Terry Nation Army: Difference between revisions

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Tag: 2017 source edit
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| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Thanks to'': [[Clayton Hickman]], Jim Sangster, Jonny Morris, Si Hodges, David Hyder, Tom Spilsbury}}</small>
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Thanks to'': [[Clayton Hickman]], Jim Sangster, Jonny Morris, Si Hodges, David Hyder, Tom Spilsbury}}</small>
| [[28 February (releases)| 28 February]] [[2020 (releases)|2020]]
| [[28 February (releases)| 28 February]] [[2020 (releases)|2020]]
|}
=== Series 2 ===
{| {{prettytable}} style="min-width:450px"
! #
! Name
! style="min-width:170px"| Subject
! style="min-width:170px"|Credits
! Release date
|-
! 1
| Time Television: Lost Lore and Design Development
| “In this third Dalek serial, Nation characterised The Doctor as an inventor who rustled up all manner of useful gadgets such as this unspecified explosive, plus the TARDIS magnet, and the time path detector, not to mention constructing the time machine itself. But in this episode, we are taking a look at one particular gadget that The Doctor invented which sheds light on the troubling god-like power of The Doctor’s own race, and leaves us pondering extremely disturbing implications about The Doctor’s many victories over his enemies.”
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Additional Material'': Rhys Williams, Jonny Morris & [[Jon Green]]|''Music by'': Graeme Allan|''Announcer Voice'': Paul Carmichael|''Archive Material Thanks to'': Richard Bignell|''Colourisations and TSV Graphics by'': [[Clayton Hickman]]|''War Games Artwork by'': Tim Hill|''Thanks to'': Jim Sangster, Si Hodges, Tim Spilsbury}}</small>
| [[28 April (releases)| 28 April]] [[2022 (releases)|2022]]
|-
! 2
| Movie Daleks Cross into the TV Series: An Expensive Failure
| “Since Doctor Who’s very first adventure featuring the Daleks, TV directors have always searched for ways to create the illusion that there were more Dalek props available than actually existed at the BBC. … back in the 1960s, there was one unusual occasion when the Doctor Who team at the BBC turned to a rival production company to help them solve the dwindling Dalek dilemma. But a series of unfortunate events resulted in a chaotic situation and an end result which heaped misfortune on an already shaky production.”
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green]]|''Music by'': Graeme Allan|''Archive Material Thanks to'': Richard Bignell|''Thanks to'': Rhys Williams, John Kelly}}</small>
| [[19 May (releases)| 19 May]] [[2022 (releases)|2022]]
|-
! 3
| The Secret Life of the Bizarre Blowtorch Dalek
| “Part of the original fascination behind the Daleks, was that Terry Nation conceived of them not as maniacal invading monster, although that certainly came later, buts scientists and inventors living in a city which was decorated with sculptures and normal shops selling foodstuffs. The retail of the Daleks didn’t make it to screen, but in the final script they remained curious and resourceful beings. … This is the sizzling and somewhat surprising story of the bizarre blowtorch Dalek.”
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''CGI by‘’: [[Anthony Lamb]]|''Archive Material Thanks to'': Richard Bignell|''Thanks to‘’: [[Simon Guerrier]] }}</small>
| [[7 July (releases)| 7 July]] [[2022 (releases)|2022]]
|-
! 4
| Unseen 1967 Dalek Home Movie Discovery! Viewer Film Analysed
| “Following our plea for home movies from the 1960s, we’re delighted to have been offered an extremely rare piece of footage from the personal archive of Andrew Kirwan. In this episode, we’ll dive into the Dalek diaries from the 1960s to try to find out how a prop came to be wandering the streets of Oxfordshire on a strangely charitable mission.”
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''Cine Footage Thanks to'': Andrew Kirwan|''Additional Voice Work'': Tim Burrows, Paul Carmichael}}</small>
| [[26 July (releases)| 26 July]] [[2022 (releases)|2022]]
|-
! 5
| The Lost Filming Location from Talons and How it Looks Today
