Disputed story titles
A disputed story title is one which has generated controversy amongst fans who are knowledgeable of the production history of Doctor Who. On television, the overwhelming majority belong to serials of the William Hartnell era of televised Doctor Who, although a few come from later stories.
1963-1996 Doctor Who TV stories[[edit] | [edit source]]
Disputed story titles are overwhelmingly found in Hartnell era serials. Until The Savages — late into his career as the First Doctor — stories were broadcast not under a serial title, but rather as a series of individually-titled episodes. Thus, when there eventually arose a need to talk of these stories in the context of later serials which only had serial title, they had to be given a retroactive serial title they had never publicly had before. Two particular impetuses for this process were the publications of the first lists of serials, such as The Doctor Who Programme Guide, and the initial BBC Enterprises release of the serials to home video.
This process has caused difficulty in two ways. First, internal BBC documents have subsequently come to light which have revealed that the official BBC Enterprises title does not match what appears to have been the original name under which the story was commissioned and/or produced. Second, some titles are at variance with the earliest name under which the story was sold to overseas buyers or housed within the BBC's archives.
Because all serials have always been released under the same name to home video (and, in the majority of cases, under the same title in the Target novelisation series, too), however, the average fan of Doctor Who will not easily recognise that a naming controversy even exists. Thus, this problem is largely one which exists in the minds of fans who are conversant with the early production history of Doctor Who.
In addition to the Hartnell serials, there have been a few later stories which have suffered from naming controversies arising from other, unique causes.
An Unearthly Child[[edit] | [edit source]]
An Unearthly Child is the title used on every home video release of the first four episodes of the programme: "An Unearthly Child", "The Cave of Skulls", "The Forest of Fear" and "The Firemaker". Because of this consistent usage on home video, most are perfectly happy to accept the BBC DVD title.
However, the final title used by the production team at the time of original transmission was 100,000 BC, while the working title was The Tribe of Gum. (REF: The First Doctor Handbook) Because it can be established that the intent of Verity Lambert and her team was to call the story 100,000 BC, and because that is a name which better describes the bulk of the episodes than An Unearthly Child, some fans vigorously dispute "Unearthly" as anything other than the title of episode 1. However, The Tribe of Gum also has its supporters, because it was used as the title of the four-part script when it was published by Titan Books as a part of their Doctor Who: The Scripts series. Some feel that this name comes closest to the intent of the scriptwriter, Anthony Coburn, but this is debatable in that said working title originated from earlier drafts of the script where Kal was instead named Gum. Thus, with the later name change, it can be said that the tribe was no longer of Gum, but instead of Kal.
The Daleks[[edit] | [edit source]]
The second story of the first season is commonly known as The Daleks and comprises the following episodes: "The Dead Planet", "The Survivors", "The Escape", "The Ambush", "The Expedition", "The Ordeal" and "The Rescue". One working title for this story was Beyond the Sun. This story has also been known as The Mutants; however, so as not to confuse it with the Jon Pertwee story (also called The Mutants), it is better known as The Daleks.
When this story has been released on BBC Video and DVD, it has been released as The Daleks.
The earliest documents for this story credit it as The Survivors. Reference works have also attributed the title The Dead Planet to the serial, taking the title of the first episode. It is of note that neither The Mutants nor The Daleks is actually used on screen for this serial. In fact "The Daleks" is the on-screen title of the second episode of the second Dalek serial, The Dalek Invasion of Earth.
The Edge of Destruction[[edit] | [edit source]]
The Edge of Destruction is the third story of the first season, comprising "The Edge of Destruction" and "The Brink of Disaster".
This story was also known as Inside the Spaceship. The Target Books novelisation uses the title The Edge of Destruction. The Television Companion by David Howe and Stephen James Walker puts forward the case that Inside the Spaceship is the official BBC production title for the serial.
When this story has been released on BBC Video and DVD, it has been released as The Edge of Destruction.
This story has sometimes been wrongly referred to as Beyond the Sun, which was actually a working title used for The Daleks.
The Massacre[[edit] | [edit source]]
The Massacre is the fifth story of the third season, comprising "War of God", "The Sea Beggar", "Priest of Death" and "Bell of Doom".
This story is sometimes known as The Massacre of St Bartholomew's Eve, whilst in other media (including the Target novelisation) it is simply known as The Massacre. BBC documents concerning overseas broadcast of Doctor Who erroneously referred to it as The Massacre of St Bartholomew.
The BBC Radio Collection releases use both names.
Mission to the Unknown[[edit] | [edit source]]
This single-episode story, although it carries the on-screen title Mission to the Unknown was also known officially by the BBC as Dalek Cutaway, and has been listed as such in some reference works. Its status as a prologue to the 12-episode The Daleks' Master Plan has led to some references considering this to be part of that overall storyline; indeed, the Target novelisation, Mission to the Unknown, also places it under this umbrella.
