Terry Nation Army: Difference between revisions
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YoungCodger (talk | contribs) (Removed link in 'How Did A Crime Create the Dalek Supreme' to Richard Bignell's page & instead linked to that page in 'Camber's Dalek Disaster Documentary' Credits.) |
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| ''Camber's Dalek Disaster Documentary'' | | ''Camber's Dalek Disaster Documentary'' | ||
| "In this episode we discuss how an epic failure during [[The Chase (TV story)|a location shoot]] resulted in the construction of an ingenious prop which still survives today. And we reveal a previously unknown fact about ''[[The Daleks' Master Plan (TV story)|The Daleks' Master Plan]]'' special effects work." | | "In this episode we discuss how an epic failure during [[The Chase (TV story)|a location shoot]] resulted in the construction of an ingenious prop which still survives today. And we reveal a previously unknown fact about ''[[The Daleks' Master Plan (TV story)|The Daleks' Master Plan]]'' special effects work." | ||
| <small>{{il|''Written and edited by'': [[Gavin Rymill]]|''Researched with:'' [[Jon Green (researcher)|Jon Green]]|''Music by:'' Graeme Allan|''Archive Photo:'' Robert Kew|''Archive Documents:'' Richard Bignell & [[Jonathan Morris]]|''Video Thanks To:'' Simeon Carter, Greg Bakun, The ''Metebelis Two'' Podcast, Chris Balcombe}}</small> | | <small>{{il|''Written and edited by'': [[Gavin Rymill]]|''Researched with:'' [[Jon Green (researcher)|Jon Green]]|''Music by:'' Graeme Allan|''Archive Photo:'' Robert Kew|''Archive Documents:'' [[Richard Bignell]] & [[Jonathan Morris]]|''Video Thanks To:'' Simeon Carter, Greg Bakun, The ''Metebelis Two'' Podcast, Chris Balcombe}}</small> | ||
| [[1 July (releases)|1 July]] [[2019 (releases)|2019]] | | [[1 July (releases)|1 July]] [[2019 (releases)|2019]] | ||
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| ''How Did A Crime Create the Dalek Supreme?'' | | ''How Did A Crime Create the Dalek Supreme?'' | ||
| "This week we look at the influences behind the introduction of '[[Dalek Supreme (Planet of the Daleks)|one]] of the [[Dalek Council|Supreme Council]]" in ''[[Planet of the Daleks (TV story)|Planet of the Daleks]]'', and the thefts which happened before production which nearly derailed the whole process." | | "This week we look at the influences behind the introduction of '[[Dalek Supreme (Planet of the Daleks)|one]] of the [[Dalek Council|Supreme Council]]" in ''[[Planet of the Daleks (TV story)|Planet of the Daleks]]'', and the thefts which happened before production which nearly derailed the whole process." | ||
| <small>{{il|''Written and edited by'': [[Gavin Rymill]]|''Researched with:'' [[Jon Green (researcher)|Jon Green]]|''Music by:'' Graeme Allan|''Photos by:'' James Russell, Marc Sinclair, Ian Scales, Tim Baker, George Farrell, Steve Williams, Mick Hall|''With Thanks to:'' [[Clayton Hickman]], [[Paul Scoones]], Richard Bignell, Stuart Crouch, [[James Goss]]}}</small> | | <small>{{il|''Written and edited by'': [[Gavin Rymill]]|''Researched with:'' [[Jon Green (researcher)|Jon Green]]|''Music by:'' Graeme Allan|''Photos by:'' James Russell, Marc Sinclair, Ian Scales, Tim Baker, George Farrell, Steve Williams, Mick Hall|''With Thanks to:'' [[Clayton Hickman]], [[Paul Scoones]], Richard Bignell, [[Stuart Crouch]], [[James Goss]]}}</small> | ||
| [[5 August (releases)|5 August]] [[2019 (releases)|2019]] | | [[5 August (releases)|5 August]] [[2019 (releases)|2019]] | ||
|- | |- | ||
! 7 | ! 7 | ||
| What Really Happened to the Movie TARDIS and Other Boxes | | ''What Really Happened to the Movie TARDIS and Other Boxes'' | ||
| “The movie TARDIS which is used ‘Dr. Who and the Daleks’ was probably built for that production, in 1965. The same prop was used again in ‘Daleks Invasion Earth 2150 AD’, the following year. Although it isn’t perfect … it’s the best of a bad bunch.” | | “The movie TARDIS which is used ‘Dr. Who and the Daleks’ was probably built for that production, in 1965. The same prop was used again in ‘Daleks Invasion Earth 2150 AD’, the following year. Although it isn’t perfect … it’s the best of a bad bunch.” | ||
| <small>{{il|''Written and Edited by‘': [[Gavin Rymill]]|''Researched by'': [[Jon Green (researcher)|Jon Green]] and [[Clayton Hickman]]|''Theme Music by'': Graeme Allan}}</small> | | <small>{{il|''Written and Edited by‘': [[Gavin Rymill]]|''Researched by'': [[Jon Green (researcher)|Jon Green]] and [[Clayton Hickman]]|''Theme Music by'': Graeme Allan}}</small> | ||
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! 8 | ! 8 | ||
| The Failed Dalek Rivals: Mechonoid Designs Rejected and Deleted Robots from The Chase | | ''The Failed Dalek Rivals: Mechonoid Designs Rejected and Deleted Robots from The Chase'' | ||
| “The Mechonoids were large geodesic polyhedric robots which made their one and only screen appearance at the end of the Doctor Who serial ‘The Chase’ in 1965. … However, unlike the Daleks, Terry Nation had carefully described the exact shape of his new robots, yet what he asked for was not what ended up on screen. He also devised another potentially marketable toy to appear in ‘The Chase’, which was omitted from the final program. So, what were the reasons he didn’t get the robots he asked for?, how were they eventually built?, and does one of them still survive today?”. | | “The Mechonoids were large geodesic polyhedric robots which made their one and only screen appearance at the end of the Doctor Who serial ‘The Chase’ in 1965. … However, unlike the Daleks, Terry Nation had carefully described the exact shape of his new robots, yet what he asked for was not what ended up on screen. He also devised another potentially marketable toy to appear in ‘The Chase’, which was omitted from the final program. So, what were the reasons he didn’t get the robots he asked for?, how were they eventually built?, and does one of them still survive today?”. | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Terry Nation voiced by'': [[Chris Walker-Thomson]]|''Archive Materials Thanks to'': Jonny Morris, Richard Bignell, Samuel Payne, [[James Goss]]|''Thanks to‘’:[[ Toby Hadoke]], Mick Hall, Toby Chamberlain & Lee Horris, Gareth M., Julie Killick, John Isles & Johnathan Miles, Sophia & Martin Gill}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Terry Nation voiced by'': [[Chris Walker-Thomson]]|''Archive Materials Thanks to'': Jonny Morris, Richard Bignell, Samuel Payne, [[James Goss]]|''Thanks to‘’:[[ Toby Hadoke]], Mick Hall, Toby Chamberlain & Lee Horris, Gareth M., Julie Killick, John Isles & Johnathan Miles, Sophia & Martin Gill}}</small> | ||
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! 9 | ! 9 | ||
| Mechonoid Script Mistakes and Prop Mysteries Solved - Mission Recon & Merch Bonus Info | | ''Mechonoid Script Mistakes and Prop Mysteries Solved - Mission Recon & Merch Bonus Info'' | ||
| “To begin with, when and why did the name change from Mechon to Mechonoid?, and how did the wrong name make it to screen? To understand what happened, we need to follow the production process from script to screen.” | | “To begin with, when and why did the name change from Mechon to Mechonoid?, and how did the wrong name make it to screen? To understand what happened, we need to follow the production process from script to screen.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material and Information Thanks to'': Jonny Morris, Richard Bignell, Rhys Williams, Richard Long}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material and Information Thanks to'': Jonny Morris, Richard Bignell, Rhys Williams, Richard Long}}</small> | ||
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! 10 | ! 10 | ||
| How Remembrance of the Daleks was Fixed in the Edit | | ''How Remembrance of the Daleks was Fixed in the Edit'' | ||
| “The raw location footage from the 1988 serial ‘Remembrance of the Daleks’ provides a wealth of information about the production process, including revealing one big change that had to be made to the ending. The alteration was needed because of certain decisions during recording, which resulted in several shots having to be dropped from the final episode because they no longer made sense. In this episode, we’ll look through some interesting clips from episode four, reconstruct the problematic scene as it was written, and show why it had to be fixed in the edit.” | | “The raw location footage from the 1988 serial ‘Remembrance of the Daleks’ provides a wealth of information about the production process, including revealing one big change that had to be made to the ending. The alteration was needed because of certain decisions during recording, which resulted in several shots having to be dropped from the final episode because they no longer made sense. In this episode, we’ll look through some interesting clips from episode four, reconstruct the problematic scene as it was written, and show why it had to be fixed in the edit.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material'': Colin Young|''Thanks to'': [[Mike Tucker]] }}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material'': Colin Young|''Thanks to'': [[Mike Tucker]] }}</small> | ||
