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They are usually required from the first day of [[principal photography]] to the last day of [[post-production]]. Editors, by contrast, begin their work only after sufficient material has been filmed and organized, and may not fully begin work until after principal photography has wrapped. | They are usually required from the first day of [[principal photography]] to the last day of [[post-production]]. Editors, by contrast, begin their work only after sufficient material has been filmed and organized, and may not fully begin work until after principal photography has wrapped. | ||
On most projects, they are usually brought onto a project by the editor, rather than hired directly by the [[producer]] or [[director]]. However, [[BBC Wales]] seems to have a regular editorial staff who rotate duties on various episodes. It seems likely that various editing/assistant-editing teams are assigned to particular [[production block]]s by the [[ | On most projects, they are usually brought onto a project by the editor, rather than hired directly by the [[producer]] or [[director]]. However, [[BBC Wales]] seems to have a regular editorial staff who rotate duties on various episodes. It seems likely that various editing/assistant-editing teams are assigned to particular [[production block]]s by the [[production manager]]. Due to the overwhelming workload on even a single production block, various editing teams are used throughout the course of a season. | ||
Career advancement can be detected in BBC credit rolls. [[Ceres Doyle]], for instance, began as an assistant editor on ''[[Rose (TV story)|Rose]]'', but at least by [[Utopia (TV story)|''Utopia'']] had become a full editor. | Career advancement can be detected in BBC credit rolls. [[Ceres Doyle]], for instance, began as an assistant editor on ''[[Rose (TV story)|Rose]]'', but at least by [[Utopia (TV story)|''Utopia'']] had become a full editor. |