Forum:Validity: Do You Have a Licence to Save this Planet?
Opening post
I think the BBV film Do You Have a Licence to Save this Planet? should be validated due to the "Chiropodist" character having an officially authorized mention in The Bloodletters, which is considered a valid source on this wiki. This is a clear case of Rule 4 by proxy. Cgl1999 ☎ 05:11, 13 June 2023 (UTC)
Discussion
The past discussion here is Forum:BBV and canon policy. I think I've made my sentiments on the subjects of obvious parody of Doctor Who, R4bp, and reading into authorial intent quite clear in prior threads. Najawin ☎ 05:44, 13 June 2023 (UTC)
- Well, the question in my mind is if it's valid to read the story as purposefully taking place in an alternate universe. From what I remember about the special, I think the main plot revolves around "Unlicensed Earth" and its relationship with those from "real Earth" who want it destroyed. As we established in a recent forum, something being a parody is not universally disqualifying if there's some question of Rule 4.
- Furthermore, The Chiropodist appears in The Bloodletters, which in any other case would be a clear cut case of Rule 4 By Proxy, which is current policy. In my opinion, this story passes Rule 4.
- To me the actual issue is Rule 2. At the start of the film, Rassilon himself has a fully animated cameo. This is clearly done as a gag, but an angled reading of T:VS could clearly indicate that, due to this quick cameo, we can't allow the story to be valid because it wasn't 100% licensed. Personally, I would be in favor of just letting this slide and probably creating Rassilon (Do You Have a License to Save This Planet?). But I could see why others would think it was more complex than that.
- So, again, at the end of the day I would argue the full debate is down to if you think the Rassilon cameo makes the story unlicensed. Either way, I do think that this story justifies coverage, which historically it hasn't had. Basically, the story is technically not only non-valid but non-covered, and I think that's silly. OS25🤙☎️ 15:10, 13 June 2023 (UTC)
- My hot take is that using The Bloodletters as a means of validation through Rule 4 By Proxy would be a huge mistake and I can't really see this thread as anything other than an attempted stress test of R4BP. Even setting aside my own opinions on BBV validity, R4BP should not be used for "brief allusions" --such as the reference to the Chiroprodist --it's meant for far more robust secondary uses. Rule 2 should definitely bar this anyways, but I think it should be made clear that this level of use should not be sufficient for R4BP. NoNotTheMemes ☎ 15:21, 13 June 2023 (UTC)
- I disagree, and I think historical precedent in previous debates has made it clear that a reference this overt is perfectly fine. Besides this, I again want to emphasize that I don't think we need Rule 4 By Proxy. I think the original special was intended to be an AU adventure, thus we should cover it as one. I also would hesitate to assuming that the forum was created under bath faith, especially as I think it's a little rude to someone who appears to be a new editor. OS25🤙☎️ 15:24, 13 June 2023 (UTC)
- Hang on, now, whoever said Rassilon was unlicensed? Do You Have a Licence to Save this Planet? features the Sontarans as licensed from the Holmes estate. Rassilon was created by Holmes. It's not clear to me why we should assume foul play here. (Okay, some would argue that the reason we should assume foul play prima facie is "it's Bill Baggs", but you know what I mean.)
- I'm also not at all convinced by the Rule-4-on-its-own credentials of Do You Have a Licence…. What is meant by "Unlicensed Earth" is exceedingly unclear, and the villains are certainly not from a distinct "Licensed Earth" or anything of the sort — I don't think there's any suggestion of parallel universes in the story, just space-time itself being destabilised. Indeed there is an infamous almost-cameo by the Second Doctor (only he's not at home, hence why Rassilon phones the Chiropodist instead).
- The story also goes and breaks the fourth wall above and beyond this notion of in-universe "licensedness" - towards the end the Chiropodist "regenerates" into himself-wearing-a-wig, lampooning Time and the Rani, and immediately throws off the wig and mutters "I told Bill it wouldn't work", or something of that nature. McCoy essentially breaks character for comic effect, in a way that lastingly destabilises the narrative, since the Chiropodist for the rest of the story is not a regenerated version. I really think we're looking at one of these stories that fail Rule 4 as much by "not taking place in a coherent fictional universe" as much as by taking place in "a coherent fictional universe that isn't the DWU [but could conceivably be a parallel universe]".
