Graeme Harper: Difference between revisions
m (Bot: Automated text replacement (-Category:Crew members( interviewed on Doctor Who Confidential) +Category:Directors\1)) Tag: apiedit |
m (Bringing interview cats to the bottom) Tag: apiedit |
||
| Line 76: | Line 76: | ||
[[Category:SJA directors]] | [[Category:SJA directors]] | ||
[[Category:Worked on 1963 and 2005 versions of Doctor Who]] | [[Category:Worked on 1963 and 2005 versions of Doctor Who]] | ||
[[Category:Doctor Who floor managers]] | [[Category:Doctor Who floor managers]] | ||
[[Category:Doctor Who production assistants]] | [[Category:Doctor Who production assistants]] | ||
| Line 83: | Line 82: | ||
[[Category:BAFTA award winners]] | [[Category:BAFTA award winners]] | ||
[[Category:Actors who portrayed the Doctor]] | [[Category:Actors who portrayed the Doctor]] | ||
[[Category:Directors interviewed on Doctor Who Confidential]] | |||
Revision as of 07:19, 16 June 2017
Graeme Harper (born 11 March 1945[1] in London) has directed several Doctor Who television stories, being the first (and only) director of stories in both the classic 1963-1989 series of Doctor Who and the 2005 revived series.
Before becoming a director, he was assistant floor manager for Colony in Space, Planet of the Daleks (with John Cook and Sue Hedden) and Planet of the Spiders. He was also production assistant for The Seeds of Doom and Warriors' Gate. His directorial credits include episodes of the spin-off series The Sarah Jane Adventures. The first Doctor Who story that he directed was The Caves of Androzani, although he also performed uncredited directorial work on Warriors' Gate during the short period where credited director Paul Joyce was fired from production. [2]
His work on The Caves of Androzani was quite notable for his highly innovative directorial style at the time. Unlike his predecessors, who would observe filming from a booth and relay their instructions via the production assistant on the floor, Harper would work from the actual set, giving instructions to the actors in person. Additionally, Harper utilised more diverse and cinematic shots, offering freer and more dynamic camera control in filming. His energetic, personal style of directing was widely praised by the show's staff and audience, with Peter Davison himself stating that he would've stayed on the show longer had Harper's methods been more prevalent throughout his tenure (DCOM: The Caves of Androzani).
He had an uncredited on-screen appearance in The Brain of Morbius as one of the faces appearing during the mind-bending contest between the Fourth Doctor and Morbius. [3]
John Nathan-Turner originally wanted Harper to direct Yellow Fever and How to Cure It, a episode penned by Robert Holmes to be part of season 23. However, the episode was abandoned when the show was put on hiatus. (INFO: The Mysterious Planet)
In 1993, he had begun work to direct the planned 30th Anniversary film Lost in the Dark Dimension, written by Adrian Rigelsford. The film was eventually cancelled, much to Harper's dismay.
He has written about his experiences in directing Doctor Who in his book, Calling the Shots, co-written with Rigelsford.
The "Harper treatment"
Graeme Harper has a penchant for including a distorted image of a main character in most of the stories he has directed. It has occurred often enough for it to be considered something of a directorial "signature". Characters are seen through magnifying glasses in Rise of the Cybermen, Army of Ghosts, The Unicorn and the Wasp and Utopia, seen in reflections in The Caves of Androzani and Turn Left and through a curved window that gives a fish-eye effect in Journey's End.
Selected credits
Director
Doctor Who
- Warriors' Gate (uncredited, partial contribution) (DWM 380)
- The Caves of Androzani
- Revelation of the Daleks
- Rise of the Cybermen / The Age of Steel
- Army of Ghosts / Doomsday
- 42
- Utopia
- Time Crash
- Planet of the Ood
- The Unicorn and the Wasp
- Turn Left
- The Stolen Earth / Journey's End
- The Waters of Mars
