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Father Time: "Set Visit" (short story): Difference between revisions
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Father Time: "Set Visit" (short story) (edit)
Revision as of 16:25, 16 October 2022
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== Plot == | == Plot == | ||
[[Person (Father Time: "Set Visit")|A person]] talks to [[Paul McGann (Father Time: "Set Visit")|Paul McGann]], who comments on the filming of a scene set in [[Winter]] in [[July]]. Today, the BBC are filming a [[car]] chase sequence on a winding [[road]] a few miles out from [[Buxton]], [[Derbyshire (Father Time: "Set Visit")|Derbyshire]], which is doubling for the fictional town of [[Greyfrith]]. McGann professed that he has little to do, despite | [[Person (Father Time: "Set Visit")|A person]] talks to [[Paul McGann (Father Time: "Set Visit")|Paul McGann]], who comments on the filming of a scene set in [[Winter]] in [[July]]. Today, the BBC are filming a [[car]] chase sequence on a winding [[road]] a few miles out from [[Buxton]], [[Derbyshire (Father Time: "Set Visit")|Derbyshire]], which is doubling for the fictional town of [[Greyfrith]]. McGann professed that he has little to do, despite actually have a lot to film. A crew of three-four [[special effect]]s people set up the scene for filming. McGann and [[Minnie Driver]] are going to be in a car chase, however the entity that will be chasing them, [[Gibson (Father Time)|Mr. Gibson]], will be a [[CG]] addition. The person knows little about what is being filmed. The person observes how "[[Deborah Castle|Deborah]]"'s [[Ford Cortina]] is being packed with [[explosive]]s. The person then takes the opportunity to speak to scriptwriter [[Lance Parkin (Father Time: "Set Visit")|Lance Parkin]]. | ||
The person is taken aback by the number of people working on just filming this one scene, and Parkin agrees, noting that while he is a writer, it's not his job to bring everything to life, which, he thinks is a good thing, as he gives an example of the car chase sequence: how it can be two-dimensional on paper, but given life through stylised cinematography, editing, and [[music]]. Parkin then asserted that "''Doctor Who'' could not work in any other medium." | The person is taken aback by the number of people working on just filming this one scene, and Parkin agrees, noting that while he is a writer, it's not his job to bring everything to life, which, he thinks is a good thing, as he gives an example of the car chase sequence: how it can be two-dimensional on paper, but given life through stylised cinematography, editing, and [[music]]. Parkin then asserted that "''Doctor Who'' could not work in any other medium." | ||
