Across the Darkened City (audio story): Difference between revisions

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|audio anthology = ''[[The First Doctor: Volume Two]]''
|audio anthology = ''[[The First Doctor: Volume Two]]''
|number          = 11.2
|number          = 11.2
|main character  = [[Steven Taylor]]
|main character  = [[Steven Taylor|Steven]]
|featuring      = [[First Doctor]], [[Dalek Prime|Two-One-Zero]]
|featuring      = [[First Doctor]], [[Dalek Prime|Two-One-Zero]]
|enemy          = [[Chaon]]s
|enemy          = [[Chaon]]s
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* [[Writer]] [[David Bartlett]] claimed the psychological dynamic between Steven and the Dalek was inspired by the writing style of [[David Whitaker]]. The external threat of the Chaons was inspired more by the style of [[Terry Nation]]. ([[BFX]]: ''Across the Darkened City'') He considered that the heavier Whitaker influence meant that the story did not feel entirely like one from the [[William Hartnell|Hartnell]] era, but felt this approach still worked as "a sort of prelude to what was to come later." ([[VOR 100]])
* [[Writer]] [[David Bartlett]] claimed the psychological dynamic between Steven and the Dalek was inspired by the writing style of [[David Whitaker]]. The external threat of the Chaons was inspired more by the style of [[Terry Nation]]. ([[BFX]]: ''Across the Darkened City'') He considered that the heavier Whitaker influence meant that the story did not feel entirely like one from the [[William Hartnell|Hartnell]] era, but felt this approach still worked as "a sort of prelude to what was to come later." ([[VOR 100]])
* Bartlett watched the last episode of ''[[The Chase (TV story)|The Chase]]'' and the entirety of ''[[The Time Meddler (TV story)|The Time Meddler]]'' to get a feel for Steven's early characterisation. He also listened to a number of early Dalek story soundtrack CDs to get a sense of what kind of dialogue worked for the Daleks and what did not. ([[VOR 100]])
* Bartlett watched the last episode of ''[[The Chase (TV story)|The Chase]]'' and the entirety of ''[[The Time Meddler (TV story)|The Time Meddler]]'' to get a feel for Steven's early characterisation. He also listened to a number of early Dalek story soundtrack CDs to get a sense of what kind of dialogue worked for the Daleks and what did not. ([[VOR 100]])
* According to Atkins, Peter Purves was skeptical of the story upon hearing the initial idea but was ultimately won over by the script. ([[VOR 100]]) Purves opined that there was scope for another story detailing the events prior to Steven's capture by the Daleks. ([[BFX]]: ''Across the Darkened City'')
* According to Atkins, Peter Purves was sceptical of the story upon hearing the initial idea but was ultimately won over by the script. ([[VOR 100]]) Purves opined that there was scope for another story detailing the events prior to Steven's capture by the Daleks. ([[BFX]]: ''Across the Darkened City'')
* [[Sound design]]er and [[composer]] [[Robert Harvey]] compared the Chaons to ''[[The Thing (film)|The Thing]]'' and {{iw|starwars|Rathtar|Rathtars}} from ''[[Star Wars]]''. ([[BFX]]: ''Across the Darkened City'')
* [[Sound design]]er and [[composer]] [[Robert Harvey]] compared the Chaons to ''[[The Thing (film)|The Thing]]'' and {{iw|starwars|Rathtar|Rathtars}} from ''[[Star Wars]]''. ([[BFX]]: ''Across the Darkened City'')
* This is one of the few stories to feature a post-credits epilogue. The scene in which Two-One-Zero becomes the Emperor plays after the [[Doctor Who theme|closing theme]] for part two has ended.
* This is one of the few stories to feature a post-credits epilogue. The scene in which Two-One-Zero becomes the Emperor plays after the [[Doctor Who theme|closing theme]] for part two has ended.
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