| [[30 October (releases)| 30 October]] [[2019 (releases)|2019]] | | [[30 October (releases)|30 October]] [[2019 (releases)|2019]] | ||
|- | |- | ||
! 11 | ! 11 | ||
| The Original Ending of Dalek Invasion of Earth and its Problematic Monster Costume | | ''The Original Ending of Dalek Invasion of Earth and its Problematic Monster Costume'' | ||
| “In the 1964 television serial ‘The Dalek Invasion of Earth’, there were too closely linked elements which both changed considerably from draft script to screen. In Terry Nation’s original draft, a pack of alien creatures from the Daleks’ home planet patrol the vast expanse known as ‘The Abyss’. The monsters, called ‘Slithers’, were conceived by the writer to look a particular way, but were then realised quite differently, and then hastily redesigned mid-production. Plus, a completely different version was conceived with a surprising appearance, but it was never implemented. So, what were all these alternative versions of the monster?, why is the no mention of the abyss that it roamed in the final TV episode?, and what does any of this have to do with an eighteenth-century book about English plants?”. | | “In the 1964 television serial ‘The Dalek Invasion of Earth’, there were too closely linked elements which both changed considerably from draft script to screen. In Terry Nation’s original draft, a pack of alien creatures from the Daleks’ home planet patrol the vast expanse known as ‘The Abyss’. The monsters, called ‘Slithers’, were conceived by the writer to look a particular way, but were then realised quite differently, and then hastily redesigned mid-production. Plus, a completely different version was conceived with a surprising appearance, but it was never implemented. So, what were all these alternative versions of the monster?, why is the no mention of the abyss that it roamed in the final TV episode?, and what does any of this have to do with an eighteenth-century book about English plants?”. | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Voices'': Paul Carmichael, [[Jon Green (researcher)|Jon Green]]|''Thanks to'': [[Jonathan Morris]], Richard Long, [[Peter Ware (editor) | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Voices'': Paul Carmichael, [[Jon Green (researcher)|Jon Green]]|''Thanks to'': [[Jonathan Morris]], Richard Long, [[Peter Ware (editor)]]}}</small> | ||
| [[8 November (releases)| 8 November]] [[2019 (releases)|2019]] | | [[8 November (releases)|8 November]] [[2019 (releases)|2019]] | ||
|- | |- | ||
! 12 | ! 12 | ||
| Dalek Guns in The Mandalorian EXPLAINED and Other Dr Who Stuff in Star Wars | | ''Dalek Guns in The Mandalorian EXPLAINED and Other Dr Who Stuff in Star Wars'' | ||
| “If you’re a Doctor Who fan with a very keen eye for detail, then episode one of the new Disney + series ‘The Mandalorian’ provides one moment which might just stop you in your tracks. When The Mandalorian’s weapons cabinet is opened, there’s a DL21 blaster inside, and included in that design is a nozzle that looks identical to those seen in a Doctor Who serial from 1974. But before you write this off as a coincidence, after all propmakers often used real world parts in their creations, there’s more to this story that meets the eye. And we can prove that this is no coincidence, and that Dalek guns are genuinely linked to the Star Wars universe.” | | “If you’re a Doctor Who fan with a very keen eye for detail, then episode one of the new Disney + series ‘The Mandalorian’ provides one moment which might just stop you in your tracks. When The Mandalorian’s weapons cabinet is opened, there’s a DL21 blaster inside, and included in that design is a nozzle that looks identical to those seen in a Doctor Who serial from 1974. But before you write this off as a coincidence, after all propmakers often used real world parts in their creations, there’s more to this story that meets the eye. And we can prove that this is no coincidence, and that Dalek guns are genuinely linked to the Star Wars universe.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': Rhys Williams, Glenn Cleave, James Clancy, Steve @ sayhellospaceman}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': Rhys Williams, Glenn Cleave, James Clancy, Steve @ sayhellospaceman}}</small> | ||
| [[14 November (releases)| 14 November]] [[2019 (releases)|2019]] | | [[14 November (releases)|14 November]] [[2019 (releases)|2019]] | ||
|- | |- | ||
! 13 | ! 13 | ||
| Doctor Who's Weird 1965 Christmas Special | | ''Doctor Who's Weird 1965 Christmas Special'' | ||
| “Doctor Who’s first ever Christmas special was an episode named ‘The Feast of Steven’, broadcast on Christmas Day 1965. It was also Doctor Who’s last Christmas special for 40 years. … So how did this unusual episode come about?, how did the production team originally intend to incorporate real Hollywood legends into the episode, and who really wrote it?”. | | “Doctor Who’s first ever Christmas special was an episode named ‘The Feast of Steven’, broadcast on Christmas Day 1965. It was also Doctor Who’s last Christmas special for 40 years. … So how did this unusual episode come about?, how did the production team originally intend to incorporate real Hollywood legends into the episode, and who really wrote it?”. | ||
| Allan|''Thanks to'': Richard Bignell, Jonny Morris, Jeremy Bentham}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': Richard Bignell, Jonny Morris, Jeremy Bentham}}</small> | ||
| [[25 December (releases)| 25 December]] [[2019 (releases)|2019]] | | [[25 December (releases)|25 December]] [[2019 (releases)|2019]] | ||
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! 14 | ! 14 | ||
| When The Doctor Was a Human Who Invented the TARDIS | | ''When The Doctor Was a Human Who Invented the TARDIS'' | ||
| “It may be surprising to learn, that in the early years of Doctor Who, there was no consensus on the origin of The Doctor or his time machine. When Terry Nation came to write ‘Section Dalek Three’, eventually called ‘The Chase’, it was clear in his mind that The Doctor had built the TARDIS himself. And it seemed he was probably just an ordinary man from the future. Some of these clues actually survive into the broadcast version, but some were edited out. One particular lost piece of dialogue shone on a spotlight on The Doctor’s own people, a people who we discover were not necessarily aliens at all. “ | | “It may be surprising to learn, that in the early years of Doctor Who, there was no consensus on the origin of The Doctor or his time machine. When Terry Nation came to write ‘Section Dalek Three’, eventually called ‘The Chase’, it was clear in his mind that The Doctor had built the TARDIS himself. And it seemed he was probably just an ordinary man from the future. Some of these clues actually survive into the broadcast version, but some were edited out. One particular lost piece of dialogue shone on a spotlight on The Doctor’s own people, a people who we discover were not necessarily aliens at all. “ | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Thanks to'': [[Clayton Hickman]], Jim Sangster, Jonny Morris, Si Hodges, David Hyder, Tom Spilsbury}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Thanks to'': [[Clayton Hickman]], Jim Sangster, Jonny Morris, Si Hodges, David Hyder, Tom Spilsbury}}</small> | ||
| [[28 February (releases)| 28 February]] [[2020 (releases)|2020]] | | [[28 February (releases)|28 February]] [[2020 (releases)|2020]] | ||
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! 1 | ! 1 | ||
| Time Television: Lost Lore and Design Development | | ''Time Television: Lost Lore and Design Development'' | ||
| “In this third Dalek serial, Nation characterised The Doctor as an inventor who rustled up all manner of useful gadgets such as this unspecified explosive, plus the TARDIS magnet, and the time path detector, not to mention constructing the time machine itself. But in this episode, we are taking a look at one particular gadget that The Doctor invented which sheds light on the troubling god-like power of The Doctor’s own race, and leaves us pondering extremely disturbing implications about The Doctor’s many victories over his enemies.” | | “In this third Dalek serial, Nation characterised The Doctor as an inventor who rustled up all manner of useful gadgets such as this unspecified explosive, plus the TARDIS magnet, and the time path detector, not to mention constructing the time machine itself. But in this episode, we are taking a look at one particular gadget that The Doctor invented which sheds light on the troubling god-like power of The Doctor’s own race, and leaves us pondering extremely disturbing implications about The Doctor’s many victories over his enemies.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Additional Material'': Rhys Williams, Jonny Morris & [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Announcer Voice'': Paul Carmichael|''Archive Material Thanks to'': Richard Bignell|''Colourisations and TSV Graphics by'': [[Clayton Hickman]]|''War Games Artwork by'': Tim Hill|''Thanks to'': Jim Sangster, Si Hodges, Tim Spilsbury}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Additional Material'': Rhys Williams, Jonny Morris & [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Announcer Voice'': Paul Carmichael|''Archive Material Thanks to'': Richard Bignell|''Colourisations and TSV Graphics by'': [[Clayton Hickman]]|''War Games Artwork by'': Tim Hill|''Thanks to'': Jim Sangster, Si Hodges, Tim Spilsbury}}</small> | ||