- As regards the R4BP of it all, as I've said in the past, continuity references are what we're looking for with R4BP; and we look for them insofar as they're circumstantial evidence of intent to bring the past story into the DWU, moreso than in themselves. Now, brief allusions can be continuity references — I will not budge from the rock that if the Doctor looks into a multiverse portal and sees [Invalid Story X], even if it's a "brief allusion", the null hypothesis should be that they're bringing the past story into the DWU. Morris's bizarre apparent authorial non-intent regarding Tomorrow Windows is an aberration and should not be the basis of policy.
- But as the affirmed significance of Morris's quotes denying the significance of Tomorrow Windows established, an authorial quote can cancel out in-narrative circumstantial evidence. A quote about the explicit intent behind an apparent reference is better than just our assumptions about what the reference means, even if I still think using references as circumstantial evidence is fine when quotes are nonexistent and unlikely to be obtainable (as, for example, would be the case with trying to bug Lawrence Miles abotu that Prime Computers reference in Christmas on a Rational Planet — to say nothing of people who are deceased). So if what's going on here is contentious, the obvious thing to do is to ask Ryan Fogarty directly whether he intended for the name-drop in The Bloodletters to be a genuine continuity reference establishing Do You Have A License… as being in-continuity. He does have an online presence.
- So I did, and he got back to me in record time:
Well as the writer the Chiropodist’s 2nd appearance, I am of the opinion that while all of the characters from ‘Do You Have a Licence...’ should exist in the Whoniverse proper, the events in the special itself (at least most of them) probably did not occur there.
- Now I'm not closing this for various reasons (among them straightening out what we're assuming with regards to Rassilon), but that seems rather clear-cut invalidity to me — and a good example of getting a sensible outcome from the common-sense next-step provided in such a case by the existing R4BP framework, to boot. Scrooge MacDuck ⊕ 19:26, 13 June 2023 (UTC)
- Sorry, I just don't agree on any statements made here.
- First of all, I am not convinced that Holmes owns Rassilon. If he did, I think BBV would have used the character in more than just a silly VHS parody.
- Secondly, I thought the agreement about fourth wall breaks is that minor moments are not disqualifying when the rest of the topic are not bound by those moments? The fourth wall gag in that film is pretty throw-away, and I don't buy calling it non-valid just for that reason.
- Thirdly, what we all obviously have to keep in mind is that "Doctor Who universe" the wiki term and "Whoniverse" the fandom term are not the same thing at all. For instance, one might easily say that The Daft Dimension is not "Whoniverse" but is DWU by the wiki's terms. As I said, it's been a common reading of the tape that it takes place in an alternate reality or universe - so the authorial intent above is clearly irrelevant. The real question to ask them is if the Chiropodist in their story is the same character whom had previously experienced DYHAL in question. Is this a copy of the character which did not experience the film? Or is it the same character having traveled to the DYHAL universe and then back to the DWU? OS25🤙☎️ 19:39, 13 June 2023 (UTC)
- I agree with OS25 in that Holmes almost certainly did not own Rassilon. He was serving as script editor when he wrote The Deadly Assassin and so the rights would have vested with the Beeb (and before somebody opens the Sutekh can of worms, he originated from a draft by Lewis Greifer). Lord knows if he had power over Rassilon, he would have shown up in Faction Paradox Protocols or True History of Faction Paradox. As for the rest of it, I disagree with the characterization of DYHALTSTP. The whole darn thing is a fourth wall gag. NoNotTheMemes ☎ 19:45, 13 June 2023 (UTC)
I'm more agnostic on the subject. I think the argument Memes is making applies equally well to the Osirians, iirc. It might be the case that Rassilon is considered so derivative, for the purposes of The BBC that they kept the rights, but I'm not convinced that it was just that he was the script editor. (Also, slight editing of that comment for obvious reasons.) Najawin ☎ 20:00, 13 June 2023 (UTC)
- I don't know if Rassilon was licensed, I just think (abstracting away opinions of Baggs's character) the circumstances are nowhere near clear-cut enough for the Wiki to go around treating "Rassilon was unlicensed" as fact based on perceived likelihoods. Down that way lies Amorkuz. That's all I'm saying. It's in the space where if it were the only DWU element in the story I would say "not enough evidence to support putting it on the Wiki on that basis", say, but not listing it as "fanfic" without positive evidence — similar to the current treatment of LEGO Batman.
