The God Complex (TV story)

The God Complex (TV story)

left

The God Complex
Doctor:	[[doctor::Eleventh Doctor]]
Companion(s):	Amy Pond (departs) Rory Williams (departs)
Main enemy:	The Minotaur
Main setting:	Prison ship
Key crew
Writer:	Toby Whithouse
Director:	Nick Hurran
Producer:	Marcus Wilson
Release details
Story number:	221
Release number:	Series 6
Premiere broadcast:	17th September 2011
Format:	1x 50 minutes
Confidential:	[[confidential::Heartbreak Hotel|Heartbreak Hotel]]

The God Complex (TV story) was the eleventh episode in the sixth series of Doctor Who.

Synopsis

The Doctor, Amy and Rory investigate a hotel of horror where repeat business is low but the body count is high, where a mighty monster stalks the corridors and the rooms hold visions of angels, apes and creepy clowns. Who - or what - has brought them to this place? Can the Doctor solve the mystery before the residents check out in grisly style?

Plot

Lucy Hayward roams the corridors of a hotel, writing about a monster and how it has made all of her former companions 'praise him' after they find their rooms. She starts to praise him and the Creature kills her. The Doctor, Amy and Rory arrive in the hotel and the Doctor begins to investigate, sure that they are somewhere fascinating.

Rory shows him a picture of a Sontaran on the wall and others of a Judoon Captain, a member of the Catkind . and Lucy Hayward. They ring the front desk bell and almost gets hit with a chair leg brandished by Rita, who is quickly followed by Howie and Gibbis, a cowardly, mole-like alien from Tivoli. The Doctor takes a liking to Rita, noting how clever she is and joking with Amy that he's firing her for Rita.

Rita says that each room contains 'a bad dream'. When the Doctor takes them to the TARDIS, it is gone.There is someone else, a man named Joe they tied up because he was acting unstable. They take the Doctor to Joe's room, which is full of ventriloquist's dummies. Joe tells him that everyone here has a room, even the Doctor.

While searching for the missing TARDIS or an exit, Howie finds his room. It holds attractive girls who mock him for being nerdy and stuttering. The Doctor pulls him out and they look for somewhere else to hide as a roaring beast nears. Rita and a captive Joe enter a room. This contains Rita's father, a doctor who berates her on her grades. Amy, Howie, and Gibbis enter a room full of Weeping Angels. The Doctor arrives and tells Amy to face her fear; the angels aren't real.

Joe frees himself and runs out. The creature, described as an alien Minotaur, senses Joe's presence and kills him. Later, seeing Gibbis' reaction to the Angels, Amy realises that it wasn't her room, but his. The Angels were the only creatures to invade Tivoli to kill rather than conquer the inhabitants. Gibbis unnerves Amy by telling her that her room was still out there.

The Doctor devises a plan to confront the Minotaur by using a speaker broadcasting Howie's voice to trap the Minotaur in the same room as the Doctor. The Doctor talks to the Minotaur, who explains that the hotel is a prison that has trapped it for eons,. It wishes for an end but the prison keeps it alive. It doesn't want to kill; it is running on instinct alone.

Meanwhile, terrified of the Minotaur, Gibbis lets Howie go. The Minotaur escapes and kill him. Amy finds her room; Rita pulls her away from it before she can go in. Rita and the Doctor bond privately. He offers to take her through time and space once they escape. However she has been hiding her own devotions to the Minotaur and separates herself from the survivors to avoid putting them in danger when the Minotaur comes for her.

The Doctor is distraught and full of rage after Rita dies, knocking over objects on the front desk and screaming. The Doctor realises that only after people fall back on their faiths when confronted by fear are they killed by the Minotaur.

Joe was a gambler, who believed in luck; Rita was Muslim; Gibbis believes that his planet is going to be invaded again and Howie was a conspiracy theorist who believed the government controls everything. By breaking their faiths, it converts it into a form it can consume. Rory has remained unaffected because he has no strong faith in anything. That is why the ship has been showing him exits throughout the hotel that the others cannot see. Amy suddenly begins praising the Minotaur. The four of them run to Amy's room, revealing seven year old Amelia Pond sitting on her suitcase, staring at the stars, waiting for the Doctor.

The Doctor kills the Minotaur by breaking Amy's faith in himself, her deepest belief. He admits his faults to Amy, how most who come with him die or get hurt. He is not a hero, but a mad man in a box and it is time they see each other for who they are. He is a fallible being, and she is Amy Williams.

With the Minotaur dying, the hotel reveals itself to be a massive holographic ship. By hacking the ship, the Doctor determines that the Minotaur is from a species related to the Nimon. The Minotaur's kind need people to worship them to survive. Long ago it posed as a god to a race that advanced to the point where they realised what the Minotaur really was. They imprisoned it in an automated ship which fed it by scooping up people with strong faiths, keeping it alive for eons against its will.