| [[28 April (releases)| 28 April]] [[2022 (releases)|2022]] | | [[28 April (releases)|28 April]] [[2022 (releases)|2022]] | ||
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! 2 | ! 2 | ||
| Movie Daleks Cross into the TV Series: An Expensive Failure | | ''Movie Daleks Cross into the TV Series: An Expensive Failure'' | ||
| “Since Doctor Who’s very first adventure featuring the Daleks, TV directors have always searched for ways to create the illusion that there were more Dalek props available than actually existed at the BBC. … back in the 1960s, there was one unusual occasion when the Doctor Who team at the BBC turned to a rival production company to help them solve the dwindling Dalek dilemma. But a series of unfortunate events resulted in a chaotic situation and an end result which heaped misfortune on an already shaky production.” | | “Since Doctor Who’s very first adventure featuring the Daleks, TV directors have always searched for ways to create the illusion that there were more Dalek props available than actually existed at the BBC. … back in the 1960s, there was one unusual occasion when the Doctor Who team at the BBC turned to a rival production company to help them solve the dwindling Dalek dilemma. But a series of unfortunate events resulted in a chaotic situation and an end result which heaped misfortune on an already shaky production.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material Thanks to'': Richard Bignell|''Thanks to'': Rhys Williams, John Kelly}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material Thanks to'': Richard Bignell|''Thanks to'': Rhys Williams, John Kelly}}</small> | ||
| [[19 May (releases)| 19 May]] [[2022 (releases)|2022]] | | [[19 May (releases)|19 May]] [[2022 (releases)|2022]] | ||
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! 3 | ! 3 | ||
| The Secret Life of the Bizarre Blowtorch Dalek | | ''The Secret Life of the Bizarre Blowtorch Dalek'' | ||
| “Part of the original fascination behind the Daleks, was that Terry Nation conceived of them not as maniacal invading monster, although that certainly came later, buts scientists and inventors living in a city which was decorated with sculptures and normal shops selling foodstuffs. The retail of the Daleks didn’t make it to screen, but in the final script they remained curious and resourceful beings. … This is the sizzling and somewhat surprising story of the bizarre blowtorch Dalek.” | | “Part of the original fascination behind the Daleks, was that Terry Nation conceived of them not as maniacal invading monster, although that certainly came later, buts scientists and inventors living in a city which was decorated with sculptures and normal shops selling foodstuffs. The retail of the Daleks didn’t make it to screen, but in the final script they remained curious and resourceful beings. … This is the sizzling and somewhat surprising story of the bizarre blowtorch Dalek.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''CGI by‘’: [[Anthony Lamb]]|''Archive Material Thanks to'': Richard Bignell|''Thanks to‘’: [[Simon Guerrier]] }}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''CGI by‘’: [[Anthony Lamb]]|''Archive Material Thanks to'': Richard Bignell|''Thanks to‘’: [[Simon Guerrier]] }}</small> | ||
| [[7 July (releases)| 7 July]] [[2022 (releases)|2022]] | | [[7 July (releases)|7 July]] [[2022 (releases)|2022]] | ||
|- | |- | ||
! 4 | ! 4 | ||
| Unseen 1967 Dalek Home Movie Discovery! Viewer Film Analysed | | ''Unseen 1967 Dalek Home Movie Discovery! Viewer Film Analysed'' | ||
| “Following our plea for home movies from the 1960s, we’re delighted to have been offered an extremely rare piece of footage from the personal archive of Andrew Kirwan. In this episode, we’ll dive into the Dalek diaries from the 1960s to try to find out how a prop came to be wandering the streets of Oxfordshire on a strangely charitable mission.” | | “Following our plea for home movies from the 1960s, we’re delighted to have been offered an extremely rare piece of footage from the personal archive of Andrew Kirwan. In this episode, we’ll dive into the Dalek diaries from the 1960s to try to find out how a prop came to be wandering the streets of Oxfordshire on a strangely charitable mission.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''Cine Footage Thanks to'': Andrew Kirwan|''Additional Voice Work'': Tim Burrows, Paul Carmichael}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''Cine Footage Thanks to'': Andrew Kirwan|''Additional Voice Work'': Tim Burrows, Paul Carmichael}}</small> | ||
| [[26 July (releases)| 26 July]] [[2022 (releases)|2022]] | | [[26 July (releases)|26 July]] [[2022 (releases)|2022]] | ||
|- | |- | ||
! 5 | ! 5 | ||
| The Lost Filming Location from Talons and How it Looks Today | | ''The Lost Filming Location from Talons and How it Looks Today'' | ||
| “Doctor Who, like any television shot using real locations, is a time capsule of the world in which it was created. The Season 14 serial ‘The Talons Weng-Chiang’ used several streets in London to effectively recreated the Victorian period. But the places were chosen because they were deserted and decaying, as a result of their condition, they were soon either demolished or heavily restructured into the Thames-side tourist trap they are today. … So, using detailed comparisons between screen grabs and old photos, let’s travel back to the London of the 1890, which was really the London of the 1970s, to explore the alleyways of ‘The Clink’, and enlist the help of Sherlock Holmes to find exactly where the TARDS landed.” | | “Doctor Who, like any television shot using real locations, is a time capsule of the world in which it was created. The Season 14 serial ‘The Talons Weng-Chiang’ used several streets in London to effectively recreated the Victorian period. But the places were chosen because they were deserted and decaying, as a result of their condition, they were soon either demolished or heavily restructured into the Thames-side tourist trap they are today. … So, using detailed comparisons between screen grabs and old photos, let’s travel back to the London of the 1890, which was really the London of the 1970s, to explore the alleyways of ‘The Clink’, and enlist the help of Sherlock Holmes to find exactly where the TARDS landed.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Assets Thanks to'': James Hadwen-Bennett, Gene Cowan|''Leela & The Doctor'': Elaine Hyder, Tim Burrows|''With Thanks to'': Paul Wilkinson, www.reelstreets.com, [[Clayton Hickman]], Lucy Ashdown, Neil Corry}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Assets Thanks to'': James Hadwen-Bennett, Gene Cowan|''Leela & The Doctor'': Elaine Hyder, Tim Burrows|''With Thanks to'': Paul Wilkinson, www.reelstreets.com, [[Clayton Hickman]], Lucy Ashdown, Neil Corry}}</small> | ||
| [[7 September (releases)| 7 September]] [[2022 (releases)|2022]] | | [[7 September (releases)|7 September]] [[2022 (releases)|2022]] | ||
|- | |- | ||
! 6 | ! 6 | ||
| The DALEK-TARDIS Disaster! Why was the "DARDIS" created and what went wrong? | | ''The DALEK-TARDIS Disaster! Why was the "DARDIS" created and what went wrong?'' | ||
| “The word ‘DARDIS’ is not a typo, the term has been used occasionally over the years to refer to the Daleks’ time machine that appeared in the 1960s serials ‘The Chase’ and ‘The Daleks’ Master Plan’. The exterior of the craft in its original form, was designed to be a clever optical illusion, but due to poor development and bad directing, its appearance onscreen was an abject failure. … At face value, the DARDIS in ‘The Chase’ was devised to generate drama the pursuit element of the plot, however, the real reason for its creation was Terry Nation had a greater problem to tackle. So, join us as we unravel the production problems of the villain’s time machine, and delve into the disaster of the Daleks’ DARDIS.” | | “The word ‘DARDIS’ is not a typo, the term has been used occasionally over the years to refer to the Daleks’ time machine that appeared in the 1960s serials ‘The Chase’ and ‘The Daleks’ Master Plan’. The exterior of the craft in its original form, was designed to be a clever optical illusion, but due to poor development and bad directing, its appearance onscreen was an abject failure. … At face value, the DARDIS in ‘The Chase’ was devised to generate drama the pursuit element of the plot, however, the real reason for its creation was Terry Nation had a greater problem to tackle. So, join us as we unravel the production problems of the villain’s time machine, and delve into the disaster of the Daleks’ DARDIS.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''Thanks to'': Jim Sangster, Richard Morris, Si Hodges, Richard Bignell}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green (researcher)|Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''Thanks to'': Jim Sangster, Richard Morris, Si Hodges, Richard Bignell}}</small> | ||
