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{{real world}} | {{real world}} | ||
{{ImageLinkTV}} | {{ImageLinkTV}} | ||
{{Infobox Story | {{Infobox Story SMW | ||
|image = Clara holds the TARDIS.jpg | |image = Clara holds the TARDIS.jpg | ||
|novelisation = Flatline (novelisation) | |novelisation = Flatline (novelisation) | ||
|series = [[Doctor Who television stories|''Doctor Who'' television stories]] | |series = [[Doctor Who television stories|''Doctor Who'' television stories]] | ||
|season number = Series 8 (Doctor Who) | |season number = Series 8 (Doctor Who 2005) | ||
|series episode number = 9 | |series episode number = 9 | ||
|story number = 250 | |story number = 250 | ||
|scripturl = https://www.bbc.co.uk/writers/documents/doctor-who-8-episode-9-flatline-shooting-script-240514.pdf<ref>[https://static1.squarespace.com/static/571a5cc31bbee032f7af1a65/t/646dcc0e0499f13485794a2f/1684917263839/Dr+Who+Flatline+1.0.pdf ''Flatline'' PDF first draft script]</ref><ref>[https://static1.squarespace.com/static/571a5cc31bbee032f7af1a65/t/646dcc3a5bd8cf65ffcc3564/1684917306486/DW8+-+Flatline+YELLOW+Script+-+120614.pdf ''Flatline'' PDF shooting script]</ref> | |||
|doctor = Twelfth Doctor | |doctor = Twelfth Doctor | ||
|companions = [[Clara Oswald|Clara]] | |companions = [[Clara Oswald|Clara]] | ||
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|enemy = [[Boneless]] | |enemy = [[Boneless]] | ||
|setting = [[Bristol]], the early [[21st century]] | |setting = [[Bristol]], the early [[21st century]] | ||
|writer = | |writer = Jamie Mathieson | ||
|director = [[Douglas Mackinnon]] | |director = [[Douglas Mackinnon]] | ||
|producer = [[Nikki Wilson]] | |producer = [[Nikki Wilson]] | ||
| | |dwe = Flatline (DWE episode) | ||
|broadcast date = | |broadcast date = 18 October 2014 | ||
|format = 1x45 minute episode | |format = 1x45 minute episode | ||
|network = | |network = BBC One | ||
|prev = Mummy on the Orient Express (TV story) | |prev = Mummy on the Orient Express (TV story) | ||
|next = In the Forest of the Night (TV story) | |next = In the Forest of the Night (TV story) | ||
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|bts = Introduction to Flatline - Doctor Who Series 8 Episode 9 (2014) - BBC One | |bts = Introduction to Flatline - Doctor Who Series 8 Episode 9 (2014) - BBC One | ||
|bts2 = Flatline - Doctor Who Extra Series 1 Episode 9 (2014) - BBC | |bts2 = Flatline - Doctor Who Extra Series 1 Episode 9 (2014) - BBC | ||
|bts3 = | |bts3 = | ||
|featuring2 = Danny Pink|featuring3 = | |featuring2 = Danny Pink|featuring3 = Missy}} | ||
'''''Flatline''''' was the ninth episode of [[Series 8 (Doctor Who)|series 8]] of ''[[Doctor Who]]''. | '''''Flatline''''' was the ninth episode of [[Series 8 (Doctor Who 2005)|series 8]] of ''[[Doctor Who]]''. | ||
''Flatline'' was Mathieson's first script for the show. Two years before writing it, he had pitched his ideas for a story to [[Steven Moffat]] but was unsuccessful. When he again met with the [[executive producer]], he showed him four ideas for episodes, complete with his own illustrations, aided by his background in art college. Taking an interest in the monster he had created for what would become ''Flatline'', Moffat asked Mathieson to produce a story outline and he got the job to script the episode. | ''Flatline'' was Mathieson's first script for the show. Two years before writing it, he had pitched his ideas for a story to [[Steven Moffat]] but was unsuccessful. When he again met with the [[executive producer]], he showed him four ideas for episodes, complete with his own illustrations, aided by his background in art college. Taking an interest in the monster he had created for what would become ''Flatline'', Moffat asked Mathieson to produce a story outline and he got the job to script the episode. | ||
It was only after writing several drafts that he was told the episode would need to lock the Doctor away in a single location, as Peter Capaldi's scenes for the episode needed to be filmed quickly to abide by the production schedule. Mathieson decided to write a script where the Doctor was "in the dark". For this to be successful, he had to create an unknown quantity to feature as his alien enemy. Much like his | It was only after writing several drafts that he was told the episode would need to lock the Doctor away in a single location, as Peter Capaldi's scenes for the episode needed to be filmed quickly to abide by the production schedule. Mathieson decided to write a script where the Doctor was "in the dark". For this to be successful, he had to create an unknown quantity to feature as his alien enemy. Much like his previous creation, the [[Foretold]], he elected to have no dialogue for the aggressors, allowing something about them to remain "unknowable". ([[DWM 479]]) | ||
== Synopsis == | == Synopsis == | ||
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[[File:Clara holds the TARDIS.jpg|thumb|220x220px|Clara holds the TARDIS.]] | [[File:Clara holds the TARDIS.jpg|thumb|220x220px|Clara holds the TARDIS.]] | ||