| “Doctor Who, like any television shot using real locations, is a time capsule of the world in which it was created. The Season 14 serial ‘The Talons Weng-Chiang’ used several streets in London to effectively recreated the Victorian period. But the places were chosen because they were deserted and decaying, as a result of their condition, they were soon either demolished or heavily restructured into the Thames-side tourist trap they are today. … So, using detailed comparisons between screen grabs and old photos, let’s travel back to the London of the 1890, which was really the London of the 1970s, to explore the alleyways of ‘The Clink’, and enlist the help of Sherlock Holmes to find exactly where the TARDS landed.”
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Music by'': Graeme Allan|''Assets Thanks to'': James Hadwen-Bennett, Gene Cowan|''Leela & The Doctor'': Elaine Hyder, Tim Burrows|''With Thanks to'': Paul Wilkinson, www.reelstreets.com, [[Clayton Hickman]], Lucy Ashdown, Neil Corry}}</small>
| [[7 September (releases)| 7 September]] [[2022 (releases)|2022]]
|-
! 6
| The DALEK-TARDIS Disaster! Why was the "DARDIS" created and what went wrong?
| “The word ‘DARDIS’ is not a typo, the term has been used occasionally over the years to refer to the Daleks’ time machine that appeared in the 1960s serials ‘The Chase’ and ‘The Daleks’ Master Plan’. The exterior of the craft in its original form, was designed to be a clever optical illusion, but due to poor development and bad directing, its appearance onscreen was an abject failure. … At face value, the DARDIS in ‘The Chase’ was devised to generate drama the pursuit element of the plot, however, the real reason for its creation was Terry Nation had a greater problem to tackle. So, join us as we unravel the production problems of the villain’s time machine, and delve into the disaster of the Daleks’ DARDIS.”
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''With Research from'': [[Jon Green]] & Rhys Williams|''Music by'': Graeme Allan|''Thanks to'': Jim Sangster, Richard Morris, Si Hodges, Richard Bignell}}</small>
| [[23 September (releases)| 23 September]] [[2022 (releases)|2022]]
|-
! 7
| How BBC Bosses Sabotaged Nation's Dalek Spy Thriller: The Original Master Plan
| “Relatively early in Doctor Who’s history, Terry Nation decided that the Daleks were a worthy advisory to make them the only other race in the galaxy that were capable of time travel. Their time machine was introduced in ‘The Chase’, but giving the Daleks time travel capabilities made them almost too powerful, so, when Terry Nation came to plan his next serial ‘The Daleks’ Master Plan’, there would be no more hoping through history, the adventure would be grounded in a single realistic setting inspired by a sensational new cinematic franchise. … When the second version of the time vessel was constructed, there were some extremely intriguing details in the props and scenery inside. But what was the disaster that happened in storage that forced the production team into the kind of gigantic continuity error which we love to examine?”.
| <small>{{il|''Written and Edited by'': [[Gavin Rymill]]|''Additional Material'': Rhys Williams & [[Jon Green]]|''Music by'': Graeme Allan|''Archive Material Thanks to'': Richard Bignell|''Colourisation by'': [[Clayton Hickman]]|''‘Volcano’ Recon‘’: [[Josh Snares]]|''Thanks to'': David Hyder}}</small>
| [[28 October (releases)| 28 October]] [[2022 (releases)|2022]]
|-
! 8
| A History of the Special Weapons Dalek Props on and off Screen
| “For Doctor Who’s 25th season, writer Ben Aaronovitch was given the task of creating a story which make the Daleks a more powerful threat than they had been in recent years. His script described ambitious exciting elements such as a floating Howitzer bearing platform which accompanied the Imperial Dalek attack squad London. He also suggest that normal Daleks could have a special weapon which fired around corners like a homing missile. These two powerful creations were to overcome the Renegade forces as they looked to gain the upper hand in the Dalek Civil War. But for Doctor Who’s budget in the 1980s , this weapons platform was too ambitious. However, with a newly developed construction process, and borrowing some items normally found in a garden shed, a completely new type of Dalek was created, and one which would eventually return to the 11th and 12th Doctors’ eras. But as ever with Dalek prop history, there’s lots of twists and turns along the way.”
| <small>{{il|''Narrated and Edited by'': [[Gavin Rymill]]|''Written and Researched with'': [[Jon Green]]|''Special Thanks to‘’: [[Nicholas Briggs]]|''Music by'': Graeme Allan|''Thanks to'': Rhys Williams, John Kelly, Robbie Dunlop, Tim Burrows, Mike Hall}}</small>
| [[10 December (releases)| 10 December]] [[2022 (releases)|2022]]
|}
|}