| [[23 September (releases)| 23 September]] [[2022 (releases)|2022]] | | [[23 September (releases)|23 September]] [[2022 (releases)|2022]] | ||
|- | |- | ||
! 7 | ! 7 | ||
| How BBC Bosses Sabotaged Nation's Dalek Spy Thriller: The Original Master Plan | | ''How BBC Bosses Sabotaged Nation's Dalek Spy Thriller: The Original Master Plan'' | ||
| “Relatively early in Doctor Who’s history, Terry Nation decided that the Daleks were a worthy advisory to make them the only other race in the galaxy that were capable of time travel. Their time machine was introduced in ‘The Chase’, but giving the Daleks time travel capabilities made them almost too powerful, so, when Terry Nation came to plan his next serial ‘The Daleks’ Master Plan’, there would be no more hoping through history, the adventure would be grounded in a single realistic setting inspired by a sensational new cinematic franchise. … When the second version of the time vessel was constructed, there were some extremely intriguing details in the props and scenery inside. But what was the disaster that happened in storage that forced the production team into the kind of gigantic continuity error which we love to examine?”. | | “Relatively early in Doctor Who’s history, Terry Nation decided that the Daleks were a worthy advisory to make them the only other race in the galaxy that were capable of time travel. Their time machine was introduced in ‘The Chase’, but giving the Daleks time travel capabilities made them almost too powerful, so, when Terry Nation came to plan his next serial ‘The Daleks’ Master Plan’, there would be no more hoping through history, the adventure would be grounded in a single realistic setting inspired by a sensational new cinematic franchise. … When the second version of the time vessel was constructed, there were some extremely intriguing details in the props and scenery inside. But what was the disaster that happened in storage that forced the production team into the kind of gigantic continuity error which we love to examine?”. | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Additional Material'': Rhys Williams & [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material Thanks to'': Richard Bignell|''Colourisation by'': [[Clayton Hickman]]|''‘Volcano’ Recon‘’: [[Josh Snares]]|''Thanks to'': David Hyder}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Additional Material'': Rhys Williams & [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Archive Material Thanks to'': Richard Bignell|''Colourisation by'': [[Clayton Hickman]]|''‘Volcano’ Recon‘’: [[Josh Snares]]|''Thanks to'': David Hyder}}</small> | ||
| [[28 October (releases)| 28 October]] [[2022 (releases)|2022]] | | [[28 October (releases)|28 October]] [[2022 (releases)|2022]] | ||
|- | |- | ||
! 8 | ! 8 | ||
| A History of the Special Weapons Dalek Props on and off Screen | | ''A History of the Special Weapons Dalek Props on and off Screen'' | ||
| “For Doctor Who’s 25th season, writer Ben Aaronovitch was given the task of creating a story which make the Daleks a more powerful threat than they had been in recent years. His script described ambitious exciting elements such as a floating Howitzer bearing platform which accompanied the Imperial Dalek attack squad London. He also suggest that normal Daleks could have a special weapon which fired around corners like a homing missile. These two powerful creations were to overcome the Renegade forces as they looked to gain the upper hand in the Dalek Civil War. But for Doctor Who’s budget in the 1980s , this weapons platform was too ambitious. However, with a newly developed construction process, and borrowing some items normally found in a garden shed, a completely new type of Dalek was created, and one which would eventually return to the 11th and 12th Doctors’ eras. But as ever with Dalek prop history, there’s lots of twists and turns along the way.” | | “For Doctor Who’s 25th season, writer Ben Aaronovitch was given the task of creating a story which make the Daleks a more powerful threat than they had been in recent years. His script described ambitious exciting elements such as a floating Howitzer bearing platform which accompanied the Imperial Dalek attack squad London. He also suggest that normal Daleks could have a special weapon which fired around corners like a homing missile. These two powerful creations were to overcome the Renegade forces as they looked to gain the upper hand in the Dalek Civil War. But for Doctor Who’s budget in the 1980s , this weapons platform was too ambitious. However, with a newly developed construction process, and borrowing some items normally found in a garden shed, a completely new type of Dalek was created, and one which would eventually return to the 11th and 12th Doctors’ eras. But as ever with Dalek prop history, there’s lots of twists and turns along the way.” | ||
| <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Special Thanks to‘’: [[Nicholas Briggs]]|''Music by'': Graeme Allan|''Thanks to'': Rhys Williams, John Kelly, Robbie Dunlop, Tim Burrows, Mike Hall}}</small> | | <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Special Thanks to‘’: [[Nicholas Briggs]]|''Music by'': Graeme Allan|''Thanks to'': Rhys Williams, John Kelly, Robbie Dunlop, Tim Burrows, Mike Hall}}</small> | ||
| [[10 December (releases)| 10 December]] [[2022 (releases)|2022]] | | [[10 December (releases)|10 December]] [[2022 (releases)|2022]] | ||
|} | |} | ||
Line 192: | Line 192: | ||
|- | |- | ||
! 1 | ! 1 | ||
| The Seven Classic Daleks in the Asylum - Complete Histories Uncovered | | ''The Seven Classic Daleks in the Asylum - Complete Histories Uncovered'' | ||
| “‘Asylum of the Daleks’ did indeed feature designs from past decades of Doctor Who, and in fact there were seven classic era props on screen, but the 21st century bronze Daleks still took centre stage, and with the set heavily fogged, the lighting low, everything sprayed with dirt and then the final gradin of the image, it was often a challenge to tell the props apart. But since Dalek spotting is in our top three leisure activities, and we like a challenge, there’s some fun to be had trying to work out which props are which despite all the hindrances. And the most intriguing Dalek designs hiding in the gloom, are those from the classic series, making them the target of this investigation. So, join us in the dank recesses of the Dalek asylum as we reveal the spooky secrets of the prison for Daleks who are too bonkers even for Daleks.” | | “‘Asylum of the Daleks’ did indeed feature designs from past decades of Doctor Who, and in fact there were seven classic era props on screen, but the 21st century bronze Daleks still took centre stage, and with the set heavily fogged, the lighting low, everything sprayed with dirt and then the final gradin of the image, it was often a challenge to tell the props apart. But since Dalek spotting is in our top three leisure activities, and we like a challenge, there’s some fun to be had trying to work out which props are which despite all the hindrances. And the most intriguing Dalek designs hiding in the gloom, are those from the classic series, making them the target of this investigation. So, join us in the dank recesses of the Dalek asylum as we reveal the spooky secrets of the prison for Daleks who are too bonkers even for Daleks.” | ||
| <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': [[Mike Tucker]], Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, Jamie H. Cowan, Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, [[Benjamin Cook]], Tom Nichols}}</small> | | <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': [[Mike Tucker]], Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, [[Jamie H. Cowan]], Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, [[Benjamin Cook]], Tom Nichols}}</small> | ||
| [[31 May (releases)| 31 May]] [[2023 (releases)|2023]] | | [[31 May (releases)|31 May]] [[2023 (releases)|2023]] | ||
|- | |- | ||
! 2 | ! 2 | ||
| The BBC Borrowed Six Bronze Daleks for The Asylum ... and the result was chaos | | ''The BBC Borrowed Six Bronze Daleks for The Asylum ... and the result was chaos'' | ||