The Doctor lightens the TARDIS, allowing Clara to carry it in her purse. He hands Clara his [[psychic paper]], the [[the Doctor's sonic screwdriver|sonic screwdriver]], and an audio/visual earpiece so he can keep in touch with her. Clara takes this as being chosen to act as his stand-in. Annoyed, the Doctor tells Clara that she's not being him. | The Doctor lightens the TARDIS, allowing Clara to carry it in her purse. He hands Clara his [[psychic paper]], the [[the Doctor's sonic screwdriver|sonic screwdriver]], and an audio/visual [[earpiece]] so he can keep in touch with her. Clara takes this as being chosen to act as his stand-in. Annoyed, the Doctor tells Clara that she's not being him. | ||
Clara goes back to the mural tunnel, scanning around to give stats to the Doctor in the TARDIS. Rigsy finds her again, asking for her name. Clara calls herself "the Doctor". She asks Rigsy to take her to where someone vanished. Rigsy leads her to the [[flat]] of the most recent missing person, where there's a strange desert mural. After Rigsy becomes uncomfortable with the strange conversation Clara is having with the Doctor, he decides to leave, but Clara stops him, realising that his local knowledge could be helpful. She pulls the TARDIS out of her purse and gets the Doctor to open the doors, introducing him to Rigsy. | Clara goes back to the mural tunnel, scanning around to give stats to the Doctor in the TARDIS. Rigsy finds her again, asking for her name. Clara calls herself "the Doctor". She asks Rigsy to take her to where someone vanished. Rigsy leads her to the [[flat]] of the most recent missing person, where there's a strange desert mural. After Rigsy becomes uncomfortable with the strange conversation Clara is having with the Doctor, he decides to leave, but Clara stops him, realising that his local knowledge could be helpful. She pulls the TARDIS out of her purse and gets the Doctor to open the doors, introducing him to Rigsy. | ||
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The Doctor gets everyone out of the tunnels safely in the TARDIS. Clara rejects a call from Danny, catching the Doctor's attention; he notes that she enjoyed 'playing the Doctor' for the day. She asks him to admit that she was a good Doctor; he reluctantly tells her that she made an "exceptional Doctor", but that "goodness" had nothing to do with it. | The Doctor gets everyone out of the tunnels safely in the TARDIS. Clara rejects a call from Danny, catching the Doctor's attention; he notes that she enjoyed 'playing the Doctor' for the day. She asks him to admit that she was a good Doctor; he reluctantly tells her that she made an "exceptional Doctor", but that "goodness" had nothing to do with it. | ||
As Clara watches the Doctor enter the TARDIS, | As Clara watches the Doctor enter the TARDIS, [[Missy]], seated in a darkened room, is watching Clara on what appears to be a [[tablet]]. Missy says, with regard to "her" Clara, that she has "chosen well". | ||
== Cast == | == Cast == | ||
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* [[George (Flatline)|George]] - [[Raj Bajaj]] | * [[George (Flatline)|George]] - [[Raj Bajaj]] | ||
* [[Bill (Flatline)|Bill]] - [[James Quinn]] | * [[Bill (Flatline)|Bill]] - [[James Quinn]] | ||
* | * [[Missy]] - [[Michelle Gomez]] | ||
=== Uncredited Cast === | |||
* [[Stan (Flatline)|Stan]] - [[Richard Parry]] | |||
== Crew == | == Crew == | ||
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* [[Lead effects artist|Lead Effects Artist]] - [[Joe Thornley-Heard]]<ref name="fxguide" /> | * [[Lead effects artist|Lead Effects Artist]] - [[Joe Thornley-Heard]]<ref name="fxguide" /> | ||
== | == Worldbuilding == | ||
=== Technology === | === Technology === | ||
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* The first train bears the number A113, an animation in-joke first known to originate in the ''Amazing Stories'' episode "The Family Dog" and used in many other movies and television shows. A113 is a classroom used at the California Institute of the Arts for graphic design and character animations, widely recognised by alumni of the institute.<ref>http://www.listal.com/list/a113</ref> | * The first train bears the number A113, an animation in-joke first known to originate in the ''Amazing Stories'' episode "The Family Dog" and used in many other movies and television shows. A113 is a classroom used at the California Institute of the Arts for graphic design and character animations, widely recognised by alumni of the institute.<ref>http://www.listal.com/list/a113</ref> | ||
* The shrunken TARDIS<ref name="robatto tardis">http://www.rubbertoereplicas.com/#!making-a-shrunken-tardis/c1lx3</ref> and [[siege mode]] TARDIS <ref name="robatto siege">http://www.rubbertoereplicas.com/#!tardis-seige-mode/c70e</ref> props were cast resin, fabricated by propmaker [[Nicholas Robatto]]. | * The shrunken TARDIS<ref name="robatto tardis">http://www.rubbertoereplicas.com/#!making-a-shrunken-tardis/c1lx3</ref> and [[siege mode]] TARDIS <ref name="robatto siege">http://www.rubbertoereplicas.com/#!tardis-seige-mode/c70e</ref> props were cast resin, fabricated by propmaker [[Nicholas Robatto]]. | ||