- Anyway, minor fourth-wall-breaks aren't always grounds for invalidity, sure but as I tried to lay out in the closing post of that thread, there are very many kinds of fourth-wall-breaks, some more damning-as-circumstantial-evidence than others; characters acknowledging their own fictionality in some way is not the same thing as an actor breaking character altogether. Sylv breaking character is different from the Cyberons calling themselves unlicensed. And furthermore my point was to argue that the fourth-wall gag is essentially a pivotal plot point, in the literal sense of the plot mechanics: it's why we stay with the same Chiropodist even though the previous one got zapped to death. It's the equivalent of Peter Capaldi blinking at the end of The End of Time, breaking character, going "you know what, nah, I don't want the part after all — Matt, you good to stay on?", and Matt Smith back on and resuming his role and carrying on into Deep Breath.
- As for further ambiguities in the Fogarty quote — well look, again we here have the good fortune of an author who's out there answering questions, not dead, or offline, or rendered hostile to the general concept of Who fandom. So I asked him again, and he says this:
I never said non-canon! I think the Un-Licensed Earth is an other-dimensional realm or something like the Land of Fiction! Just not *inside* the Whoniverse, the extreme hinterlands. I mean, that’s just how I interpret a story that isn’t even my own. My story doesn’t say anything about it. (…) I never meant to firmly establish one way or another if DUHaL2STP was ‘canon’ to the DWU or not. The appearance by the Chiropodist in The Bloodletters definitely is canon, but DUHAL maybe happened… or maybe it didn’t.
- So people who quibbled about what he meant by "Whoniverse" were right — but so were those who questioned whether the reference was meant to do the R4BP thing of establishing proxy-DWUness. Scrooge MacDuck ⊕ 20:37, 13 June 2023 (UTC)
- Are there not issues of The Daft Dimension which feature similar fourth wall gags? Referencing the comics as pieces of fiction in a magazine? I know there are issues of Doctor Who? which are like that. It just seems like a very arbitrary thing to use to pass judgement.
- As per that quote - if seems very clear to me that the Chiropodist's cameo is a continuity reference to the special. Again, the author seems to be consistently measuring DWU as "the universe where Tooth and Claw took place", not our unique definition of "the Omniverse of universes surrounding the Doctor's". I am not convinced that the Chiropodist there is not simply the same character after the events of the film. OS25🤙☎️ 00:52, 14 June 2023 (UTC)
Yes! Precisely right about TDD and DW?! Precisely!!
- I think you're missing parts of the quote.
- My story doesn’t say anything about it.
- But this was said in response to being asked to clarify the whole DWU/whoniverse thing, and I'm just reminded of the prior discussion of TDD. I was being accused of not taking yes for an answer at a certain point. If this is the case then surely this is not taking no for an answer, it was in direct response to a question about his interpretation of the literary universe / IU universe/multiverse distinction, which is analogous to the stuff in said thread. Najawin ☎ 01:17, 14 June 2023 (UTC)
- I think you're missing parts of the quote.
My point is that saying "This can't be valid because the character name drops the writer" feels like gatekeeping, and sporadic gatekeeping at that. I don't think it's a good enough standard. OS25🤙☎️ 01:24, 14 June 2023 (UTC)
- With regards to fourth wall breaks, surely they're purely a r4 concern? And therefore can be 4bproxied? Otherwise we have invented a fifth rule not derived from any of the other four? Aquanafrahudy 📢 08:34, 14 June 2023 (UTC)
- Thread being referenced is Forum:Temporary forums/Inclusion debates speedround (and previous thread referenced is Forum:The Daft Dimension and Doctor Who? as parallel universes). Conclusion was that fourth wall breaks are not inherently disqualifying but that it depends on the broader context of the author(s'/'s) work and how we should think of these fourth wall breaks, as comedic in nature, or representing some sort of postmodern/magical realist spin of the familiar world of the DWU. I, again, note my objection to the characterization of merely voting off 4th wall breaks as "inventing a fifth rule not derived from any of the other four" - this is ahistorical, it would be derived from rule 4, but we've chosen not to go down that route.