| “There is a mystery to solve inside the Dalek Asylum, something doesn’t add up, both literally and figuratively – some of these Daleks just don’t belong here. The production of ‘Asylum of the Daleks’ assembled an unprecedented thirty props, as we saw more of Skaro society and its dirty secrets than ever before – although if we’re talking dirty, Moffat’s next Dalek adventure would take the cake, but that’s for another time. The hype for the Series 7 episode surrounded the classic era Daleks, and in a previous video we identified and explained each of those seven retro designs, but there’s far more to the asylum which just arguing over whether it met the criteria of having every Dalek ever. For this production, in addition to those seven classic Daleks, the BBC had eleven of their own bronze style casings plus six new paradigms, but if you’re quick off the mark with your maths, that’ll only bring you to twenty-four in total. So, that leaves six mystery bronze Daleks unaccounted for that did not belong to the BBC. If they weren’t the property of the Doctor Who TV show, what is the origin of this hexadic hoard – hexadic means six apparently. When we eventually solved the mystery, the different owners of these weird Daleks, we were saddened to discover the fate of one and extremely baffled by the characteristics of some others. So, beware if you’re keen on continuity making sense, then hold tight because the occupants of the asylum are about to drive you insane.” | | “There is a mystery to solve inside the Dalek Asylum, something doesn’t add up, both literally and figuratively – some of these Daleks just don’t belong here. The production of ‘Asylum of the Daleks’ assembled an unprecedented thirty props, as we saw more of Skaro society and its dirty secrets than ever before – although if we’re talking dirty, Moffat’s next Dalek adventure would take the cake, but that’s for another time. The hype for the Series 7 episode surrounded the classic era Daleks, and in a previous video we identified and explained each of those seven retro designs, but there’s far more to the asylum which just arguing over whether it met the criteria of having every Dalek ever. For this production, in addition to those seven classic Daleks, the BBC had eleven of their own bronze style casings plus six new paradigms, but if you’re quick off the mark with your maths, that’ll only bring you to twenty-four in total. So, that leaves six mystery bronze Daleks unaccounted for that did not belong to the BBC. If they weren’t the property of the Doctor Who TV show, what is the origin of this hexadic hoard – hexadic means six apparently. When we eventually solved the mystery, the different owners of these weird Daleks, we were saddened to discover the fate of one and extremely baffled by the characteristics of some others. So, beware if you’re keen on continuity making sense, then hold tight because the occupants of the asylum are about to drive you insane.” | ||
| <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': [[Mike Tucker]], Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, Jamie H. Cowan, Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, [[Benjamin Cook]], Tom Nichols}}</small> | | <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': [[Mike Tucker]], Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, [[Jamie H. Cowan]], Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, [[Benjamin Cook]], Tom Nichols}}</small> | ||
| [[22 June (releases)| 22 June]] [[2023 (releases)|2023]] | | [[22 June (releases)|22 June]] [[2023 (releases)|2023]] | ||
|- | |- | ||
! 3 | ! 3 | ||
| How a Doctor Who Serial was Shaped by Jack the Ripper - Talons of Weng-Chiang Analysed | | ''How a Doctor Who Serial was Shaped by Jack the Ripper - Talons of Weng-Chiang Analysed'' | ||
| “There’s no denying that the 1977 Doctor Who serial ‘The Talons of Weng-Chiang’ borrows heavily from fiction, from the costumes and mystery of a Sherlock Holmes adventure to the villainy and aesthetics of Fu Manchu. But there’s a darker influence which permeates this family TV serial, a genre of ghoulish storytelling about real life which has resulted in a character whose presence in fiction creates ripples of taboo excitement. And whilst undoubtedly the story owes a lot to Phantom of the Opera, there were actually real life events that predated the novel that concerned grizzly findings in tunnels beneath a forgotten music venue. So, let us walk the streets of the genuine Victorian London of 1888, and explore their subterranean levels to discover how this tea time adventure series connects to the harrowing reality of Whitechapel during the Autumn of Terror, and the figure who tormented it.” | | “There’s no denying that the 1977 Doctor Who serial ‘The Talons of Weng-Chiang’ borrows heavily from fiction, from the costumes and mystery of a Sherlock Holmes adventure to the villainy and aesthetics of Fu Manchu. But there’s a darker influence which permeates this family TV serial, a genre of ghoulish storytelling about real life which has resulted in a character whose presence in fiction creates ripples of taboo excitement. And whilst undoubtedly the story owes a lot to Phantom of the Opera, there were actually real life events that predated the novel that concerned grizzly findings in tunnels beneath a forgotten music venue. So, let us walk the streets of the genuine Victorian London of 1888, and explore their subterranean levels to discover how this tea time adventure series connects to the harrowing reality of Whitechapel during the Autumn of Terror, and the figure who tormented it.” | ||
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Thanks to'': Tim Burrows, Rhys Williams, [[Jon Green (researcher)|Jon Green]]|''Organ Music'': Graeme Allan}}</small> | | <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Thanks to'': Tim Burrows, Rhys Williams, [[Jon Green (researcher)|Jon Green]]|''Organ Music'': Graeme Allan}}</small> | ||
| [[5 July (releases)| 5 July]] [[2023 (releases)|2023]] | | [[5 July (releases)|5 July]] [[2023 (releases)|2023]] | ||
|- | |- | ||
! 4 | ! 4 | ||
| The Crazy Cataloguing of the BBC’s Colossal Dalek Army (2005-2012) | | ''The Crazy Cataloguing of the BBC’s Colossal Dalek Army (2005-2012)'' | ||
| “When Russel T Davies brought back Doctor Who in 2005, he did so with a keen awareness that the budget would need to be managed carefully. This thinking is exemplified with the Dalek props, where he thought that if they push the boat out and build perhaps three real Daleks, then a split-screen could be used to make it up to six or nine, and this suggestion was written up in his script for ‘Bad Wolf’ and ‘The Parting of the Ways’. But fast forward seven years and by the time the cameras rolled on ‘Asylum of the Daleks’, split-screen effects were no longer being used to boost the number of Daleks in these shots. … So, come with us now on a journey through time and space as we learn about the ‘Swiss cheese’ Daleks in their peculiar parliament, and their lacerated leaders hiding in the dingy dungeon.” | | “When Russel T Davies brought back Doctor Who in 2005, he did so with a keen awareness that the budget would need to be managed carefully. This thinking is exemplified with the Dalek props, where he thought that if they push the boat out and build perhaps three real Daleks, then a split-screen could be used to make it up to six or nine, and this suggestion was written up in his script for ‘Bad Wolf’ and ‘The Parting of the Ways’. But fast forward seven years and by the time the cameras rolled on ‘Asylum of the Daleks’, split-screen effects were no longer being used to boost the number of Daleks in these shots. … So, come with us now on a journey through time and space as we learn about the ‘Swiss cheese’ Daleks in their peculiar parliament, and their lacerated leaders hiding in the dingy dungeon.” | ||
| <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': [[Mike Tucker]], Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, Jamie H. Cowan, Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, [[Benjamin Cook]], Tom Nichols}}</small> | | <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green (researcher)|Jon Green]]|''Music by'': Graeme Allan|''Thanks to'': [[Mike Tucker]], Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, [[Jamie H. Cowan]], Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, [[Benjamin Cook]], Tom Nichols}}</small> | ||
| [[28 September (releases)| 28 September]] [[2023 (releases)|2023]] | | [[28 September (releases)|28 September]] [[2023 (releases)|2023]] | ||
|- | |||
!5 | |||
|''How the Early Cybermen and The Wheel in Space were Influenced by Science and Movies'' | |||
|To be added. | |||
|To be added. | |||
|[[17 November (releases)|17 November]] [[2023 (releases)|2023]] | |||
|- | |||
!6 | |||
|''"Voice of the Daleks" Nicholas Briggs Breaks Down the Dalek Voices'' | |||
|To be added. | |||
|To be added. | |||
|[[30 November (releases)|30 November]] [[2023 (releases)|2023]] | |||
|- | |||
!7 | |||
|''The Dummy Dalek Mystery: A Forgotten Movie Prop Resurrected'' | |||
|To be added. | |||
|To be added. | |||
|[[22 August (production)|22 August]] [[2024 (releases)|2024]] | |||
|} | |} | ||
Latest revision as of 21:46, 23 October 2024
Terry Nation Army was an independent documentary series about the behind-the-scenes history of the Daleks on television. It was masterminded by Gavin Rymill and Jon Green, being a spin-off of the Dalek63•88 reference website and released on its official YouTube channel.