Revision as of 05:25, 13 October 2023

RealWorld.png

Terry Nation Army was an independent documentary series about the behind-the-scenes history of the Daleks on television. It was masterminded by Gavin Rymill and Jon Green, being a spin-off of the Dalek63•88 reference website and released on its official YouTube channel.

Series 1 (comprising six episodes around 20 minutes in length) was released over the month of July 2019 on YouTube,[1] having been announced in June.[2] Eight additional "unbound" episodes were released following Series 1's conclusion, spanning the period from 12 August 2019 to 28 February 2020. These "Specials & Bonus Videos", as they were labeled, focused on tangential aspects of the history of 1960s Doctor Who.[3] These episodes later would be retroactively incorporated into Series 1. Series 2 was comprised of eight episodes, releasing from April to December 2022. Series 3 began releasing in May 2023.

Although not licensed by the BBC, the series featured participation by many people involved in the production of official Doctor Who media, such as Jonathan Morris. It also developed a partnership of sorts with Big Finish, who timed a special promotion on The Masters of Luxor with the release of the Terry Nation Army episode The Failed Dalek Rivals, which ended by advertising said promotion.

List of episodes

Series 1

# Name Subject Credits Release date
1 Camber's Dalek Disaster Documentary "In this episode we discuss how an epic failure during a location shoot resulted in the construction of an ingenious prop which still survives today. And we reveal a previously unknown fact about The Daleks' Master Plan special effects work."
Written and edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Archive Photo: Robert Kew
Archive Documents: Richard Bignell & Jonathan Morris
Video Thanks To: Simeon Carter, Greg Bakun, The Metebelis Two Podcast, Chris Balcombe

1 July 2019
2 The Mystery of Terry Nation's Special Daleks "In this episode, we explore the distant origins of one of the most unusual Daleks to appear on TV: the Supreme in Planet of the Daleks. We explain how Terry Nation came to own the Supreme and three other movie props, and we discover their true genesis to discover they are not actually movie Daleks after all."
Written and edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Photos: James Russell, Marc Sinclair, Ian Scales, Tim Baker, George Farrell, Steve Williams
Archive Documents: Richard Bignell & Jonathan Wrigley
Video Thanks To: Mick Hall, John Kelly

8 July 2019
3 Making Of Daleks' Invasion Earth 2150 A.D. at Shepperton (Part 1/2) "Behind the scenes making the second Peter Cushing movie. How Shepperton Studios' standing set and backlot were used, and how the historic grounds became featured in Daleks Invasion Earth 2150AD."
Co-written and Edited by: Gavin Rymill
Co-written and Researched with: Jon Green
Music by: Graeme Allan
Gerald Larn Voiced by: Paul Carmichael
2008 Quote Thanks To: Domingo Lizcano
With Thanks To: Anthony McKay, M. Courtman, Michael Richardson, Nick Pollard

15 July 2019
4 Making of Daleks' Invasion Earth 2150 A.D. at Shepperton (Part 2/2) "In the concluding half of our investigations into the filming of the Dalek Invasion at Shepperton Studios, we piece together the timeline at the end of production to reveal a desperate scramble to reassemble the set and film some decent Dalek footage."
Co-written and Edited by: Gavin Rymill
Co-written and Researched with: Jon Green
Music by: Graeme Allan
Ron Moody Voiced by: Chris Walker-Thomson
Archive Photo Thanks To: Colin Young
Colourised by: Clayton Hickman
With Thanks To: Anthony McKay, M. Courtman, Michael Richardson, Martin Kempton, Nick Pollard, Richard Atkinson, Steve Allen, Lucy Ashdown, Anthony Lamb

22 July 2019
5 The Lost Colour 1960s Dalek Episodes "This week's episode looks at two lost Dalek productions, neither of which were actually Doctor Who episodes. A pilot episode of a Dalek spinoff series which Terry Nation tried to launch, and we look at how the paperwork may - or may not - have influenced Doctor Who. And the Out of the Unknown episode called Get Off My Cloud, which featured the Daleks in a dreamworld, but is lost from the archives."
Written and edited by: Gavin Rymill
Researched with: Jon Green
Theme Music by: Graeme Allan
Incidental Mysic by: Ross Bugden
With Immense Gratitude To: Richard Bignell For The Destroyers Archive Material
With Immense Gratitude To: Colin Cutler For Our Of The Unknown Archive Material
Jean Marsh Voiced by: Elaine Hyder
Space Security Imagery and Colourisation: Ant Lamb
The Destroyers Logo: David Czeck
Photo Colourisation by: Clayton Hickman
Firearms Wrangler: Tony Gavin
Video Resources Thanks to: Matthew Purchase
Richard Bignell & Jonathan Wrigley
Video Thanks To: Mick Hall, John Kelly