* A version of the shrunken TARDIS prop made of moulded rubber parts was prepared for the scene in which the TARDIS is dropped. During filming the main prop, made of cast-resin parts, was inadvertently used in the scene and dropped instead, requiring repair.<ref name="robatto tardis" /> | |||
* Coincidentally, this story aired at the same time as the ''Doctor Who Magazine'' comic strip [[COMIC]]: ''[[The Eye of Torment (comic story)|The Eye of Torment]]''. It not only featured Clara taking on Doctor-like responsibilities, it also had her taking a gamble with someone's life in similar fashion and ended with a similar sombre exchange about Clara beginning to think like the Doctor. | * Coincidentally, this story aired at the same time as the ''Doctor Who Magazine'' comic strip [[COMIC]]: ''[[The Eye of Torment (comic story)|The Eye of Torment]]''. It not only featured Clara taking on Doctor-like responsibilities, it also had her taking a gamble with someone's life in similar fashion and ended with a similar sombre exchange about Clara beginning to think like the Doctor. | ||
* While the title "Flatline" refers directly to the two-dimensional nature of the Boneless, it is also a term for [[death]], referring to the deceased's lack of heart beat on an electronic monitor. | |||
* [[Kate Stewart]] and [[UNIT]] were originally supposed to appear. | |||
=== Myths === | |||
* The Shrunken TARDIS was a Flight Control TARDIS made by Character Options. ''It was actually a miniature prop specially constructed for the story.'' | |||
=== Ratings === | === Ratings === | ||
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=== Filming locations === | === Filming locations === | ||
* Barry Island Heritage Railway | * Barry Island Heritage Railway | ||
* Maelfa Shopping | * Maelfa Shopping Centre (Cardiff) | ||
* Barry Island Shooting Range | * Barry Island Shooting Range | ||
* Winchcombe | * Winchcombe | ||
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* The Doctor's hair is noticeably shorter in several scenes, starting when the TARDIS falls onto the train track and ending when the TARDIS returns to the surface after the defeat of the Boneless. This makes it clear these scenes were filmed out of order, during a different time than the rest of the scenes in the episode, when Peter Capaldi had recently undergone a haircut. In his regular column for ''[[Doctor Who Magazine]]'', embarrassed showrunner [[Steven Moffat]] admitted to this continuity goof and that it was because of the scheduling. | * The Doctor's hair is noticeably shorter in several scenes, starting when the TARDIS falls onto the train track and ending when the TARDIS returns to the surface after the defeat of the Boneless. This makes it clear these scenes were filmed out of order, during a different time than the rest of the scenes in the episode, when Peter Capaldi had recently undergone a haircut. In his regular column for ''[[Doctor Who Magazine]]'', embarrassed showrunner [[Steven Moffat]] admitted to this continuity goof and that it was because of the scheduling. | ||
* When the TARDIS first becomes smaller, the Doctor uses one door to get out due to a lining in between in the doors. When the TARDIS shrinks again, both doors are open with there being no lining in between the doors. | * When the TARDIS first becomes smaller, the Doctor uses one door to get out due to a lining in between in the doors. When the TARDIS shrinks again, both doors are open with there being no lining in between the doors. | ||
*When Clara walks up to the mini TARDIS, her phone is in her right hand but when she squats down, it's in her left hand. | * When Clara walks up to the mini TARDIS, her phone is in her right hand but when she squats down, it's in her left hand. | ||
*As the Doctor hands Clara the sonic screwdriver, her right hand is on the side of the TARDIS but as the camera switches angles, her right hand is down by her side and holding the psychic paper. | * As the Doctor hands Clara the sonic screwdriver, her right hand is on the side of the TARDIS but as the camera switches angles, her right hand is down by her side and holding the psychic paper. | ||