Series 1 (comprising six episodes around 20 minutes in length) was released over the month of July 2019 on YouTube,[1] having been announced in June.[2] Eight additional "unbound" episodes were released following Series 1's conclusion, spanning the period from 12 August 2019 to 28 February 2020. These "Specials & Bonus Videos", as they were labeled, focused on tangential aspects of the history of 1960s Doctor Who.[3] These episodes later would be retroactively incorporated into Series 1. Series 2 was comprised of eight episodes, releasing from April to December 2022. Series 3 began releasing in May 2023.
A series of Youtube shorts under the name of Terry Nation Army Shorts, focusing on single events of Dalek prop history, began releasing in September 2022 and are around one minute in length.
Although not licensed by the BBC, the series featured participation by many people involved in the production of official Doctor Who media, such as Jonathan Morris. It also developed a partnership of sorts with Big Finish, who timed a special promotion on The Masters of Luxor with the release of the Terry Nation Army episode The Failed Dalek Rivals, which ended by advertising said promotion.
List of episodes[[edit] | [edit source]]
Series 1[[edit] | [edit source]]
# | Name | Subject | Credits | Release date |
---|---|---|---|---|
1 | Camber's Dalek Disaster Documentary | "In this episode we discuss how an epic failure during a location shoot resulted in the construction of an ingenious prop which still survives today. And we reveal a previously unknown fact about The Daleks' Master Plan special effects work." | Written and edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Archive Photo: Robert Kew Archive Documents: Richard Bignell & Jonathan Morris Video Thanks To: Simeon Carter, Greg Bakun, The Metebelis Two Podcast, Chris Balcombe
|
1 July 2019 |
2 | The Mystery of Terry Nation's Special Daleks | "In this episode, we explore the distant origins of one of the most unusual Daleks to appear on TV: the Supreme in Planet of the Daleks. We explain how Terry Nation came to own the Supreme and three other movie props, and we discover their true genesis to discover they are not actually movie Daleks after all." | Written and edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Photos: James Russell, Marc Sinclair, Ian Scales, Tim Baker, George Farrell, Steve Williams Archive Documents: Richard Bignell & Jonathan Wrigley Video Thanks To: Mick Hall, John Kelly
|
8 July 2019 |
3 | Making Of Daleks' Invasion Earth 2150 A.D. at Shepperton (Part 1/2) | "Behind the scenes making the second Peter Cushing movie. How Shepperton Studios' standing set and backlot were used, and how the historic grounds became featured in Daleks Invasion Earth 2150AD." | Co-written and Edited by: Gavin Rymill
Co-written and Researched with: Jon Green Music by: Graeme Allan Gerald Larn Voiced by: Paul Carmichael 2008 Quote Thanks To: Domingo Lizcano With Thanks To: Anthony McKay, M. Courtman, Michael Richardson, Nick Pollard
|
15 July 2019 |
4 | Making of Daleks' Invasion Earth 2150 A.D. at Shepperton (Part 2/2) | "In the concluding half of our investigations into the filming of the Dalek Invasion at Shepperton Studios, we piece together the timeline at the end of production to reveal a desperate scramble to reassemble the set and film some decent Dalek footage." | Co-written and Edited by: Gavin Rymill
Co-written and Researched with: Jon Green Music by: Graeme Allan Ron Moody Voiced by: Chris Walker-Thomson Archive Photo Thanks To: Colin Young Colourised by: Clayton Hickman With Thanks To: Anthony McKay, M. Courtman, Michael Richardson, Martin Kempton, Nick Pollard, Richard Atkinson, Steve Allen, Lucy Ashdown, Anthony Lamb
|
22 July 2019 |
5 | The Lost Colour 1960s Dalek Episodes | "This week's episode looks at two lost Dalek productions, neither of which were actually Doctor Who episodes. A pilot episode of a Dalek spinoff series which Terry Nation tried to launch, and we look at how the paperwork may - or may not - have influenced Doctor Who. And the Out of the Unknown episode called Get Off My Cloud, which featured the Daleks in a dreamworld, but is lost from the archives." | Written and edited by: Gavin Rymill
Researched with: Jon Green Theme Music by: Graeme Allan Incidental Mysic by: Ross Bugden With Immense Gratitude To: Richard Bignell For The Destroyers Archive Material With Immense Gratitude To: Colin Cutler For Our Of The Unknown Archive Material Jean Marsh Voiced by: Elaine Hyder Space Security Imagery and Colourisation: Ant Lamb The Destroyers Logo: David Czeck Photo Colourisation by: Clayton Hickman Firearms Wrangler: Tony Gavin Video Resources Thanks to: Matthew Purchase Richard Bignell & Jonathan Wrigley Video Thanks To: Mick Hall, John Kelly
|
30 July 2019 |
6 | How Did A Crime Create the Dalek Supreme? | "This week we look at the influences behind the introduction of 'one of the Supreme Council" in Planet of the Daleks, and the thefts which happened before production which nearly derailed the whole process." | Written and edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Photos by: James Russell, Marc Sinclair, Ian Scales, Tim Baker, George Farrell, Steve Williams, Mick Hall With Thanks to: Clayton Hickman, Paul Scoones, Richard Bignell, Stuart Crouch, James Goss
|
5 August 2019 |
7 | What Really Happened to the Movie TARDIS and Other Boxes | “The movie TARDIS which is used ‘Dr. Who and the Daleks’ was probably built for that production, in 1965. The same prop was used again in ‘Daleks Invasion Earth 2150 AD’, the following year. Although it isn’t perfect … it’s the best of a bad bunch.” | Written and Edited by‘': Gavin Rymill
Researched by: Jon Green and Clayton Hickman Theme Music by: Graeme Allan
|
12 August 2019 |
8 | The Failed Dalek Rivals: Mechonoid Designs Rejected and Deleted Robots from The Chase | “The Mechonoids were large geodesic polyhedric robots which made their one and only screen appearance at the end of the Doctor Who serial ‘The Chase’ in 1965. … However, unlike the Daleks, Terry Nation had carefully described the exact shape of his new robots, yet what he asked for was not what ended up on screen. He also devised another potentially marketable toy to appear in ‘The Chase’, which was omitted from the final program. So, what were the reasons he didn’t get the robots he asked for?, how were they eventually built?, and does one of them still survive today?”. | Written and Edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Terry Nation voiced by: Chris Walker-Thomson Archive Materials Thanks to: Jonny Morris, Richard Bignell, Samuel Payne, James Goss Thanks to‘’:Toby Hadoke, Mick Hall, Toby Chamberlain & Lee Horris, Gareth M., Julie Killick, John Isles & Johnathan Miles, Sophia & Martin Gill
|
14 October 2019 |
9 | Mechonoid Script Mistakes and Prop Mysteries Solved - Mission Recon & Merch Bonus Info | “To begin with, when and why did the name change from Mechon to Mechonoid?, and how did the wrong name make it to screen? To understand what happened, we need to follow the production process from script to screen.” | Written and Edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Archive Material and Information Thanks to: Jonny Morris, Richard Bignell, Rhys Williams, Richard Long
|
22 October 2019 |
10 | How Remembrance of the Daleks was Fixed in the Edit | “The raw location footage from the 1988 serial ‘Remembrance of the Daleks’ provides a wealth of information about the production process, including revealing one big change that had to be made to the ending. The alteration was needed because of certain decisions during recording, which resulted in several shots having to be dropped from the final episode because they no longer made sense. In this episode, we’ll look through some interesting clips from episode four, reconstruct the problematic scene as it was written, and show why it had to be fixed in the edit.” | Written and Edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Archive Material: Colin Young Thanks to: Mike Tucker
|
30 October 2019 |
11 | The Original Ending of Dalek Invasion of Earth and its Problematic Monster Costume | “In the 1964 television serial ‘The Dalek Invasion of Earth’, there were too closely linked elements which both changed considerably from draft script to screen. In Terry Nation’s original draft, a pack of alien creatures from the Daleks’ home planet patrol the vast expanse known as ‘The Abyss’. The monsters, called ‘Slithers’, were conceived by the writer to look a particular way, but were then realised quite differently, and then hastily redesigned mid-production. Plus, a completely different version was conceived with a surprising appearance, but it was never implemented. So, what were all these alternative versions of the monster?, why is the no mention of the abyss that it roamed in the final TV episode?, and what does any of this have to do with an eighteenth-century book about English plants?”. | Written and Edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Voices: Paul Carmichael, Jon Green Thanks to: Jonathan Morris, Richard Long, Peter Ware (editor)