- So the question becomes simply whether the 4th wall breaks in DYHALTSTP are supposed to be a part of some clever postmodern toying of the normal rules and procedures of a DWU story, playing with its own textuality, or, well, whether it's a spoof that acknowledges its own fictionality. If it's the latter it's right out and you need R4bp to bring it back in, as we're currently construing R4bp jurisprudence. Najawin ☎ 08:54, 14 June 2023 (UTC)
- Najawin's post above is correct.
- To say it in another way, fourth wall breaks are not in and of themselves disqualifying, they are — once again — circumstantial evidence of a Rule 4 breach. If DYALTSTP? had evidence of being actively intended as a DWU (albeit as a parallel universe or something), or if it had a solid R4BP, the fourth wall breaks would not stand in opposition in themselves, as indeed they don't in the cases of TDD and DW?. We have done the very opposite of "inventing a fifth rule…", we have clarified the way in which the fourth-wall-breaking-related "rules of thumb" (heuristics, to be fancy) derive from Rule 4. A massive fourth-wall-break like the regeneration gag is very strong circumstantial evidence of non-Rule-4-intent, but it doesn't matter how big the TDD or DW? breaks might get so long as we've got external quotes establishing "those are parallel universes in the same wider multiverse".
- I may need to rewatch it, but in terms of Rule-4-on-the-merits I just don't buy User:OttselSpy25's reading of the "Unlicensed Earth" line as being about a parallel Earth. Indeed I think the capitalisation may be spurious — in my understanding of the plot it was analogous to "this is uncharted earth" or "this is enemy ground" or something — the Chiropodist has tricked the Licensor into a specific location that's "unlicensed", but the wider planet is just Earth. Which isn't the only angle of attack, I suppose; the lines from Rassilon about "the balance of established canonicity being threatened" or the like in the opening could be construed as positing the special as an "abnormal state of space-time", Infinity Doctors or Wedding of River Song-style… I wouldn't be entirely convinced by that either, as a Rule-4-on-the-merits argument, but it'd certainly feel closer to the thrust of the actual text.
- As for the R4BP aspect — oh, I don't know. If the consensus is that Fogarty's quotes demonstrate intent to use The Bloodletters to establish that DYALTSTP? is in-continuity with the DWU, then I'll defer to that consensus! I've quite deliberately placed myself out of a position to close this thread anyway. (I think R4BP is a good, indeed, a superlatively useful policy — though of course I won't go so far as to claim that it has reached its ideal form and will never need a small tweak or two. But that is not an opinion I feel comfortable bandying about if I'm the only admin ever to litigate it, notwithstanding the original thread closure. It's not "my baby" or some kind of one-size-fits-all secret weapon that only I resort to, but a principle which I think has objectively correct and incorrect applications in any given case, that any reasonable discussion and closing admin can identify. So it's time to put my debating positions where my mouth is, I feel.)
- But I do want to stress that the original concept of R4BP was a valid story bringing a purportedly-discontinuous one into the DWU. So a continuity reference is evidence of R4BP intent insofar as it seems, as a default reading, that readers are intended to read it and go "ah, so the author is treating [X] as being in-continuity with their DWU story". When somebody mutters about three Ninth Doctors, the implied reader is meant to go 'tilt' and think "ah, so this author is saying the Shalka Doctor and Curse Doctor are somehow continuous". When somebody finds an old Prime Computer in the TARDIS, people are meant to go "aah, cheeky, so the Prime Computer ads did happen according to this…". That's the significance of continuity references as circumstantial evidence of "I intended to use Valid Story X to bring Valid Story Y into continuity" authorial intent — sometimes bits of in-universe text are phrased in such ways as to have a kind of metafictional significance, to be precisely equivalent to a BTS footnote that says explicitly "I'm treating X as continuous, hehehe".
- So from my point of view the question is whether Fogarty wrote the Chiropodist reference with the intent of people going "tilt! so Do You Have A license… is 'real' in some way?!". And from prior conversations with him I'd gotten the impression that no, he didn't mean anything that definitive by it. And those quotes I've obtained from him seem to bear that out — i.e. he has a personal view of how it all works, as far as he's concerned it's the same Chiropodist, but he didn't mean for the name-drop to "establish" that in a firm way in the minds of readers. It just raises the possibility, then refuses to elaborate.