* The distance between the shrunken TARDIS and the train tracks decreases. It is a safe distance from the tracks as the Doctor climbs the dirt hill with his fingers, then it appears a little closer to the tracks the next scene when he pulls his hand in, the next scene, it is close enough that when it topples over, the top is laying on the tracks. Also, when the TARDIS topples over, the shock created inside the TARDIS by the fall throws the Doctor towards the doors, even though the TARDIS landed on its rear wall and the doors are facing upwards. | * The distance between the shrunken TARDIS and the train tracks decreases. It is a safe distance from the tracks as the Doctor climbs the dirt hill with his fingers, then it appears a little closer to the tracks the next scene when he pulls his hand in, the next scene, it is close enough that when it topples over, the top is laying on the tracks. Also, when the TARDIS topples over, the shock created inside the TARDIS by the fall throws the Doctor towards the doors, even though the TARDIS landed on its rear wall and the doors are facing upwards. | ||
* When Clara's phone rings towards the end of the episode, the ringtone is clearly heard. However, when held up, the icon for silent mode is visible at the top of the screen. | * When Clara's phone rings towards the end of the episode, the ringtone is clearly heard. However, when held up, the icon for silent mode is visible at the top of the screen. | ||
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* As the Doctor tells the Boneless that they are not welcome, he sweeps his arm across his chest, and it ends up at his side. However, when the scene cuts to the front view of him saying his next line, he is suddenly pointing towards the Boneless. | * As the Doctor tells the Boneless that they are not welcome, he sweeps his arm across his chest, and it ends up at his side. However, when the scene cuts to the front view of him saying his next line, he is suddenly pointing towards the Boneless. | ||
* As the Doctor dives under the console to activate siege mode, the piping in the time rotor isn't lit up. However, in the next shot, as the camera zooms out to view the console room, the piping is lit up and can be seen going out just before the camera cuts to the shot of the train passing over the TARDIS's location. | * As the Doctor dives under the console to activate siege mode, the piping in the time rotor isn't lit up. However, in the next shot, as the camera zooms out to view the console room, the piping is lit up and can be seen going out just before the camera cuts to the shot of the train passing over the TARDIS's location. | ||
== Continuity == | == Continuity == | ||
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== Home video releases == | == Home video releases == | ||
=== DVD | === DVD & Blu-ray releases === | ||
[[File:Complete 8th Series UK Cover.jpg|thumb|Series Full Box-set Region 2]] | [[File:Complete 8th Series UK Cover.jpg|thumb|Series Full Box-set Region 2]] | ||
* | * ''Flatline'' was released as part of [[Series 8 (Doctor Who 2005)|the Complete Eighth Series]] DVD and Blu-ray boxsets in region 1/A on [[9 December (releases)|9 December]] [[2014 (releases)|2014]], in region 2/B on [[24 November (releases)|24 November]] 2014 and in region 4/B on [[19 November (releases)|19 November]] 2014. | ||
* It was later included in the Series 8, Part Two DVD boxset in region 1 on [[13 December (releases)|13 December]] [[2016 (releases)|2016]]. | |||
=== Digital releases === | === Digital releases === | ||
* The episode was released on Google Play, iTunes and Amazon Instant Video in HD or SD, also available as part of the Series 8 digital boxset. The digital boxset contains various features: trailer, interviews, ''The Ultimate Companion, The Ultimate Time Lord, Inside the World Tour ''and ''[[Doctor Who Extra]]'' episodes for each episode. | * The episode was released on Google Play, iTunes and Amazon Instant Video in HD or SD, also available as part of the Series 8 digital boxset. The digital boxset contains various features: trailer, interviews, ''The Ultimate Companion, The Ultimate Time Lord, Inside the World Tour ''and ''[[Doctor Who Extra]]'' episodes for each episode. | ||
* In the US, the series was released through digital streaming services Hulu and Netflix with a subscription. | * In the US, the series was released through digital streaming services Hulu and Netflix with a subscription. | ||
* In the United Kingdom, this story is available on [[BBC iPlayer]]. | |||
== External links == | == External links == | ||
* [https://www.jamiemathieson.com/the-first-draft-of-flatline First draft and shooting script], posted online by [[Jamie Mathieson]]. | |||
== Footnotes == | == Footnotes == | ||
{{reflist}} | {{reflist}} | ||
{{DWTV}} | {{DWTV}} | ||
{{ | {{Missy stories}} | ||
{{TitleSort}} | {{TitleSort}} | ||
{{cat|Doctor Who (2005) television stories}} | {{cat|Doctor Who (2005) television stories}} | ||
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[[Category:Stories set in the 21st century]] | [[Category:Stories set in the 21st century]] | ||
[[Category:Stories set in Bristol]] | [[Category:Stories set in Bristol]] | ||
[[Category: | [[Category:Missy television stories]] | ||
[[Category:Stories set in London]] | [[Category:Stories set in London]] | ||
[[fr:Flatline (TV)]] | [[fr:Flatline (TV)]] | ||
[[pt:Flatline]] | [[pt:Flatline]] |
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