|
8 November 2019 |
12 | Dalek Guns in The Mandalorian EXPLAINED and Other Dr Who Stuff in Star Wars | “If you’re a Doctor Who fan with a very keen eye for detail, then episode one of the new Disney + series ‘The Mandalorian’ provides one moment which might just stop you in your tracks. When The Mandalorian’s weapons cabinet is opened, there’s a DL21 blaster inside, and included in that design is a nozzle that looks identical to those seen in a Doctor Who serial from 1974. But before you write this off as a coincidence, after all propmakers often used real world parts in their creations, there’s more to this story that meets the eye. And we can prove that this is no coincidence, and that Dalek guns are genuinely linked to the Star Wars universe.” | Written and Edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Thanks to: Rhys Williams, Glenn Cleave, James Clancy, Steve @ sayhellospaceman
|
14 November 2019 |
13 | Doctor Who's Weird 1965 Christmas Special | “Doctor Who’s first ever Christmas special was an episode named ‘The Feast of Steven’, broadcast on Christmas Day 1965. It was also Doctor Who’s last Christmas special for 40 years. … So how did this unusual episode come about?, how did the production team originally intend to incorporate real Hollywood legends into the episode, and who really wrote it?”. | Written and Edited by: Gavin Rymill
Researched with: Jon Green Music by: Graeme Allan Thanks to: Richard Bignell, Jonny Morris, Jeremy Bentham
|
25 December 2019 |
14 | When The Doctor Was a Human Who Invented the TARDIS | “It may be surprising to learn, that in the early years of Doctor Who, there was no consensus on the origin of The Doctor or his time machine. When Terry Nation came to write ‘Section Dalek Three’, eventually called ‘The Chase’, it was clear in his mind that The Doctor had built the TARDIS himself. And it seemed he was probably just an ordinary man from the future. Some of these clues actually survive into the broadcast version, but some were edited out. One particular lost piece of dialogue shone on a spotlight on The Doctor’s own people, a people who we discover were not necessarily aliens at all. “ | Written and Edited by: Gavin Rymill
Music by: Graeme Allan Thanks to: Clayton Hickman, Jim Sangster, Jonny Morris, Si Hodges, David Hyder, Tom Spilsbury
|
28 February 2020 |
Series 2[[edit] | [edit source]]
# | Name | Subject | Credits | Release date |
---|---|---|---|---|
1 | Time Television: Lost Lore and Design Development | “In this third Dalek serial, Nation characterised The Doctor as an inventor who rustled up all manner of useful gadgets such as this unspecified explosive, plus the TARDIS magnet, and the time path detector, not to mention constructing the time machine itself. But in this episode, we are taking a look at one particular gadget that The Doctor invented which sheds light on the troubling god-like power of The Doctor’s own race, and leaves us pondering extremely disturbing implications about The Doctor’s many victories over his enemies.” | Written and Edited by: Gavin Rymill
Additional Material: Rhys Williams, Jonny Morris & Jon Green Music by: Graeme Allan Announcer Voice: Paul Carmichael Archive Material Thanks to: Richard Bignell Colourisations and TSV Graphics by: Clayton Hickman War Games Artwork by: Tim Hill Thanks to: Jim Sangster, Si Hodges, Tim Spilsbury
|
28 April 2022 |
2 | Movie Daleks Cross into the TV Series: An Expensive Failure | “Since Doctor Who’s very first adventure featuring the Daleks, TV directors have always searched for ways to create the illusion that there were more Dalek props available than actually existed at the BBC. … back in the 1960s, there was one unusual occasion when the Doctor Who team at the BBC turned to a rival production company to help them solve the dwindling Dalek dilemma. But a series of unfortunate events resulted in a chaotic situation and an end result which heaped misfortune on an already shaky production.” | Written and Edited by: Gavin Rymill
With Research from: Jon Green Music by: Graeme Allan Archive Material Thanks to: Richard Bignell Thanks to: Rhys Williams, John Kelly
|
19 May 2022 |
3 | The Secret Life of the Bizarre Blowtorch Dalek | “Part of the original fascination behind the Daleks, was that Terry Nation conceived of them not as maniacal invading monster, although that certainly came later, buts scientists and inventors living in a city which was decorated with sculptures and normal shops selling foodstuffs. The retail of the Daleks didn’t make it to screen, but in the final script they remained curious and resourceful beings. … This is the sizzling and somewhat surprising story of the bizarre blowtorch Dalek.” | Written and Edited by: Gavin Rymill
With Research from: Jon Green & Rhys Williams Music by: Graeme Allan CGI by‘’: Anthony Lamb Archive Material Thanks to: Richard Bignell Thanks to‘’: Simon Guerrier
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7 July 2022 |
4 | Unseen 1967 Dalek Home Movie Discovery! Viewer Film Analysed | “Following our plea for home movies from the 1960s, we’re delighted to have been offered an extremely rare piece of footage from the personal archive of Andrew Kirwan. In this episode, we’ll dive into the Dalek diaries from the 1960s to try to find out how a prop came to be wandering the streets of Oxfordshire on a strangely charitable mission.” | Written and Edited by: Gavin Rymill
With Research from: Jon Green & Rhys Williams Music by: Graeme Allan Cine Footage Thanks to: Andrew Kirwan Additional Voice Work: Tim Burrows, Paul Carmichael
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26 July 2022 |
5 | The Lost Filming Location from Talons and How it Looks Today | “Doctor Who, like any television shot using real locations, is a time capsule of the world in which it was created. The Season 14 serial ‘The Talons Weng-Chiang’ used several streets in London to effectively recreated the Victorian period. But the places were chosen because they were deserted and decaying, as a result of their condition, they were soon either demolished or heavily restructured into the Thames-side tourist trap they are today. … So, using detailed comparisons between screen grabs and old photos, let’s travel back to the London of the 1890, which was really the London of the 1970s, to explore the alleyways of ‘The Clink’, and enlist the help of Sherlock Holmes to find exactly where the TARDS landed.” | Written and Edited by: Gavin Rymill
Music by: Graeme Allan Assets Thanks to: James Hadwen-Bennett, Gene Cowan Leela & The Doctor: Elaine Hyder, Tim Burrows With Thanks to: Paul Wilkinson, www.reelstreets.com, Clayton Hickman, Lucy Ashdown, Neil Corry
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7 September 2022 |
6 | The DALEK-TARDIS Disaster! Why was the "DARDIS" created and what went wrong? | “The word ‘DARDIS’ is not a typo, the term has been used occasionally over the years to refer to the Daleks’ time machine that appeared in the 1960s serials ‘The Chase’ and ‘The Daleks’ Master Plan’. The exterior of the craft in its original form, was designed to be a clever optical illusion, but due to poor development and bad directing, its appearance onscreen was an abject failure. … At face value, the DARDIS in ‘The Chase’ was devised to generate drama the pursuit element of the plot, however, the real reason for its creation was Terry Nation had a greater problem to tackle. So, join us as we unravel the production problems of the villain’s time machine, and delve into the disaster of the Daleks’ DARDIS.” | Written and Edited by: Gavin Rymill
With Research from: Jon Green & Rhys Williams Music by: Graeme Allan Thanks to: Jim Sangster, Richard Morris, Si Hodges, Richard Bignell
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23 September 2022 |
7 | How BBC Bosses Sabotaged Nation's Dalek Spy Thriller: The Original Master Plan | “Relatively early in Doctor Who’s history, Terry Nation decided that the Daleks were a worthy advisory to make them the only other race in the galaxy that were capable of time travel. Their time machine was introduced in ‘The Chase’, but giving the Daleks time travel capabilities made them almost too powerful, so, when Terry Nation came to plan his next serial ‘The Daleks’ Master Plan’, there would be no more hoping through history, the adventure would be grounded in a single realistic setting inspired by a sensational new cinematic franchise. … When the second version of the time vessel was constructed, there were some extremely intriguing details in the props and scenery inside. But what was the disaster that happened in storage that forced the production team into the kind of gigantic continuity error which we love to examine?”. | Written and Edited by: Gavin Rymill
Additional Material: Rhys Williams & Jon Green Music by: Graeme Allan Archive Material Thanks to: Richard Bignell Colourisation by: Clayton Hickman ‘Volcano’ Recon‘’: Josh Snares Thanks to: David Hyder
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28 October 2022 |
