John Nathan-Turner
John Nathan-Turner (12th August 1947-1st May 2002) was the ninth and final producer for the original run of Doctor Who. He was perhaps the most widely known producer during the run of the original show, and is certainly the longest-serving producer of any televised incarnation of Doctor Who. He was often known simply by his initials, JNT.
Early career
Many of JNT's later traits as producer can be seen in his very earliest contact with the dramatic arts. As a teenager, he was interested in advertising. On a trip to a publicity firm, he realized that he was really more attracted to the show business side of producing commercials than to the gritty reality of advertising office spaces.[1] He then became a stage manager at a cabaret in Birmingham, where he dealt with a number of 1960s British celebrities, like Shirley Bassey. He also worked as a property master on a pantomime in town, which cemented his career ambitions.[1]
In the mid-1960s, he met a young Graham Williams, whose girlfriend — a clerk to the Head of Costumes — could get him a job in television. His first contract with the BBC was thus a one-month gig as a male costume assistant. Though his time in this role was brief, he met several people who would become important to his later career. Most notably, he met Bill Sellars, the future producer of All Creatures Great and Small.[1]
Following this initial foray into television, he returned to the theatre for three years, where he was a stage manager and occasional bit player.
This prepared him for his next assault on television. He joined the BBC as a floor assistant in 1968, and he first worked on Doctor Who in that capacity on The Space Pirates— recorded in Studio D of the Lime Grove Studios. Like Verity Lambert,[2] he disdained those early Doctor Who facilities:
- "... [Studio D] was murder, as the studio was on the fourth floor and all the dressing rooms were in the basement and the ground floor. I spent a lot of time running up and down stairs."[1]
He continued to work on the show sporadically during the Jon Pertwee era — by which time Doctor Who had left Lime Grove behind. During the early 1970s, Nathan-Turner was rotated around several different projects, and so only worked on specific Doctor Who serials, rather than whole seasons. In particular, he was a part of the crew on The Ambassadors of Death and Colony in Space.[1] In the first half of the decade, he was less associated with Doctor Who than with period dramas such as the Emmy-winning The Pallisers, and Nicholas Nickleby. He regarded the producer of those shows, Martin Lisemore, as a mentor.[1]
His breakthrough into genuine production came almost simultaneously from two directions at once. In 1977, he was engaged as production unit manager for season 1 of All Creatures Great and Small and season 15 of Doctor Who.[3] Famously, his stint on All Creatures introduced him to the actor he would cast as Tom Baker's replacement. But it also gave his dog, "Pepsi", the recurring role as "Pepper" — one of Sigfried Farnon's ubiquitous pets.[1]
He continued as both shows' production manager for two years. In November 1979, was asked to take over from Graham Williams as producer of Doctor Who. Finally forced to choose between the two, he left All Creatures in the middle of its third season.
Role as producer
Nathan-Turner took over as producer at the beginning of the eighteenth season, which turned out to be the last that featured Tom Baker's popular portrayal of the Doctor. He subsequently cast the next three actors to play the role: Peter Davison (1981–1984), Colin Baker (1984–1986), and Sylvester McCoy (1987–1989, 1996).
Discounting the short charity piece, Dimensions in Time, his onscreen tenure lasted from The Leisure Hive to Survival. Behind the scenes, however, he retained his job for more than a year longer. Due to the fact that the show was not flatly cancelled following the broadcast of the 26th season — but merely put on "indefinite hiatus" — he was still the salaried producer for what would have been the production and broadcast year of the 27th season. Technically, he left the program via a letter of resignation dated 31st August 1990, the same day that the the Doctor Who production offices were officially closed by the BBC.[4]
Having served as producer for so long, and possessed of a greater media presence than previous incumbents, Nathan-Turner was often the object of intense scrutiny by the series' fans. Decisions such as the casting of Bonnie Langford as the Doctor's companion are still a topic of discussion in the Doctor Who fan community 20 years later. His tenure coincided with a period of large growth in the show's fan base in the United States, thanks to repeated showings on affiliates of the American Public Broadcasting Service.
He was very effective at generating publicity for the series by threatening to remove or change a traditional element of it. Examples include the Sonic screwdriver, K-9, the TARDIS (or at least its police box shape), and Tom Baker's Doctor.
Nathan-Turner's changes to the programme were originally well-received by Doctor Who fans, to whom he extended an unprecedented degree of welcome. Like his predecessor, Graham Williams,[4] he actively cultivated ties with the fan base. However, his door was open to fan opinion leaders to an even greater degree. Editors of non-professional magazines or "fanzines" would be granted interviews by Nathan-Turner in the Doctor Who production office. Although he did not divulge the contents of forthcoming storylines in such conversations, he would speak in depth and at length about his approach to producing the show.
This openness to fandom proved a double-edged sword for Nathan-Turner. As his tenure on the series lengthened, and especially when the show's ratings began to drop, fan criticism of Nathan-Turner became more prevalent. Fanzines began to blame him for decisions made about the series, whether he was responsible for them or not. Supporters of Nathan-Turner's reign argue that the producer was not solely to blame for the series' decline in ratings and that the hierarchy at the BBC, funding issues and the decision to schedule the series opposite the popular Coronation Street should all share some responsibility. He continued to be involved in Doctor Who-related events (including co-writing the one-off reunion telecast Dimensions in Time, the only Doctor Who story for which he received a writer credit) until shortly before his death.
Nathan-Turner died, of liver failure, just over a year before the announcement by the BBC that the show would be revived, with new episodes to air beginning in 2005. He was survived by his long-term partner, Gary Downie, a production manager on Doctor Who. Downie died on 19 January 2006.
Memorable Quotes
- "Stay tuned": he often said this to the press, meaning that something good was coming up.
- "The memory cheats": as a defence to his then current production of the programme, Nathan Turner used this expression to mean that viewers of the series often had a distorted recollection of older episodes, believing them to be better than they were.
- "I have been persuaded to stay": after several attempts to resign from his post as Doctor Who producer, and having been prevailed upon by his BBC bosses to remain in the job.
Footnotes
- ↑ 1.0 1.1 1.2 1.3 1.4 1.5 1.6 O'Shea, Kevin, "The Heat Is Off". Doctor Who Magazine #164. 8 September 1990. p. 9-11.
- ↑ Shannon Sullivan's description of the recording of The Aztecs
- ↑ Having already secured his services for the 15th season, the BBC brought him forward as production unit manager for the last bit of recording of Philip Hinchcliffe's swansong, The Talons of Weng-Chiang.
- ↑ 4.0 4.1 Doctor Who Magazine #166. 31 October 1990. p. 5.
External Links
- BBC obituary
- IMDB biography
- Obituary at Entertainment Geekly Not compatible with the Firefox web browser.
- John Nathan-Turner article at Wikipedia
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