Graeme Harper: Difference between revisions

From Tardis Wiki, the free Doctor Who reference
(Graeme worked on the Wilf scenes on the allotment from Partners In Crime, addressed in the commentary by Russell T Davies.)
mNo edit summary
Line 48: Line 48:
* ''[[42 (TV story)|42]]''
* ''[[42 (TV story)|42]]''
* ''[[Utopia (TV story)|Utopia]]''
* ''[[Utopia (TV story)|Utopia]]''
* ''[[Last of the Time Lords (TV story)|Last of the Time Lords]] (uncredited, partial contribution)
* ''[[Last of the Time Lords (TV story)|Last of the Time Lords]] (''uncredited'', ''partial contribution'')''
* ''[[Time Crash (TV story)|Time Crash]]''
* ''[[Time Crash (TV story)|Time Crash]]''
* ''[[Partners in Crime (TV story)|Partners In Crime]]'' (uncredited, partial contribution)
* ''[[Partners in Crime (TV story)|Partners In Crime]]'' (uncredited, partial contribution)

Revision as of 15:31, 22 May 2018

Error creating thumbnail: Read-only mode

Graeme Harper (born 11 March 1945[1] in London) has directed several Doctor Who television stories, being the first (and only) director of stories in both the classic 1963-1989 series of Doctor Who and the 2005 revived series.

Before becoming a director, he was assistant floor manager for Colony in Space, Planet of the Daleks (with John Cook and Sue Hedden) and Planet of the Spiders. He was also production assistant for The Seeds of Doom and Warriors' Gate. His directorial credits include episodes of the spin-off series The Sarah Jane Adventures. The first Doctor Who story that he directed was The Caves of Androzani, although he also performed uncredited directorial work on Warriors' Gate during the short period where credited director Paul Joyce was fired from production. [2]

His work on The Caves of Androzani was quite notable for his highly innovative directorial style at the time. Unlike his predecessors, who would observe filming from a booth and relay their instructions via the production assistant on the floor, Harper would work from the actual set, giving instructions to the actors in person. Additionally, Harper utilised more diverse and cinematic shots, offering freer and more dynamic camera control in filming. His energetic, personal style of directing was widely praised by the show's staff and audience, with Peter Davison himself stating that he would've stayed on the show longer had Harper's methods been more prevalent throughout his tenure (DCOM: The Caves of Androzani).

Harper during the filming of The Caves of Androzani

He had an uncredited on-screen appearance during the mindbending contest in The Brain of Morbius as a past incarnation of the Doctor.[3]

John Nathan-Turner originally wanted Harper to direct Yellow Fever and How to Cure It, an episode penned by Robert Holmes to be part of season 23. However, the episode was abandoned when the show was put on hiatus. (INFO: The Mysterious Planet)

In 1993, he had begun work to direct the planned 30th Anniversary film Lost in the Dark Dimension, written by Adrian Rigelsford. The film was eventually cancelled, much to Harper's dismay. Gary Russell named Harper as his preferred director for an imagined scenario in which his 1995 Virgin Missing Adventures novel, Invasion of the Cat-People, had been a televised story.

Harper has written about his experiences in directing Doctor Who in his book, Calling the Shots, co-written with Rigelsford.

The "Harper treatment"

Graeme Harper has a penchant for including a distorted image of a main character in most of the stories he has directed. It has occurred often enough for it to be considered something of a directorial "signature". Characters are seen through magnifying glasses in Rise of the Cybermen, Army of Ghosts, The Unicorn and the Wasp and Utopia, seen in reflections in The Caves of Androzani and Turn Left and through a curved window that gives a fish-eye effect in Journey's End.

Selected credits

Director

Doctor Who

The Sarah Jane Adventures

Unproduced stories

References

External links