As it lies dying, the Minotaur tells the Doctor, "An ancient creature drenched in the blood of the innocent, drifting in space through an endless shifting maze. For such a creature, death would be a gift." After the Doctor consoles the Minotaur, it reveals with its dying breath, "I wasn't talking about myself."

The Doctor uses the TARDIS to drop Gibbis off and takes Rory and Amy back to Earth, giving them a house and Rory's dream car as a goodbye present. While Rory is inside getting champagne, the Doctor explains that he can't keep putting them in danger, before departing. Rory comes out and asks where he is going. Amy tells him that the Doctor is saving them.

Cast

• The Doctor - Matt Smith
• Amy Pond - Karen Gillan
• Rory Williams - Arthur Darvill
• Amelia Pond - Caitlin Blackwood
• Lucy Hayward - Sarah Quintrell
• Rita - Amara Karan
• Howie Spragg - Dimitri Leonidas
• Joe Buchanan - Daniel Pirrie
• Gibbis - David Walliams
• PE teacher - Dafydd Emyr
• The Creature - Spencer Wilding
• Rita's father - Rashid Karapiet
• Gorilla - Roger Ennals

Crew

Executive Producers   Steven Moffat, Piers Wenger and Beth Willis

General production staff Production Executive - Julie Scott Line Producer - Diana Barton Associate Producer - Denise Paul Production Manager - Phillipa Cole Location Manager - Nicky James Location Assistant - Geraint Williams Unit Manager - Rhys Griffiths Production Co-ordinator - Claire Hildred Assistant Production Co-ordinator - Helen Blyth Production Assistant - Charlie Coombes Production Secretary - Scott Handcok Production Accountant - Dyfed Thomas A/Production Accountant - Ceredig Parry Script department Script Executive - Lindsey Alford Camera and lighting department 1st Assistant Director - William Hartley 2nd Assistant Director - James DeHaviland 3rd Assistant Director - Heddi-Joy Taylor-Welch Assistant Directors - Michael Curtis, Janine H Jones Script Supervisor - Elaine Matthews Camera Operator - Joe Russell Camera Trainee - Matthew Lepper Focus Pullers - Steve Rees, Jonathan Vidgen Assistant Grip - Owen Charnley Camera Assistants - Simon Ridge, Svetlana Miko Gaffer - Mark Hutchings Best Boy - Pete Chester Electricians - Ben Griffiths, Bob Milton, Stephen Slocombe, Alan Tippetts	Art department Supervising Art Director - Stephen Nicholas Assistant Art Director - Jackson Pope Production Buyer - Ben Morris Petty Cash Buyer - Kate Wilson Set Decorator - Julian Luxton Props Buyer - Adrian Anscombe Concept Artist - Richard Shaun Williams Design Assistant - Dan Martin Graphic Artist - Christina Tom Standby Props - Phil Shellard, Helen Atherton Standby Carpenter - Will Pope Standby Art Director - Amy Pickwoad Standby Rigger - Bryan Griffiths Store Person - Jayne Davies Props Master - Paul Aitken Props Chargehand - Rhys Jones Dressing Props - Tom Belton, Kristian Wilsher Props Driver - Medard Mankos Props Makers - Penny Howarth, Nicholas Robatto, Alan Hadry Construction Manager - Matthew Hywel-Davies Practical Electrician - Albert James Draughtsman - Julia Jones Costume department Costume Supervisor - Vicky Salway Costume Assistants - Jason Gill, Yasemin Kascioglu Costume Trainee - Frances Morris	Make-up and prosthetics Make-up Supervisor - Pam Mullins Make-up Artists - Vivienne Simpson, Allison Sing Prosthetics - Millennium FX Movement Stunt Co-ordinator - Crispin Layfield Stunt Performer - Gordon Seed Casting Casting Associate - Alice Purser General post-production staff Post-production Supervisors - Nerys Davies, Ceres Doyle Post-production Co-ordinator - Marie Brown Assistant Editor - Becky Trotman On-line Editor - Jeremy Lott Special and visual effects Visual FX Producer - Beewan Athwal VFX Editor - Cat Gregory Colourist - Gareth Spensley Sound Sound Recordist - Bryn Thomas Dubbing Mixer - Tim Ricketts Sound Maintenance Engineers - Jeff Welch, Dafydd Parry Dialogue Editor - Paul McFadden Sound Effects Editor - Paul Jefferies Foley Editor - Jamie Talbutt

Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources.

References

Cultural references from the real world

• Joe sings "Here comes a candle to light you to bed, here comes a chopper to chop off your head". This is from the centuries-old nursery rhyme Oranges and Lemons.
• One of the girls from Howie's room mentions the Klingons, suggesting that Howie may have been a fan of Star Trek.
• The 1980s hotel setting is similar to the one in The Shining
• A shapeshifting prison plucking individuals out of their lives is a similar premise to that of Cube.

