Beautiful Things (audio story): Difference between revisions

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== Publisher's summary ==
== Publisher's summary ==
Jago, Leela and Ellie take a trip to the theatre to see [[Oscar Wilde|Oscar Wilde's]] new play and discover something sinister during the interval. Meanwhile, bodies are turning up at Litefoot’s lab, while Wilde meets his biggest fan...
Jago, Leela and Ellie take a trip to the theatre to see [[Oscar Wilde|Oscar Wilde's]] new play and discover something sinister during the interval. Meanwhile, bodies are turning up at Litefoot’s lab, while Wilde meets his biggest fan...
== Plot ==
''to be added''


== Cast ==
== Cast ==
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[[Category:JAL audio stories]]
[[Category:JAL audio stories]]
[[Category:2012 audio stories]]
[[Category:2012 audio stories]]

Revision as of 09:17, 2 October 2013

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Beautiful Things is the fourteenth Big Finish Productions audio drama in the Jago and Litefoot series and the second episode of Series Four.

Publisher's summary

Jago, Leela and Ellie take a trip to the theatre to see Oscar Wilde's new play and discover something sinister during the interval. Meanwhile, bodies are turning up at Litefoot’s lab, while Wilde meets his biggest fan...

Plot

to be added

Cast

and

References

  • Leela tells Jago and Litefoot that the flash of her blade is enough to fend off the advances of the builders in Litefoot's house. As her room is uninhabitable, she has taken to sleeping in one of the flower beds in Litefoot's garden.
  • Professor Claudius Dark claims that his enemies have found a way to him through Jago and Litefoot and he sent them to Brighton for their own protection. Being aware of their harrowing experiences while there, he suggests that he take them to see the Irish author and playwright Oscar Wilde's new play A Woman of No Importance at the Haymarket Theatre. Litefoot finds it suspicious that Professor Dark has been able to procure tickets to the play at such short notice.
  • Having previously met Wilde, Litefoot claims that he was not enamoured with him due to his egotistical behaviour. He describes Wilde's work as being about "terribly grand people being terribly witty about things that mean terribly little."
  • Leela claims that she would have stabbed Lord Illingworth, one of the characters in the play, through the heart for his actions.
  • While Jago and Litefoot were in Brighton, several young men, all artists and writers, were found alive but displaying only the barest signs of life. They were all brain dead and died within several days. All of these men were found standing up, staring into space with dead eyes. Sgt. Quick tells Litefoot that all of them lied about their intended destination when they were last seen in a normal state. One victim was a poet named Ambrose Hutchinson, who died shortly after Litefoot examined him. He claimed that he was going to visit his mother, who had in actuality died years earlier. Litefoot believes that their consciousnesses have been stolen.
  • Leela states that Warren Gadd has no scent of any kind.
  • Jago mistakes Widowers' Houses for one of Wilde's plays. As Wilde informs him, it was actually written by his fellow Irish playwright George Bernard Shaw.
  • Litefoot believes that Gadd has stolen the consciousnesses of the artists so as to halt the ageing process. On investigating his house, Litefoot and Sgt. Quick discover that he has an avatar who shows significant signs of ageing and infirmity. Litefoot compares this situation to Wilde's novel The Picture of Dorian Gray. He is surprised that Jago has not read the book, considering that even Sgt. Quick has done so. In his defence, Jago tells him that he is "more of a Dickens man" and that he was "beside [himself] when Little Nell died," referring to the heroine of The Old Curiosity Shop. Upon investigation, Jago discovers that Gadd was born in 1851 and that his parents died in the same manner as the artists.
  • Gadd is aware that Wilde is keeping a terrible secret from his wife Constance. He comments that he observed him in the company of Lord Alfred Douglas at the party in Somerset House.
  • A lover of art who places beauty over everything else, Gadd created his infinite library using the power of his mind as a child. It contains every book and song that could possibly be written and every work of art that could ever be created. He claims that it is a conceptual space rather than an actual one.
  • Litefoot determines that the elderly and infirm Gadd is the real one and the young Gadd the avatar, the exact opposite of the situation in The Picture of Dorian Gray.
  • Litefoot expresses the hope that homosexuals such as Wilde and Gadd's victims shall be able to practice their love freely in a more enlightened time in the future.
  • Mr Kempston and Mr Hardwick directed Gadd to make Wilde his next victim, hoping that the temporal paradox caused by Wilde's death in the 1890s would attract Professor Dark's attention and force him to come out of the shadows. However, Jago, Litefoot, Leela and Wilde were able to resolve the situation without Dark's assistance.

Story notes

Continuity

External links