30 July 2019
6 How Did A Crime Create the Dalek Supreme? "This week we look at the influences behind the introduction of 'one of the Supreme Council" in Planet of the Daleks, and the thefts which happened before production which nearly derailed the whole process."
Written and edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Photos by: James Russell, Marc Sinclair, Ian Scales, Tim Baker, George Farrell, Steve Williams, Mick Hall
With Thanks to: Clayton Hickman, Paul Scoones, Richard Bignell, Stuart Crouch, James Goss

5 August 2019
7 What Really Happened to the Movie TARDIS and Other Boxes “The movie TARDIS which is used ‘Dr. Who and the Daleks’ was probably built for that production, in 1965. The same prop was used again in ‘Daleks Invasion Earth 2150 AD’, the following year. Although it isn’t perfect … it’s the best of a bad bunch.”
Written and Edited by‘': Gavin Rymill
Researched by: Jon Green and Clayton Hickman
Theme Music by: Graeme Allan

12 August 2019
8 The Failed Dalek Rivals: Mechonoid Designs Rejected and Deleted Robots from The Chase “The Mechonoids were large geodesic polyhedric robots which made their one and only screen appearance at the end of the Doctor Who serial ‘The Chase’ in 1965. … However, unlike the Daleks, Terry Nation had carefully described the exact shape of his new robots, yet what he asked for was not what ended up on screen. He also devised another potentially marketable toy to appear in ‘The Chase’, which was omitted from the final program. So, what were the reasons he didn’t get the robots he asked for?, how were they eventually built?, and does one of them still survive today?”.
Written and Edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Terry Nation voiced by: Chris Walker-Thomson
Archive Materials Thanks to: Jonny Morris, Richard Bignell, Samuel Payne, James Goss
Thanks to‘’:Toby Hadoke, Mick Hall, Toby Chamberlain & Lee Horris, Gareth M., Julie Killick, John Isles & Johnathan Miles, Sophia & Martin Gill

14 October 2019
9 Mechonoid Script Mistakes and Prop Mysteries Solved - Mission Recon & Merch Bonus Info “To begin with, when and why did the name change from Mechon to Mechonoid?, and how did the wrong name make it to screen? To understand what happened, we need to follow the production process from script to screen.”
Written and Edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Archive Material and Information Thanks to: Jonny Morris, Richard Bignell, Rhys Williams, Richard Long

22 October 2019
10 How Remembrance of the Daleks was Fixed in the Edit “The raw location footage from the 1988 serial ‘Remembrance of the Daleks’ provides a wealth of information about the production process, including revealing one big change that had to be made to the ending. The alteration was needed because of certain decisions during recording, which resulted in several shots having to be dropped from the final episode because they no longer made sense. In this episode, we’ll look through some interesting clips from episode four, reconstruct the problematic scene as it was written, and show why it had to be fixed in the edit.”
Written and Edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Archive Material: Colin Young
Thanks to: Mike Tucker

30 October 2019
11 The Original Ending of Dalek Invasion of Earth and its Problematic Monster Costume “In the 1964 television serial ‘The Dalek Invasion of Earth’, there were too closely linked elements which both changed considerably from draft script to screen. In Terry Nation’s original draft, a pack of alien creatures from the Daleks’ home planet patrol the vast expanse known as ‘The Abyss’. The monsters, called ‘Slithers’, were conceived by the writer to look a particular way, but were then realised quite differently, and then hastily redesigned mid-production. Plus, a completely different version was conceived with a surprising appearance, but it was never implemented. So, what were all these alternative versions of the monster?, why is the no mention of the abyss that it roamed in the final TV episode?, and what does any of this have to do with an eighteenth-century book about English plants?”.
Written and Edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Voices: Paul Carmichael, Jon Green
Thanks to: Jonathan Morris, Richard Long, Peter Ware (editor)]

8 November 2019
12 Dalek Guns in The Mandalorian EXPLAINED and Other Dr Who Stuff in Star Wars “If you’re a Doctor Who fan with a very keen eye for detail, then episode one of the new Disney + series ‘The Mandalorian’ provides one moment which might just stop you in your tracks. When The Mandalorian’s weapons cabinet is opened, there’s a DL21 blaster inside, and included in that design is a nozzle that looks identical to those seen in a Doctor Who serial from 1974. But before you write this off as a coincidence, after all propmakers often used real world parts in their creations, there’s more to this story that meets the eye. And we can prove that this is no coincidence, and that Dalek guns are genuinely linked to the Star Wars universe.”
Written and Edited by: Gavin Rymill
Researched with: Jon Green
Music by: Graeme Allan
Thanks to: Rhys Williams, Glenn Cleave, James Clancy, Steve @ sayhellospaceman