8 | A History of the Special Weapons Dalek Props on and off Screen | “For Doctor Who’s 25th season, writer Ben Aaronovitch was given the task of creating a story which make the Daleks a more powerful threat than they had been in recent years. His script described ambitious exciting elements such as a floating Howitzer bearing platform which accompanied the Imperial Dalek attack squad London. He also suggest that normal Daleks could have a special weapon which fired around corners like a homing missile. These two powerful creations were to overcome the Renegade forces as they looked to gain the upper hand in the Dalek Civil War. But for Doctor Who’s budget in the 1980s , this weapons platform was too ambitious. However, with a newly developed construction process, and borrowing some items normally found in a garden shed, a completely new type of Dalek was created, and one which would eventually return to the 11th and 12th Doctors’ eras. But as ever with Dalek prop history, there’s lots of twists and turns along the way.” | Narrated and Edited by: Gavin Rymill
Written and Researched with: Jon Green Special Thanks to‘’: Nicholas Briggs Music by: Graeme Allan Thanks to: Rhys Williams, John Kelly, Robbie Dunlop, Tim Burrows, Mike Hall
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10 December 2022 |
Series 3[[edit] | [edit source]]
# | Name | Subject | Credits | Release date |
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1 | The Seven Classic Daleks in the Asylum - Complete Histories Uncovered | “‘Asylum of the Daleks’ did indeed feature designs from past decades of Doctor Who, and in fact there were seven classic era props on screen, but the 21st century bronze Daleks still took centre stage, and with the set heavily fogged, the lighting low, everything sprayed with dirt and then the final gradin of the image, it was often a challenge to tell the props apart. But since Dalek spotting is in our top three leisure activities, and we like a challenge, there’s some fun to be had trying to work out which props are which despite all the hindrances. And the most intriguing Dalek designs hiding in the gloom, are those from the classic series, making them the target of this investigation. So, join us in the dank recesses of the Dalek asylum as we reveal the spooky secrets of the prison for Daleks who are too bonkers even for Daleks.” | Narrated and Edited by: Gavin Rymill
Written and Researched with: Jon Green Music by: Graeme Allan Thanks to: Mike Tucker, Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, Jamie H. Cowan, Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, Benjamin Cook, Tom Nichols
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31 May 2023 |
2 | The BBC Borrowed Six Bronze Daleks for The Asylum ... and the result was chaos | “There is a mystery to solve inside the Dalek Asylum, something doesn’t add up, both literally and figuratively – some of these Daleks just don’t belong here. The production of ‘Asylum of the Daleks’ assembled an unprecedented thirty props, as we saw more of Skaro society and its dirty secrets than ever before – although if we’re talking dirty, Moffat’s next Dalek adventure would take the cake, but that’s for another time. The hype for the Series 7 episode surrounded the classic era Daleks, and in a previous video we identified and explained each of those seven retro designs, but there’s far more to the asylum which just arguing over whether it met the criteria of having every Dalek ever. For this production, in addition to those seven classic Daleks, the BBC had eleven of their own bronze style casings plus six new paradigms, but if you’re quick off the mark with your maths, that’ll only bring you to twenty-four in total. So, that leaves six mystery bronze Daleks unaccounted for that did not belong to the BBC. If they weren’t the property of the Doctor Who TV show, what is the origin of this hexadic hoard – hexadic means six apparently. When we eventually solved the mystery, the different owners of these weird Daleks, we were saddened to discover the fate of one and extremely baffled by the characteristics of some others. So, beware if you’re keen on continuity making sense, then hold tight because the occupants of the asylum are about to drive you insane.” | Narrated and Edited by: Gavin Rymill
Written and Researched with: Jon Green Music by: Graeme Allan Thanks to: Mike Tucker, Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, Jamie H. Cowan, Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, Benjamin Cook, Tom Nichols
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22 June 2023 |
3 | How a Doctor Who Serial was Shaped by Jack the Ripper - Talons of Weng-Chiang Analysed | “There’s no denying that the 1977 Doctor Who serial ‘The Talons of Weng-Chiang’ borrows heavily from fiction, from the costumes and mystery of a Sherlock Holmes adventure to the villainy and aesthetics of Fu Manchu. But there’s a darker influence which permeates this family TV serial, a genre of ghoulish storytelling about real life which has resulted in a character whose presence in fiction creates ripples of taboo excitement. And whilst undoubtedly the story owes a lot to Phantom of the Opera, there were actually real life events that predated the novel that concerned grizzly findings in tunnels beneath a forgotten music venue. So, let us walk the streets of the genuine Victorian London of 1888, and explore their subterranean levels to discover how this tea time adventure series connects to the harrowing reality of Whitechapel during the Autumn of Terror, and the figure who tormented it.” | Written and Edited by: Gavin Rymill
With Thanks to: Tim Burrows, Rhys Williams, Jon Green Organ Music: Graeme Allan
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5 July 2023 |
4 | The Crazy Cataloguing of the BBC’s Colossal Dalek Army (2005-2012) | “When Russel T Davies brought back Doctor Who in 2005, he did so with a keen awareness that the budget would need to be managed carefully. This thinking is exemplified with the Dalek props, where he thought that if they push the boat out and build perhaps three real Daleks, then a split-screen could be used to make it up to six or nine, and this suggestion was written up in his script for ‘Bad Wolf’ and ‘The Parting of the Ways’. But fast forward seven years and by the time the cameras rolled on ‘Asylum of the Daleks’, split-screen effects were no longer being used to boost the number of Daleks in these shots. … So, come with us now on a journey through time and space as we learn about the ‘Swiss cheese’ Daleks in their peculiar parliament, and their lacerated leaders hiding in the dingy dungeon.” | Narrated and Edited by: Gavin Rymill
Written and Researched with: Jon Green Music by: Graeme Allan Thanks to: Mike Tucker, Cedric Whiting, Steve Allen, Mark Deacon, Jim Trenowden, Jamie H. Cowan, Jim Sangster, Andrew Beech, Patrick Mulkern, Richard Unwin, Benjamin Cook, Tom Nichols
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28 September 2023 |
5 | How the Early Cybermen and The Wheel in Space were Influenced by Science and Movies | To be added. | To be added. | 17 November 2023 |
6 | "Voice of the Daleks" Nicholas Briggs Breaks Down the Dalek Voices | To be added. | To be added. | 30 November 2023 |
7 | The Dummy Dalek Mystery: A Forgotten Movie Prop Resurrected | To be added. | To be added. | 22 August 2024 |
Shorts[[edit] | [edit source]]
# | Name | Subject | Credits | Release date |
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1 | Daleks support the Tories? | A Dalek appeared at an event with a Tory MP. | Written, Narrated and Edited by: Jon Green
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30 September 2022 |
2 | Was this Dalek suit that rare? | The availability of the Scorpion Automotives Dalek suit. | Written, Narrated and Edited by: Jon Green
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1 May 2023 |
3 | When the King and Queen met the Daleks | King Charles III and Queen Camilla's visit to Roath Lock Studios in July 2013. | Written, Narrated and Edited by: Jon Green
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6 May 2023 |
4 | Russel T Davies' own screen used Dalek! | A brief history of the Dalek casing owned by Russel T Davies. | Written, Narrated and Edited by: Jon Green
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24 July 2023 |
5 | The Dalek that saved lives | A Dalek funfair attraction was used as a crash mat when a chair lift collapsed in Skegness in July 1987. | Written, Narrated and Edited by: Jon Green
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20 September 2023 |
6 | Why did this BBC Dalek not appear in Power of the Daleks. | A Dalek casing was used at a television exhibition in Northern Ireland, instead of filming for 'The Power of the Daleks'. | Written, Narrated and Edited by: Jon Green
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13 October 2023 |
Trivia[[edit] | [edit source]]
The name "Terry Nation Army" is a reference to the song "Seven Nation Army" by American rock band the White Stripes.