The Vampires of Venice (TV story)

The Vampires of Venice
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond Rory Williams (joins)
Main enemy:	Saturnynians Rosanna Calvierri Francesco
Main setting:	Leadworth, Earth, 25th June 2010 Venice, Earth, 1580
Key crew
Writer:	Toby Whithouse
Director:	Jonny Campbell
Producer:	Tracie Simpson
Release details
Story number:	207
Release number:	Series 5
Premiere broadcast:	8th May 2010 [1]
Format:	1 x 45 minute episode

The Vampires of Venice was the sixth episode of Series 5. It was narratively tied to the final scene of Flesh and Stone, greatly furthered the Doctor-Rory-Amy romantic triangle subplot, and ended with Rory apparently joining the Doctor in his travels.

It was notable for being filmed in Croatia, and was thus the first episode of a Doctor Who universe show to be filmed in a formerly Communist country.

Synopsis

Dessicated corpses, terror in the canal and a visit to the sinister House of Calvierri – the Doctor takes Amy and Rory for a romantic mini-break, as the TARDIS touches down once again.

File:Saturnynians.png

A Saturnynian.

File:Series5vampires.jpg

Vampires converge

Vampires in the dungeon

But 16th-century Venice is not as it should be. The city has been sealed to protect it from the Plague, although Rosanna Calvierri may have other plans...[2]

Plot

to be added

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Rosanna Calvierri - Helen McCrory
• Francesco - Alex Price
• Isabella - Alisha Bailey
• Steward - Simon Gregor
• Guido - Lucian Msamati
• Inspector - Michael Percival
• Vampire Girl - Gabriela Montarez
• Vampire - Elizabeth Croft
• Vampire - Gabriella Wylde
• Vampire - Clare Darcy-Bowen

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Patrick Schweitzer Location Manager - Gareth Skelding Unit Manager - Rhys Griffiths Production Co-ordinator - Jess van Niekerk Assistant Production Manager - Claire Thomas Production Runner - Sian Warrilow Production Accountant - Ceru Tothill A/Production Accountant - Carole Wakefield Script department Script Editor - Brian Minchin Camera and lighting department 1st Assistant Director - John Bennett 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Runners - Nicola Enyon Price, Laura Jenkins Continuity - Non Eleri Hughes Camera Operator - Ian Adrian B Camera Operator - Matthew Poynter Focus Puller - Steve Rees Grip - John Robinson Camera Assistants - Tom Hartley, Jon Vidgen Boom Operator - Dafydd Parry Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Steve Slocombe, Bob Milton, Alan Tippets	Art department Supervising Art Director - Stephen Nicholas Art Department Co-ordinator - Amy Oakes Associate Designer - James North Production Buyer - Ben Morris Set Decorator - Keith Dunne Props Buyer - Catherine Samuel Set Designer - Ben Austin Storyboard Artist - James Iles Concept Artists - Richard Shaun Williams, Peter McKinstry Graphic Artist - Jackson Pope Standby Props - Phill Shellard, Tom Evans Standby Carpenter - Will Pope Standby Art Director - Tristan Peatfield Standby Rigger - Keith Freeman Standby Painter - Ellen Woods Props Master - Paul Aitken Props Chargehand - Matt Wild Dressing Props - Martin Broadbent, Rhys Jones Props Makers - Penny Howarth, Nicholas Robatto Construction Manager - Matthew Hywel-Davies Workshop Manager - Mark Hill Construction Chargehand - Scott Fisher Practical Electrician - Albert James Scenic Artists - John Pinkerton, John Whalley Graphics - BBC Wales Graphics Costume department Costume Supervisor - Bobbie Peach Crowd Supervisor - Lindsay Bonaccorsi Costume Assistants - Sara Morgan, Maria Franchi	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Abi Brotherton, Morag Smith Movement Stunt Co-ordinator - Crispin Layfield Stunt Performer - Gordon Seed Casting Casting Associates - Andy Brierley, Alice Purser General post-production staff Post-production Supervisors - Chris Blatchford, Ceres Doyle Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Conform - Matthew Clarke, Mark Bright Special and visual effects VFX Editor - Cat Gregory Colourist - Mick Vincent Sound Sound Recordist - Bryn Howarth Dubbing Mixer - Tim Ricketts Sound Maintenance Engineer - Jeff Welch Supervising Sound Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Helen Dickson

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.
According to a pre-launch press pack issued by the BBC, Patrick Schweitzer was actually the co-producer of this episode, but in the event, he was actually double credited — as both a full producer and a line producer.

References

• The Doctor compares the Vampires to Harry Houdini.
• The Fourth Doctor previously encountered vampires of a different kind in State of Decay .
• The relationship between Calvierri and her son and their plan to convert people to become their species is similar to that of the Family of Blood who shared a close bond and took over individuals to go unnoticed.
• Amy continues the trend of associating the Doctor's adventures with "lots of running."

Story Notes

• A 90-second clip from this episode was aired during Matt Smith's appearance on Friday Night with Jonathan Ross on 26 March 2010.
• The Vampires are not real vampires, but are of alien origin. They are fish-like alien creatures using Perception Filters to hide themselves to other people.
• There was some initial confusion over the title of this story, with some media sources (as well as Matt Smith in a TV interview) using the title Vampires in Venice.
• In the Series 5 preview, one of the vampires leap for Rory, without any change. In the actual episode, he changes to his alien form. Differences like this have happened many times from trailer to episode.
• The name of the species, Saturnynians, isn't spoken in the episode.
• The Saturnynian are hiding from the Cracks and the Silence.

Ratings

To be Added

Filming Locations

• Croatia was used as the primary location for the setting of this episode. It is the third episode of the revival series after DW: The Fires of Pompeii and Planet of the Dead to include major filming outside the UK.
• Some filming took place in Caephilly Castle [3]
• Scenes featuring The Doctor, Amy and Rory were filmed at Llancaiach Fawr [4]

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

When Francesco jumps in the water he hasn't turned his preception filter off, so he should be eaten by his brothers in the river.

Continuity

• Instead of his Psychic paper, the Doctor shows his library card, which includes a photo of his first incarnation.Though the psychic paper does appear for the first time since The Eleventh Hour.
• Rosanna Calvierri uses a Perception filter. The perception filter is shown to have a self preservation loophole, making the teeth visible when the brain detects a threat.
• Another Crack in Time appears but for the first time appears in a different way by means of a cloud meaning that cracks in future episodes could appear in different forms.

DVD Release

To be Added

External Links

To be Added