Foods and beverages

• The Doctor now appears to enjoy apples. (DW: The Eleventh Hour)

Individuals

• Amy's room number was 7, a reference to her age when she first met the Doctor.
• The Doctor's room number was 11, a reference to the fact that Matt Smith is the Eleventh Doctor and that this story is the eleventh of the 2011 series.
• One room contained a clown. This may have been a reference to Sarah Jane Smith, companion to the Third, Fourth, Tenth and Eleventh Doctors, who suffered from a fear of clowns from childhood. (SJA: The Day of the Clown)

Races and species

• The Minotaur is a distant cousin of the Nimon.
• A Sontaran, a Silurian, a Tritovore, a Hoix , a Catkind and a Judoon appear in photographs.
• One of the photos show Lady Silver-Tear's fear was Daleks.
• The Weeping Angels are Gibbis' biggest fear, and Amy mentions having encountered them.

Story notes

• At the time of the script read-through, Lucy Hayward's name was "Lucy Miller". (CON: Heartbreak Hotel) It was ostensibly changed so as to avoid conflict with Lucie Miller, the long-term audio companion of the Eighth Doctor.
• Rita becomes the latest in a line of characters who are invited to become companions by the Doctor, only to die soon after.
• David Walliams previously played Quincy Flowers and Ned Cotton in BFA: Phantasmagoria.
• One of the rooms contains what appears to be a cross Physical Education teacher. Rory mentions having had a sadistic PE teacher in DW: The Doctor's Wife.
• We learn that the Doctor has a doctorate in cheese making.

Ratings

• UK Overnight: 5.2 Million
• UK Final: 6.77 Million

Myths

• The room with young Amelia is the room containing the Doctor's fear. False. This myth originates from numerous reviews and interpretations of the episode, however the door clearly is not #11, nor is the Do Not Disturb sign visible on the door handle.

Filming locations

• Seabank Hotel, Porthcawl (Lobby, Bar, Stairwell)

• Upper Boat Studios (Corridors, Rooms)

Production errors

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• As the group climbs the stairs (all six of them), the edge of the TARDIS was visible. (To see this, look to the mid-right of the screen in this shot. The TARDIS' bottom can just be seen) (11:15)
• When the Doctor and the gang enter the room containing the ventriloquist dummies, a boom mic is visible in the reflection of the mirror behind the bar (07:16).
• The Doctor claims that the windows have brick walls on the other side, but many have the reflection of the sun on them.
• When the minotaur bursts into Amelia's room, Rory literally disappears. He's seen riding the door as it flies back, and then vanishes. Assuming he is knocked unconscious, he would have to be physically attached to the door in some way to not push it closed as he falls to the floor.

Continuity

• The distinct sound of the Cloister Bell could be heard in the Doctor's room.
• This is not the first time the doctor has deliberately caused one of his companions to lose faith in him in order to save them. The Doctor emotionally devastated Ace by labelling her, among other things, an "emotional cripple" during his battle with Fenric. This was necessary in order for her to briefly abandon her belief in him, allowing the Ancient heamovore to defeat Fenric DW: The Curse of Fenric.
• A Rubik's cube is seen again. The Doctor threw one away in DW: Night Terrors when talking to George.
• Amy has previously encountered the Weeping Angels in DW: The Time of Angels/Flesh and Stone, NSA: Touched by an Angel. In DW: The Time of the Angels/Flesh and stone, it is stated that the image of an angel becomes an angel itself. Despite this, the angels in the hotel room are holograms that pose no physical threat.
• The Minotaur's final words were a prophetic statement delivered both to and about a long-lived traveller, similar to the last words of the Face of Boe in DW: Gridlock. It also foreshadows the Doctor's final death. (DW: The Impossible Astronaut)
• In BFA: The Holy Terror, the Sixth Doctor similarly visited a world designed to imprison an individual, namely Eugene Tacitus.
• The Doctor has previously been made to view images of that which he most fears due to the Master's Keller Machine. (DW: The Mind of Evil) In that case, he saw images of many of his enemies and a world consumed by fire.
• The Doctor says the minotaur is beautiful when he first sees it. The Tenth Doctor previously made this comment about the Lupine Wavelength Haemovariform and a Clockwork Droid. (DW: Tooth and Claw, The Girl in the Fireplace) Amy says the exact same thing later when the minotaur begins to take over her mind.
• The Doctor had also encountered a Minotaur in DW: The Mind Robber.
• The Doctor said to Amy at the end of DW: The Eleventh Hour that he is definitely a "mad man with a box" and that understanding this could save her life, the exact words he uses to save her from the minotaur.

Timeline

• This story occurs after: DW: The Girl Who Waited
• This story occurs before: DW: Death is the Only Answer and other various misadventures noted in DW: The Impossible Astronaut
• This story also occurs before: DW: Closing Time

Home video releases

The episode will be released on DVD and Blu-ray shortly after the airing of episode 13.

External links

• The God Complex at the official Doctor Who website