Vision mixer
Vision mixers were regular members of the production crew of the 1963 version of Doctor Who.
During the recording of a programme, they sat in the control booth above the studio floor and decided when to switch between the — usually four – cameras that were being used to film an episode, according to the director's instructions. They were thus "live editors", who controlled when a particular camera was actively recording.
They also were responsible for some visual effects, such as the insertion of pre-recorded material played back into a scene, and indeed the achievement of the original title sequence. Undoubtedly, however, their most important visual effect was that of regeneration, which — as established by Tenth Planet vision mixer, Shirley Coward — was always achieved by some form of camera cross-fade.
Interviewed on The Sensorites DVD extra Vision On, early Harnell-era vision mixer, Clive Doig, had this to say about his job:
What I'm doing as a vision mixer is cutting to the camera against the dialogue of the [camera script that the director has prepared]."
Because no mainstream DWU show after Survival has been produced in a multi-camera environment, vision mixers essentially haven't been used since 1989. Very brief exceptions occasionally crop up, however, as when characters are seen to be watching television programmes. The clearest examples of vision mixing in the BBC Wales era are perhaps Trisha Goddard's scenes in Army of Ghosts.
Although Survival was the final story of the regular run of Doctor Who to employ a vision mixer throughout its production, the last BBC-licensed story to use vision mixing was The Curse of Fatal Death. It in fact parodied the work of vision mixers in the original series by showing how quick cutting between cameras created the "endless corridors" down which the Doctor and his companion typically ran.
Credits
Season 4
Season 5
Season 7
Season 9
Season 10
- Frontier in Space - Mike Turner and Shirley Coward
- Planet of the Daleks - Mike Turner
Season 11
- Death to the Daleks - Nick Lake
- The Monster of Peladon - Mike Turner and Nick Lake
- Planet of the Spiders - Nick Lake
Season 12
Season 13
- Terror of the Zygons - Nick Lake
- Pyramids of Mars - James Gould
- The Android Invasion - Nick Lake
- The Seeds of Doom - Sue Thorne, Heather Gilder and Graham Giles
Season 14
Season 17
- Destiny of the Daleks - Nigel Finnis
- City of Death - Nigel Finnis
- The Creature from the Pit - James Gould
- Nightmare of Eden - Nigel Finnis
- The Horns of Nimon - James Gould
Season 18
- The Leisure Hive - Paul del Bravo
- Meglos - Graham Giles
- Full Circle - Carol Johnson
- State of Decay - Carol Johnson
- Warriors' Gate - Paul del Bravo and Jim Stephens
- the Keeper of Traken - Nigel Finnis
Season 19
- Logopolis - Carol Johnson
- Castrovalva - Carol Johnson
- Kinda - James Gould
- Earthshock - James Gould
- Time-Flight - Nigel Finnis
Season 20
Season 21
Season 22
- Attack of the Cybermen - Nigel Finnis
- Vengeance on Varos - Nigel Finnis and Jayne Beckett
- The Two Doctors - Jayne Beckett
Season 23
- The Mysterious Planet - Jim Stephens
- Mindwarp - Jim Stephens
- Terror of the Vervoids - Shirley. Coward
Season 25
Season 26
Documentaries about vision mixing
Vision mixing has been the primary focus of two documentaries in the classic Doctor Who DVD range.
Documentary | Released on | Interviewees | Subject |
---|---|---|---|
Vision On | The Sensorites | Clive Doig | Basic description of job, as it existed in the Lambert era |
A View from the Gallery | Day of the Daleks (2011 DVD release) | Barry Letts and Mike Catherwood | Relationship between the director and the vision mixer, primarily as experienced in the Letts era |