14 November 2019
13 Doctor Who's Weird 1965 Christmas Special “Doctor Who’s first ever Christmas special was an episode named ‘The Feast of Steven’, broadcast on Christmas Day 1965. It was also Doctor Who’s last Christmas special for 40 years. … So how did this unusual episode come about?, how did the production team originally intend to incorporate real Hollywood legends into the episode, and who really wrote it?”. Thanks to: Richard Bignell, Jonny Morris, Jeremy Bentham}} 25 December 2019
14 When The Doctor Was a Human Who Invented the TARDIS “It may be surprising to learn, that in the early years of Doctor Who, there was no consensus on the origin of The Doctor or his time machine. When Terry Nation came to write ‘Section Dalek Three’, eventually called ‘The Chase’, it was clear in his mind that The Doctor had built the TARDIS himself. And it seemed he was probably just an ordinary man from the future. Some of these clues actually survive into the broadcast version, but some were edited out. One particular lost piece of dialogue shone on a spotlight on The Doctor’s own people, a people who we discover were not necessarily aliens at all. “
Written and Edited by: Gavin Rymill
Music by: Graeme Allan
Thanks to: Clayton Hickman, Jim Sangster, Jonny Morris, Si Hodges, David Hyder, Tom Spilsbury

28 February 2020

Series 2

# Name Subject Credits Release date
1 Time Television: Lost Lore and Design Development “In this third Dalek serial, Nation characterised The Doctor as an inventor who rustled up all manner of useful gadgets such as this unspecified explosive, plus the TARDIS magnet, and the time path detector, not to mention constructing the time machine itself. But in this episode, we are taking a look at one particular gadget that The Doctor invented which sheds light on the troubling god-like power of The Doctor’s own race, and leaves us pondering extremely disturbing implications about The Doctor’s many victories over his enemies.”
Written and Edited by: Gavin Rymill
Additional Material: Rhys Williams, Jonny Morris & Jon Green
Music by: Graeme Allan
Announcer Voice: Paul Carmichael
Archive Material Thanks to: Richard Bignell
Colourisations and TSV Graphics by: Clayton Hickman
War Games Artwork by: Tim Hill
Thanks to: Jim Sangster, Si Hodges, Tim Spilsbury

28 April 2022
2 Movie Daleks Cross into the TV Series: An Expensive Failure “Since Doctor Who’s very first adventure featuring the Daleks, TV directors have always searched for ways to create the illusion that there were more Dalek props available than actually existed at the BBC. … back in the 1960s, there was one unusual occasion when the Doctor Who team at the BBC turned to a rival production company to help them solve the dwindling Dalek dilemma. But a series of unfortunate events resulted in a chaotic situation and an end result which heaped misfortune on an already shaky production.”
Written and Edited by: Gavin Rymill
With Research from: Jon Green
Music by: Graeme Allan
Archive Material Thanks to: Richard Bignell
Thanks to: Rhys Williams, John Kelly

19 May 2022
3 The Secret Life of the Bizarre Blowtorch Dalek “Part of the original fascination behind the Daleks, was that Terry Nation conceived of them not as maniacal invading monster, although that certainly came later, buts scientists and inventors living in a city which was decorated with sculptures and normal shops selling foodstuffs. The retail of the Daleks didn’t make it to screen, but in the final script they remained curious and resourceful beings. … This is the sizzling and somewhat surprising story of the bizarre blowtorch Dalek.”
Written and Edited by: Gavin Rymill
With Research from: Jon Green & Rhys Williams
Music by: Graeme Allan
CGI by‘’: Anthony Lamb
Archive Material Thanks to: Richard Bignell
Thanks to‘’: Simon Guerrier

7 July 2022
4 Unseen 1967 Dalek Home Movie Discovery! Viewer Film Analysed “Following our plea for home movies from the 1960s, we’re delighted to have been offered an extremely rare piece of footage from the personal archive of Andrew Kirwan. In this episode, we’ll dive into the Dalek diaries from the 1960s to try to find out how a prop came to be wandering the streets of Oxfordshire on a strangely charitable mission.”
Written and Edited by: Gavin Rymill
With Research from: Jon Green & Rhys Williams
Music by: Graeme Allan
Cine Footage Thanks to: Andrew Kirwan
Additional Voice Work: Tim Burrows, Paul Carmichael

