made the same comparison. ([[TV]]: ''[[Last of the Time Lords (TV story)|Last of the Time Lords]]'')''.'' | * The Doctor compares himself to [[Gandalf]]; {{Simm|n=the Master}} previously made the same comparison. ([[TV]]: ''[[Last of the Time Lords (TV story)|Last of the Time Lords]]'')''.'' | ||
== Home video releases == | == Home video releases == | ||
