Transmat:Doctor Who: Difference between revisions

From Tardis Wiki, the free Doctor Who reference
No edit summary
No edit summary
Line 13: Line 13:
<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box four">'''[[John Cleese]]''' appeared in ''Doctor Who''{{'}}s highest rated televised story, ''[[City of Death]]'', around the time of series 2 of ''Fawlty Towers''.</div>
<div class="tr-box five">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div>
<div class="tr-box five">The careers of the [[Fifth Doctor|Fifth]], [[Sixth Doctor|Sixth]], [[Seventh Doctor|Seventh]] and [[Eighth Doctor]]s are '''significantly''' longer [[Big Finish Doctor Who audio stories|in audio]] than on television.</div>
<div class="tr-box six">Officially, only ''[[The Lodger (TV story)]]'' has been explicitly adapted from [[The Lodger (comic story)|The Lodger]]'' a comic strip. However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. </div>
<div class="tr-box six">Officially, only ''[[The Lodger (TV story)|The Lodger]]'' has been explicitly adapted from a comic strip — also called [[The Lodger (comic story)|The Lodger]]''.  
[[File:10MickeyFootball.png|center|250px]]
However, several stories have clearly taken material from comic strips — often those in ''[[Doctor Who Magazine]]''. ''[[The Shakespeare Code (TV story)|The Shakespeare Code]]'' contains a good amount of material from ''[[A Groatsworth of Wit (comic story)|A Groatsworth of Wit]]'', and the notion of the Doctor absorbing the [[time vortex]] in order to spare a [[companion]] was explored in both ''[[The Parting of the Ways (TV story)|The Parting of the Ways]]'' and ''[[The Flood (comic story)|The Flood]]''. </div>
</div>
</div>
</div>
</div>

Revision as of 11:33, 8 October 2013

The Name of the Doctor was the beginning of Doctor Who's fiftieth anniversary storyline, and the conclusion of the seventh series produced by BBC Wales. It resolved the central mystery of the series by conclusively explaining how Clara Oswald had appeared and died at several points in the Doctor's life.

The episode contained the most Doctors ever seen in a single episode — though this was mostly achieved through the integration of old footage into new background plates. Nevertheless, the appearances were incidental; former Doctors were merely seen, not heard. A notable exception was the First Doctor, whose initial departure from Gallifrey was shown for the very first time on-screen — albeit in a way that essentially validated the depiction of the event seen in the 30th anniversary comic story, Time & Time Again.

While the main focus of the story was to explain Clara's splintered existence, it also had other reveals: the apparent conclusion of the Doctor's relationship with River Song, the definitive end of the Great Intelligence story arc and the shocking reveal of a previously unseen incarnation.
That reveal covemprised the episode's cliffhanger, which was not continued until the 50th anniversary episode itself.

JaneTranter.jpg

Jane Tranter was an important advocate for the return of Doctor Who to BBC One in the early 2000s.

Donald Baverstock was the BBC executive who set the the wheels in motion that eventually led to the creation of Doctor Who. Essentially the original commissioner of the programme, he hired Sydney Newman and later imposed a sense of financial responsibility upon producer Verity Lambert.
The Quantel Paintbox was a graphics workstation that allowed Doctor Who to have a primitive form of colour grading in the 1980s.
John Cleese appeared in Doctor Who's highest rated televised story, City of Death, around the time of series 2 of Fawlty Towers.
The careers of the Fifth, Sixth, Seventh and Eighth Doctors are significantly longer in audio than on television.
Officially, only The Lodger has been explicitly adapted from a comic strip — also called The Lodger. However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.

Today in production history

Today's releases

Today's births and deaths