The Lost Boy (TV story)

The Lost Boy (TV story)

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The Lost Boy
Featuring:	Sarah Jane Smith Maria Jackson Luke Smith Clyde Langer Mr Smith K9 Mark IV (cameo)
Main enemy:	Slitheen Korst Gogg Thek Dat Tex Fine Bloorm Vungah Bart Mr Smith (redeems himself)
Main setting:	Ealing, London, 2008
Key crew
Writer:	Phil Ford
Director:	Charles Martin
Release details
Story number:	6
Release number:	Series 1
Premiere broadcast:	12th-19th November 2007
Format:	2x30 minute episodes

The Lost Boy was the final story of Series 1 of The Sarah Jane Adventures. It formed episodes 9 & 10 and saw the reappearance of the Slitheen.

Synopsis

A missing child turns out to be, both visually and genetically, Luke. Sarah Jane is forced to hand him over to the 'parents', only to find that they are not what they seem.

Plot

Part 1

Having just discovered what Sarah Jane, Maria, Clyde and Luke do together, Alan Jackson threatens to move house again, only to have a change of heart when he sees how upset Maria is. His condition for not moving away, however, is that he is kept up to date with their battles against aliens.

Luke is purported to be a missing child, Ashley Stafford

A news report on a family searching for their son, Ashley, who has been missing for five months, brings a shock, for Ashley looks exactly like Luke. Mr Smith compares their DNA, and confirms that Luke and Ashley are genetic matches. Apparently Luke was not 'grown' by the Bane, but was a kidnapped boy. His lack of a navel is explained as the result of its removal by the Bane, who are eggborn and find navels offensive. Chrissie Jackson calls the police and reports Sarah Jane as a child abductor. Sarah Jane is arrested and the police relieve Luke into the custody of Ashley's parents, Jay and Heidi. Sarah Jane is detained by the police, only for UNIT to intervene and have her released. Depressed, Sarah Jane decides she was wrong to involve children and tells Maria to stay away from her. Mr. Smith suggests she take on a case in order to take her mind off things, and she visits the Pharos Institute, a research centre where alien technology is being used to conduct experiments into telekinesis. Here she meets the annoying child prodigy Nathan Goss. That night, Luke's new parents watch television and switch over to a channel that glows green. They announce to the Xylok that they have the boy in their possession.

Luke's new parents are extremely abusive towards him, keeping him locked up in his room at all times. Clyde Langer cuts school to visit Luke, but Heidi does not allow him. Heidi claims that her son is a keen skateboarder, which worries Clyde as he knows Luke has a poor sense of balance and is a dreadful skateboarder. He decides to bring a photo of Jay and Heidi to Mr Smith. Luke becomes frantic upon seeing Clyde leave the house, and desperately begins making attempts to escape. Mr. Smith, meanwhile, sends Sarah Jane back to the lab to steal one of the headsets there, which he needs to analyse to work out Nathan's plans. Clyde gets to the house only seconds after Sarah Jane has left, but takes the photo to Mr Smith anyway, only for Mr Smith to confess that he faked the photo. It turns out that Mr. Smith is the Xylok, and he fires a bolt of energy at Clyde, causing him to vanish.

Back at Luke's new home, his 'parents' are meeting with Nathan, just as he is breaking out of his room, with the result that he fails to escape, but succeeds in discovering that his parents are actually Slitheen using improved compression technology, and Nathan Goss is in fact Korst Gogg Thek Lutiven-Day Slitheen, a child Slitheen Luke encountered previously, now in a new disguise and looking for revenge.

Part 2

Clyde awakes to find himself inside Mr. Smith as Sarah Jane Smith returns from the Pharos Institute, having successfully stolen a telekinetic headset. Elsewhere, Maria and Alan go to Ashley's house, where they find a skinsuit and Maria realises the Slitheen have Luke. Alan then receives a message on his computer from Clyde, who states Mr. Smith has turned evil. The Jacksons and Sarah Jane confront Mr. Smith and are nearly killed as it fires a bolt of energy from a built-in gun.

File:K9DefendsSJS.jpg

K9 takes a break from black holes long enough to protect Sarah Jane from Mr. Smith.

The Slitheen take Luke to the Pharos Institute where they test his abilities. Luke overcomes the Slitheen and escapes, as Maria, Alan and Sarah Jane arrive. Working together, they discover Mr. Smith's intentions with Luke and Alan adapts a computer virus that could destroy Mr. Smith. Using the Slitheen teleporter, Sarah Jane arrives in her attic, where Mr. Smith is using Luke to awaken other Xylok from the Earth's core. He plans to crash the moon into the planet, cracking it open like an egg and freeing the other Xylok. Clyde returns when Mr. Smith states he is merciful, but threatens the duo with its gun. Sarah Jane unlocks a safe and calls on K9. The robots battle and Sarah Jane inserts the virus, which makes Mr. Smith forget its purpose. As the Moon grows closer to the Earth, Sarah Jane tells Mr. Smith it has a new purpose: to safeguard planet Earth.

