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[[The Curator]] finds [[J. M. W. Turner]] sketching the condemned [[HMS Temeraire|HMS ''Temeraire'']] and commissions him to [[painting|paint]] a royal building with provided water colours for the new [[National Gallery]]. Turner is not accustomed to being commissioned in such a manner, but agrees, initially assuming that the Curator works for [[Victoria|the Queen]]. | [[The Curator]] finds [[J. M. W. Turner]] sketching the condemned [[HMS Temeraire|HMS ''Temeraire'']] and commissions him to [[painting|paint]] a royal building with provided water colours for the new [[National Gallery]]. Turner is not accustomed to being commissioned in such a manner, but agrees, initially assuming that the Curator works for [[Victoria|the Queen]]. | ||
Having anonymously received information on [[the Eleven]]'s whereabouts, [[Kate Stewart|Kate]], [[Petronella Osgood|Osgood]], [[Josh Carter|Josh]] and [[Harry Sullivan|Harry]] enter a remote [[house]] in the country and find a [[hypnosis|hypnotised]] family. The Eleven hides upstairs and shoots [[ | Having anonymously received information on [[the Eleven]]'s whereabouts, [[Kate Stewart|Kate]], [[Petronella Osgood|Osgood]], [[Josh Carter|Josh]] and [[Harry Sullivan|Harry]] enter a remote [[house]] in the country and find a [[hypnosis|hypnotised]] family. The Eleven hides upstairs and shoots [[Clare Duvall|Private Clare Duvall]] with a weapon that forces her to answer his questions honestly; he learns that Kate visited the National Gallery three times in two days and manages to escape after freezing two [[soldier]]s with a [[time grenade]]. He and [[Ava Drake|Ava]] head to [[Trafalgar Square]]. | ||
Kate, Osgood and Josh go to the [[Under Gallery]], passing through a [[portrait]] of [[Elizabeth I]] with the [[Tenth Doctor|Tenth]] and [[Eleventh Doctor]]s, and meet the Curator, who has no issue with [[UNIT]] placing additional security to protect [[the Arch]]. In the public area, Kate, Osgood and Josh notice Ava and give chase, but the Eleven kills her remotely with a [[sonic pulse]]. Harry performs an [[autopsy]] and locates the [[nanotechnology]] which allowed the Eleven to control her. | Kate, Osgood and Josh go to the [[Under Gallery]], passing through a [[portrait]] of [[Elizabeth I]] with the [[Tenth Doctor|Tenth]] and [[Eleventh Doctor]]s, and meet the Curator, who has no issue with [[UNIT]] placing additional security to protect [[the Arch]]. In the public area, Kate, Osgood and Josh notice Ava and give chase, but the Eleven kills her remotely with a [[sonic pulse]]. Harry performs an [[autopsy]] and locates the [[nanotechnology]] which allowed the Eleven to control her. | ||
Assuming that the Eleven is aware that the Arch is in the National Gallery, Osgood sets a trap for him in the [[lift]] and waits at the Arch with the Curator. Jacqui, investigating Ava's death, finds Kate and is forced to leave when the Eleven, [[Jack (The Curator's Gambit)|Jack]] and [[Bernie (The Curator's Gambit)|Bernie]] arrive. The lift trap fails and | Assuming that the Eleven is aware that the Arch is in the National Gallery, Osgood sets a trap for him in the [[lift]] and waits at the Arch with the Curator. Jacqui, investigating Ava's death, finds Kate and is forced to leave when the Eleven, [[Jack (The Curator's Gambit)|Jack]] and [[Bernie (The Curator's Gambit)|Bernie]] arrive. The lift trap fails and Clare draws a [[gun]] on Kate, Osgood and the Curator, but Josh wrestles the gun from her and she runs to the Eleven, who kills her just as he did Ava. The Eleven orders Jack and Bernie to place [[teleport limpet]]s on the Arch before realising that it is a hard-light facsimile. | ||
The Curator takes Kate, Osgood and Josh to where the real Arch is hidden: inside Turner's painting of [[Hampton Court Palace]], the original home of the Under Gallery. Jacqui sees the group pass into the painting and is captured by the Eleven, who realises that the painting was made with [[empathic oil]]s and takes her in with him, Jack and Bernie. The Curator and Osgood head to the Arch in the original Under Gallery, where there is a painting of the National Gallery to get them back, whilst Kate and Josh try to find a way to slow the Eleven down. | The Curator takes Kate, Osgood and Josh to where the real Arch is hidden: inside Turner's painting of [[Hampton Court Palace]], the original home of the Under Gallery. Jacqui sees the group pass into the painting and is captured by the Eleven, who realises that the painting was made with [[empathic oil]]s and takes her in with him, Jack and Bernie. The Curator and Osgood head to the Arch in the original Under Gallery, where there is a painting of the National Gallery to get them back, whilst Kate and Josh try to find a way to slow the Eleven down. | ||
