25 February (production): Difference between revisions
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* [[1966]] - [[John Wiles]] wrote a memo to [[Gerald Savory]] about [[Gerry Davis]]'s new script for ''[[The Celestial Toymaker (TV story)|The Celestial Toymaker]]''. In it, he claimed that the central battle of wills between the [[First Doctor]] and the [[Celestial Toymaker]] had been downplayed to the benefit of new elements involving a more [[child]]ish confrontation between the [[companion]]s and the Toymaker's creations. Ultimately, Wiles would have liked to have seen the entire production halted, since its commissioning producer and script editor had gone — and with them, the original, more adult intent of the story.<ref>[[REF]]: ''[[The First Doctor Handbook]]''</ref> | * [[1966 (production)|1966]] - [[John Wiles]] wrote a memo to [[Gerald Savory]] about [[Gerry Davis]]'s new script for ''[[The Celestial Toymaker (TV story)|The Celestial Toymaker]]''. In it, he claimed that the central battle of wills between the [[First Doctor]] and the [[Celestial Toymaker]] had been downplayed to the benefit of new elements involving a more [[child]]ish confrontation between the [[companion]]s and the Toymaker's creations. Ultimately, Wiles would have liked to have seen the entire production halted, since its commissioning producer and script editor had gone — and with them, the original, more adult intent of the story.<ref>[[REF]]: ''[[The First Doctor Handbook]]''</ref> | ||
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Revision as of 08:58, 1 December 2013
Sonic screwdrivers can't create pages instantly.
This article about a day of the year is currently under construction. It's likely to be a bit messy.
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On 25 February, the following important behind-the-scenes events were known to have occurred:
- 1966 - John Wiles wrote a memo to Gerald Savory about Gerry Davis's new script for The Celestial Toymaker. In it, he claimed that the central battle of wills between the First Doctor and the Celestial Toymaker had been downplayed to the benefit of new elements involving a more childish confrontation between the companions and the Toymaker's creations. Ultimately, Wiles would have liked to have seen the entire production halted, since its commissioning producer and script editor had gone — and with them, the original, more adult intent of the story.[1]