The Moon returns to its original position, K9 goes back to the safe to safeguard the black hole and the Slitheen return to Raxacoricofallapatorius. As Sarah Jane, Maria, Luke, Clyde, Alan and Chrissie watch the ship leave, Sarah Jane reflects how she never thought she could be part of a family...

Cast

• Sarah Jane Smith — Elisabeth Sladen
• Maria Jackson — Yasmin Paige
• Luke Smith — Tommy Knight
• Clyde Langer — Daniel Anthony
• Voice of Mr Smith/Xylok - Alexander Armstrong
• Alan Jackson — Joseph Millson
• Chrissie Jackson — Juliet Cowan
• Professor Rivers — Floella Benjamin
• Jay Stafford — Jay Simpson
• Heidi Stafford — Holly Atkins
• Nathan Goss — Ryan Watson
• Chief Inspector - Julian Dutton
• Jay Slitheen — Paul Kasey
• Nathan Slitheen — Jimmy Vee
• Heidi Slitheen — Ruari Mears
• Newsreader - Jason Mohammad
• Voice of K9 — John Leeson

Production Crew

Executive Producers – Russell T Davies, Julie Gardner, Phil Collinson Producer – Matthew Bouch Second Assistant Director – Anna Evans Script Editor – Lindsey Alford Directors of Photography – Ernie Vincze BSC, Sian Elin Palfrey Focus Puller – Steve Rees Second Assistant Camera – Tom Hartley Supervising Art Director – Matthew North Post-Production Supervisor – Nerys Davies Supervising Sound Editors – Paul McFadden, Doug Sinclair Music – Sam Watts Casting Director – Andy Pryor Casting Associate – Andy Brierley Assistant Makeup Artist – Olivia Jones On-Set Visual Effects Supervisor – Simon C. Holden Visual Effects Coordinator – Jenna Powell

References

• Mr. Smith claims that "Without purpose, we do not exist." This almost a direct quote from Agent Smith, the similarly-named antagonist of the film The Matrix Reloaded.
• Mr. Smith also asks "Am I not merciful?" This is a direct quote from the villain of the film Gladiator
• Maria likens the Slitheen to the TV show, Only Fools and Horses.
• Telekinetic control is valuable in some parts of the galaxy.
• A telekinesis experiment conducted by the Pharos Institute involves levitating a basketball.

Story notes

• This episode ends with Sarah Jane narrating. This closes the first series, just as a narration by her opened the series in Invasion of the Bane.
• Both episodes were aired on the CBBC channel, and were broadcast a week later on BBC 1.

Ratings

• Episode 1 - 465,000 (CBBC)
  • 1.3 million (BBC 1)
• Episode 2- 659,000 (CBBC)
  • 1.2 million (BBC 1)

Myths

To be added

Filming locations

To be added

Production errors

At one point, it says 21 on Sarah Jane's door.

Thats because the house they film at is 21 Clinton Road, Penarth, Cardiff. Thats why the number on the door changes at times

Continuity

If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to this episode's discontinuity discussion.

• The Slitheen previously appeared in DW: Aliens of London, World War Three, and Boom Town, SJA: Revenge of the Slitheen, NSA: The Monsters Inside, and in Attack of the Graske and the family have had many references in other episodes.
• When the inspector questions Sarah Jane, a page of her confidential UNIT file is visible on screen. The text is taken from the BBC's UNIT website and includes the in-joke that UNIT's activities span "the sixties, the seventies, and some would say the eighties." This is the first on-screen reference in SJA (and indeed the entire Doctor Who TV franchise) to the UNIT dating controversy and was followed by a similar in-joke spoken by the Doctor in DW: The Sontaran Stratagem where he reminisces about working for UNIT in the '70s, "or was it the 80s?"
• K9 returns briefly and reference is made to his work on containing the black hole. Clyde does not know of him as he was not present when K9 met Maria and Luke. As such, K9 calls him "young master", SJA: Invasion of the Bane)
• The Slitheen are now using an improved version of their skin suit, which allows them to pass for skinnier humans, and no longer causes the gas exchange problem which caused inconvenience in Revenge of the Slitheen et al.
• The Pharos Institute may have some connection to the Pharos Project, last seen in DW: Logopolis
• Sarah Jane says she never thought she could be part of a family. She would later tell the Doctor that he had the biggest family on Earth, herself being a part of it. (DW: Journey's End)
• Professor Rivers says that all humans have the ability to perform telekinesis. The Doctor would later use telekinesis whilst using the thoughts of the human race psychically linked together. (DW: Last of the Time Lords)
• When Sarah Jane arrives in the attic using the Slitheen teleporting device, the light produced looks similar to a vortex manipulator. (DW: The Big Bang et al.)

Home video releases

The Lost Boy, along with Invasion of the Bane, Revenge of the Slitheen, Eye of the Gorgon, Warriors of Kudlak and Whatever Happened to Sarah Jane?, is available in the Series 1 boxset.

Novelisation

File:Miscbooks-1878.jpg

Main article: The Lost Boy (novelisation)

• A novelisation written by Gary Russell, was published on 3 November 2008, marking the first time since the early 1990s that a complete season of a Doctor Who-related series has been completely novelised.