Transmat:Doctor Who: Difference between revisions
No edit summary |
No edit summary |
||
Line 6: | Line 6: | ||
{{thead|The women who gave ''Doctor Who'' back to us}} | {{thead|The women who gave ''Doctor Who'' back to us}} | ||
[[file:David Tennant interviews Doctor Who Producers - Doctor Who Confidential - BBC|280px|center|lthumb|[[David Tennant]] interviews [[Julie Gardner]] and [[Jane Tranter]]]] | [[file:David Tennant interviews Doctor Who Producers - Doctor Who Confidential - BBC|280px|center|lthumb|[[David Tennant]] interviews [[Julie Gardner]] and [[Jane Tranter]]]] | ||
'''[[ | Think ''Doctor Who'' is just for boys? Don't you believe it. Not only was the show's [[Verity Lambert|very first producer]] a woman, but it would never have come back without the fierce advocacy of '''[[Jane Tranter]]''' and '''[[Julie Gardner]]'''. Considering her importance to ''Doctor Who'' it's somewhat ironic that Tranter's only on-screen ''credits'' are for ''[[Torchwood: Miracle Day]]''. But Gardner, her "partner in crime", is tied only with [[Russell T Davies]] as the most prolific producer in ''[[Doctor Who]]'' history. | ||
</div> | </div> | ||
<div class="tr-box two">'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div> | <div class="tr-box two">'''[[Donald Baverstock]]''' was the [[British Broadcasting Corporation|BBC]] executive who set the the wheels in motion that eventually led to the creation of ''[[Doctor Who]]''. Essentially the original commissioner of the programme, he hired [[Sydney Newman]] and later imposed a sense of financial responsibility upon [[producer]] [[Verity Lambert]]. </div> |
Revision as of 18:13, 10 October 2013
Playback was a television production technique in which pre-recorded material was literally played into a scene, rather than being added as a post-production effect. It was universally used in the 1960s as the method by which actors were seen on view screens. As seen in the picture at the left, William Hartnell was pre-recorded separately, then projected live into the scene with the actors in the foreground. Though antiquated, the technique was used even into the 1980s, most notably for the title sequence. The quality of the opening titles for the 1963 version of Doctor Who was never high, because it was never a first-generation copy of the titles. Instead, they were played live into the recording of the first scene of many episodes, causing actors to have to time their first lines to the final notes of the studio-audible Doctor Who theme.
Think Doctor Who is just for boys? Don't you believe it. Not only was the show's very first producer a woman, but it would never have come back without the fierce advocacy of Jane Tranter and Julie Gardner. Considering her importance to Doctor Who it's somewhat ironic that Tranter's only on-screen credits are for Torchwood: Miracle Day. But Gardner, her "partner in crime", is tied only with Russell T Davies as the most prolific producer in Doctor Who history.
However, several stories have clearly taken material from comic strips — often those in Doctor Who Magazine. The Shakespeare Code contains a good amount of material from A Groatsworth of Wit, and the notion of the Doctor absorbing the time vortex in order to spare a companion was explored in both The Parting of the Ways and The Flood.
- 1970 - Studio filming for Terror of the Autons took place at BBC Television Centre 8. (REF: Doctor Who The Handbook: The Third Doctor)
- 1975 - Studio filming for The Brain of Morbius took place. (REF: Doctor Who The Handbook: The Fourth Doctor)
- 1984 - Location filming for The Mark of the Rani took place. (REF: Doctor Who The Handbook: The Sixth Doctor)
- 2005 - Untitled shooting scripts for Doctor Who series 2, episodes 12 and 13, later titled Army of Ghosts and Doomsday, were issued. (DWMSE 14)
- 2012 - The Big Finish/AudioGO audio story Vengeance of the Stones was recorded at the Moat Studios.
- 2017 - Big Finish's Torchwood audio story Believe was recorded.
- 2018 - The Big Finish audio story The Monsters of Gokroth was recorded at the Moat Studios.
- 2022 - Big Finish's Torchwood audio story Oodunnit was recorded at the Soundhouse.
- 1970 - Part eight of the TV Comic story Doctor Who and the Robot was published.
- 1996
- Damaged Goods and Speed of Flight were published by Virgin Books.
- DWM 245 was published by Marvel Comics.
- 2002 - The audio stories The Sandman[1] and Professor Bernice Summerfield and the Dance of the Dead[2] were released by Big Finish Productions.
- 2012 - Love and War was released by Big Finish.
- 2013 - DWFC 5 was published by Eaglemoss Publications Ltd.
- 2014 - The interactive story featuring the Twelfth Doctor premiered at the Doctor Who Experience.
- 2015 - The Woman Who Lived premiered on BBC One.
- 2016 - The Robot Reveal premiered on CBBC.
- 2019 - The Target Storybook was published by BBC Books.
- 1921 - Actor Walter Henry was born.[3]
- 1929 - Actor Clifford Rose was born.[4]
- 1930 - Actor Brian Peck was born.[5]
- 1939 - Actor Callen Angelo was born.[6]
- 1958 - Actor Sarah Greene was born.[7]
- 1971 - Actor Dervla Kirwan was born.[8]
- 1975 - Actor Martin Boddey died.[9]
- 1981 - Actor Jemima Rooper was born.[10]
- 1988 - Actor Valerie Taylor died.[11]
- 1994 - Actor Kit Young was born.[12]
- 2005 - Writer Robert Sloman died.[13]
- 2018 - Actor Laurence Kennedy died.[14]
- 2021 - Actor Thapelo Maropefela died.[15]
- ↑ The Sandman. Big Finish, via Internet Archive. Retrieved on 9 December 2002.
- ↑ The Dance of the Dead. Big Finish, via Internet Archive. Retrieved on 8 December 2002.
- ↑ Aveleyman
- ↑ The Guardian
- ↑ Aveleyman
- ↑ Aveleyman
- ↑ Doctor Who Guide
- ↑ Doctor Who Guide
- ↑ Aveleyman
- ↑ Famous Birthdays
- ↑ Aveleyman
- ↑ People Pill
- ↑ Doctor Who Guide
- ↑ DWMSE 51
- ↑ The South African