Doctor Who and the Silurians[[edit] | [edit source]]
This Third Doctor story suffers from an unusual problem. The name Doctor Who and the Silurians is always the one under which the story has been known publicly. It even can be argued that it is the name under which the production team usually referred to it in internal documents. However, it is not the name under which the production team wanted it released.
Until this point, the production team had routinely prefaced each story title with the phrase Doctor Who and the ... However the BBC credits department, responsible for physically putting the credits into the opening and closing sequences, had always followed the instruction to omit the prefacing and. On this occasion, they included the preface, and the error was not noticed until broadcast.
Producer Barry Letts has consistently opined that the true title of the story is simply The Silurians, but he is technically not supported by documentary and on-screen evidence. Despite the fact the on-screen title was an error, all future home video releases have retained it as the official title of the story.
Though the Target novelisation avoided the issue by, initially, being published as Doctor Who and the Cave-Monsters; however, the 1992 edition of the book was retitled The Silurians, omitting the controversial prefix.
The Trial of a Time Lord[[edit] | [edit source]]
Season 23 consisted of a single storyline entitled The Trial of a Time Lord, and this title is the only one shown on screen during all 14 episodes. However, the season actually consisted of four storylines written by different writing teams: The Mysterious Planet, Mindwarp, Terror of the Vervoids and The Ultimate Foe (the latter of which technically also ties in with the framing story of the season). Deciding whether or not to count Season 23 as a single story, or as four stories, has been a point of debate, particularly among those attempting to calculate how many individual storylines have been produced in the series since 1963.
Exacerbating the issue is the fact the four "chapters" were novelised by Target under their script titles, and out of order, and that BBC Video created individual DVD releases for each (though, to date, they have only been released as a single Trial of a Time Lord box set and furthermore the spines for these DVD cases all say 'The Trial of a Time Lord' with each case stating the episode numbers of the story with only stickers stating the script titles on the front cover).
The 1996 TV Movie[[edit] | [edit source]]
The 1996 Doctor Who television movie was not given any other title at the time of its broadcast than simply Doctor Who. Fandom has widely referred to it as simply "the TV Movie".
When asked for a title to use to refer to the movie at the ManoptiCon 4 convention, producer Philip Segal suggested The Enemy Within (which, coincidentally, was a working title for The Invisible Enemy). [1]
For the BBC DVD release it was simply entitled Doctor Who: The Movie. The contemporary novelisation of the movie titled itself The Novel of the Film as well as using the Doctor Who logo prominently on the cover; thus, it can be said to referred the movie as "Doctor Who: The Film" by implication. The 2021 altered rerelease of the novelisation, and its audiobook reading by Dan Starkey, were done under the name of The TV Movie, officially used as a proper title for the first time.
Another unofficial subtitle, Out of the Ashes, has been used in several sources, including the A Brief History of Time (Travel) website, and it was also used to refer to the TV Movie during a 2005 online documentary[which?] produced by the CBC in Canada for its website promoting the revived series.
This Wiki entitles it Doctor Who (TV story), in accordance with its disambiguation policies.
Theatrical films[[edit] | [edit source]]
Daleks' Invasion Earth 2150 A.D.[[edit] | [edit source]]
The 1966 theatrical Peter Cushing film spelt its title as Daleks' Invasion Earth 2150 A.D. in the title sequence, which is the version retained by this Wiki.
However, the official posters and trailer gave it as Daleks — Invasion Earth 2150 A.D.. In grammatical terms, this makes Daleks the true title and Invasion Earth 2150 A.D. a subtitle rather than having the title be all one phrase. However, the typography of the poster made Invasion Earth by far the biggest words, and thus the default shortened title.
The menu of the official Region 4 DVD release of the film gave it as the ungrammatical Daleks Invasion Earth 2150AD
Novelisations[[edit] | [edit source]]
Dr Who in an Exciting Adventure with the Daleks[[edit] | [edit source]]
The earliest novelisation of a Doctor Who TV story, Doctor Who in an Exciting Adventure with the Daleks, based on The Daleks, was first published in hardback by Frederick Muller Ltd on 12 November 1964; the name Doctor Who appeared very prominently on the first printing, with the rest of the title more of an afterthought.
The paperback edition was issued on 4 October 1965 by May Fair Books Ltd, under the "Armada Paperbacks for Boys & Girls" imprint, used the variant title Dr. Who in an Exciting Adventure with the Daleks.
When it was reprinted as the first title in the new range of Doctor Who novelisations planned by Target Books on 2 May 1973, the title had been shortened to Doctor Who and the Daleks with the subtitle "Based on the popular BBC television serial". This nearly matched the title retained for the Peter Cushing remake of The Daleks, being Dr. Who and the Daleks.