26 July 2022
5 The Lost Filming Location from Talons and How it Looks Today “Doctor Who, like any television shot using real locations, is a time capsule of the world in which it was created. The Season 14 serial ‘The Talons Weng-Chiang’ used several streets in London to effectively recreated the Victorian period. But the places were chosen because they were deserted and decaying, as a result of their condition, they were soon either demolished or heavily restructured into the Thames-side tourist trap they are today. … So, using detailed comparisons between screen grabs and old photos, let’s travel back to the London of the 1890, which was really the London of the 1970s, to explore the alleyways of ‘The Clink’, and enlist the help of Sherlock Holmes to find exactly where the TARDS landed.”
Written and Edited by: Gavin Rymill
Music by: Graeme Allan
Assets Thanks to: James Hadwen-Bennett, Gene Cowan
Leela & The Doctor: Elaine Hyder, Tim Burrows
With Thanks to: Paul Wilkinson, www.reelstreets.com, Clayton Hickman, Lucy Ashdown, Neil Corry

7 September 2022
6 The DALEK-TARDIS Disaster! Why was the "DARDIS" created and what went wrong? “The word ‘DARDIS’ is not a typo, the term has been used occasionally over the years to refer to the Daleks’ time machine that appeared in the 1960s serials ‘The Chase’ and ‘The Daleks’ Master Plan’. The exterior of the craft in its original form, was designed to be a clever optical illusion, but due to poor development and bad directing, its appearance onscreen was an abject failure. … At face value, the DARDIS in ‘The Chase’ was devised to generate drama the pursuit element of the plot, however, the real reason for its creation was Terry Nation had a greater problem to tackle. So, join us as we unravel the production problems of the villain’s time machine, and delve into the disaster of the Daleks’ DARDIS.”
Written and Edited by: Gavin Rymill
With Research from: Jon Green & Rhys Williams
Music by: Graeme Allan
Thanks to: Jim Sangster, Richard Morris, Si Hodges, Richard Bignell

23 September 2022
7 How BBC Bosses Sabotaged Nation's Dalek Spy Thriller: The Original Master Plan “Relatively early in Doctor Who’s history, Terry Nation decided that the Daleks were a worthy advisory to make them the only other race in the galaxy that were capable of time travel. Their time machine was introduced in ‘The Chase’, but giving the Daleks time travel capabilities made them almost too powerful, so, when Terry Nation came to plan his next serial ‘The Daleks’ Master Plan’, there would be no more hoping through history, the adventure would be grounded in a single realistic setting inspired by a sensational new cinematic franchise. … When the second version of the time vessel was constructed, there were some extremely intriguing details in the props and scenery inside. But what was the disaster that happened in storage that forced the production team into the kind of gigantic continuity error which we love to examine?”.
Written and Edited by: Gavin Rymill
Additional Material: Rhys Williams & Jon Green
Music by: Graeme Allan
Archive Material Thanks to: Richard Bignell
Colourisation by: Clayton Hickman
‘Volcano’ Recon‘’: Josh Snares
Thanks to: David Hyder

28 October 2022
8 A History of the Special Weapons Dalek Props on and off Screen “For Doctor Who’s 25th season, writer Ben Aaronovitch was given the task of creating a story which make the Daleks a more powerful threat than they had been in recent years. His script described ambitious exciting elements such as a floating Howitzer bearing platform which accompanied the Imperial Dalek attack squad London. He also suggest that normal Daleks could have a special weapon which fired around corners like a homing missile. These two powerful creations were to overcome the Renegade forces as they looked to gain the upper hand in the Dalek Civil War. But for Doctor Who’s budget in the 1980s , this weapons platform was too ambitious. However, with a newly developed construction process, and borrowing some items normally found in a garden shed, a completely new type of Dalek was created, and one which would eventually return to the 11th and 12th Doctors’ eras. But as ever with Dalek prop history, there’s lots of twists and turns along the way.”
Narrated and Edited by: Gavin Rymill
Written and Researched with: Jon Green
Special Thanks to‘’: Nicholas Briggs
Music by: Graeme Allan
Thanks to: Rhys Williams, John Kelly, Robbie Dunlop, Tim Burrows, Mike Hall

10 December 2022


Footnotes