The Daleks comic stories[[edit] | [edit source]]
The weekly The Daleks one-page comic serials in TV Century 21 ran continuously between 1965 and 1967. Despite clear shifts in main storyline, and occasional changes of artist, there was never any clear cut-off point between one storyline and the next; in theory, TV21's The Daleks was one single serialised history of the Daleks, not a series of stories.
Because of this, all titles for the individual stories were decided after the fact in reprints and reference guides. The titles used in early Dalek annual reprints did not necessarily match up to the "definitive" title formulated by John Ainsworth after interviewing the creators.
The Penta Ray Factor[[edit] | [edit source]]
Terry Nation's Dalek Annual 1977 used the title of The Envoys of Evil for this story. The title of The Penta Ray Factor was formulated by John Ainsworth and ultimately used in Marvel's The Dalek Chronicles, a special reprint of all The Daleks comics. Notably, this title contains an error of spelling: in the story itself, the device is a Pentaray, not a Penta Ray.
The Archives of Phryne[[edit] | [edit source]]
Terry Nation's Dalek Annual 1977 used the title of The Quest for this story. The title of The Archives of Phryne was formulated by John Ainsworth and ultimately used in Marvel's The Dalek Chronicles.
2005-onwards Doctor Who TV stories[[edit] | [edit source]]
Needs information regarding the decision to rename the CiN special and Doctor Who: Flux.
The revival of Doctor Who in 2005 saw the series return to the format of assigning individual titles to each episode, including two-part storylines. Initially, this led to some debate over what titles to assign complete stories (for example, TV: Aliens of London and World War Three). This problem was avoided with the two-part TV: The End of Time (2009-10), the first multi-part revival-era story to use the same title for both episodes. (Though, throughout production, the first part was entitled "The Final Days of Planet Earth". This could be considered a working title of sorts, as it was only decided against during the editing process when Russell T Davies decided it didn't fit for the episode. [2])
Later, Spyfall would use the same title for both of its episodes. Officially, umbrella titles are not ordinarily assigned, as evidenced on occasions when the series has been nominated for Hugo Awards for multi-chapter stories, but where the official nominations use both titles (such as with The Empty Child and The Doctor Dances).
Children in Need Special[[edit] | [edit source]]
In 2005, a special 7-minute mini-episode of Doctor Who was produced for the Children in Need appeal. Discounting the TV Movie, this was the first (and to date only) televised Doctor Who story to not display any episode title. The most common title applied to the episode is Children in Need Special or simply Children in Need, however the special is also known by the title Pudsey Cutaway (a reference to the charity's mascot).
When the BBC released the story to DVD, the title Children in Need Special was applied to it. The 2009 licensed reference book Doctor Who: Companions and Allies applied the title Born Again to the mini-episode, which was disputed by a review of the book in Doctor Who Magazine.
The Sarah Jane Adventures TV stories[[edit] | [edit source]]
From Raxacoricofallapatorius with Love[[edit] | [edit source]]
From Raxacoricofallapatorius with Love was a 2009 mini-episode of The Sarah Jane Adventures, broadcast during that year's Comic Relief appeal, that carried no on-screen title and had been publicised under the title Funny for Money in the weeks preceding transmission. However, its co-writer, Clayton Hickman, indicated the From Raxacoricofallapatorius With Love title to Doctor Who Magazine writer Benjamin Cook via Twitter on 15 March 2009. However, he also indicated that the title Ron With the Wind may also be applied to the story.[3] The BBC Video/2 entertain DVD release of the story (included as an Easter egg in the Series 2 box set) gives no title, leaving its official BBC title unclear.
Other[[edit] | [edit source]]
The 1999 novel The Taint is titled as Doctor Who and the Taint on the title page.
The 2003 audio drama Doctor Who and the Pirates has the full title of Doctor Who and the Pirates, or The Lass that Lost a Sailor.
The 2004 Faction Paradox novel Of the City of the Saved... is titled Of the City of the Saved, of its diverse citizenry and of its sundry divinities, with a disquisition on the protocols of history on the title page.
The full title of the 2011 short story A Hundred Words from a Civil War is exactly 100 words long: A Hundred Words from a Civil War, being an Account of the War between the Citizens of the City of the Saved, fought with Potent Weaponry in the aftermath of the Manfold Incursion; including the Suppression of the Gods, the Mission of the Starship Paramount, the Military Campaigns of Melicia Clutterbuck, Ph.D., and Certain Actions on the part of the Rump Parliament of Faction Paradox, with a full history of the Events at the Bonehall Metalith; featuring Romans, Clones, Hermaphrodites, Assassins, Pirates, Posthumans, Vampires, Werewolves, Ghosts, Zombies, Detectives, Giants, Popes, Admirals, Cavemen, Dinosaurs, Baron Frankenstein and a cast of Undecillions.