- And again our default hypothesis absolutely should be that such a reference did carry such R4BP intent, I don't recuse that, so if people aren't convinced by the Twitter quotes I won't stand in the way of validation; that's proper R4BP procedure, and not the end of the world. (A story very well could R4BP something like DYALTSP? and if we go that route I don't think it'll be to the detriment of the Wiki.) I just do, on balance, suspect the Twitter quotes are saying this is one of those weird Jonathan Morris edge-cases where the reference isn't intended to in itself convey intent-to-bring-into-the-DWU. Scrooge MacDuck ⊕ 10:49, 14 June 2023 (UTC)
- Ah, my reading of the twitter quotes was that he intended it to imply that dyhaltstp was set in a parallel universe to regular Who. That's just my reading of it, feel free to disagree. I completely agree with you saying that "our default hypothesis absolutely should be that such a reference did carry such R4BP intent", because I do think that not covering something which we ought to cover is much worse than covering something which we ought not to cover. (see Worlds in Time). With regards to the Rassilon licensing, how minor is Rassilon's appearance? (Also, I too had thought that Rassilon used to be owned by the Robert Holmes estate. Whether this is true or not I do not know.) Aquanafrahudy 📢 15:25, 14 June 2023 (UTC)
- It's part of the opening sequence. Basically, Rassilon senses that something is wrong and attempts to call in the regular Doctor, but he isn't at home. So instead Rassilon has to call in "the Foot Doctor". Then the rest of the special occurs after that, with the Foot Doctor arriving on Earth in his washing machine. Real quick - is there anyone who not only thinks the story should be non-valid but also thinks we should maintain the policy of non-coverage? OS25🤙☎️ 15:52, 14 June 2023 (UTC)
- …maintain? It's not non-covered. Currently policy is good old coverage-as-invalid. The Licensor, The Salesman and such all exist, not to mention Do You Have a Licence to Save this Planet? itself. Scrooge MacDuck ⊕ 15:55, 14 June 2023 (UTC)
- Well I'm speaking here from a purely historical perspective. This film was one of the first things I tried to "wikify" and I strongly remember that coverage was discouraged. That's why we didn't have a Cyberon page until the novels came out. OS25🤙☎️ 18:01, 14 June 2023 (UTC)
- I dunno what that was about, but it sounds like it was more about the bizarre practice of discouraging editing of invalid sources (even nominally covered ones) than an official ruling that it shouldn't be covered. Certainly Forum:BBV and canon policy affirmed that it should be covered-as-a-spoof (albeit glancingly). The pages on the secondary characters have existed since 2015, and I myself created the Cyberon page in 2019, before the valid appearances came out. Scrooge MacDuck ⊕ 18:11, 14 June 2023 (UTC)
- [Brought up the points Scrooge did above and then edit conflict with both Scrooge and OS25 as you two keep writing stuff. D:] (I assume this discussion happened in chat? There's no real record of you editing it in the history, I think I see it twice? prior to 2015.)
- Aqua, let me note that there's a distinction between not covering and covering as invalid. WiT was in a weird limbo state between the two, (I believe it was technically invalid, but there was a prohibition on covering RPGs as they were considered fanfic - see Forum:Doctor Who: Worlds in Time - one of those really weird cases) and this is what has caused problems, as well as porting off the task of detailing it to another wiki, which has happened from time to time, and has historically almost always been a failure. There's no inherent problem to covering the game as invalid - it just means that we can't cite information from it on in-universe pages, so you wouldn't see details about, say, the 11th Doctor from WiT on his IU page, but you would see them on the WiT page or have {{invalid}} pages for characters from WiT. It's when something isn't covered that we can't talk about things like plot or have these pages.
- Okay, this has been stagnating for a bit and I don't think it's in a state to be closed yet. I think this should be renewed, and I'd like to discuss the licensing thing a bit more deeply, quite aside from the confusing R4BP thing (which I've kept going back and forth on in my mind since early June).
- I think there are multiple issues wrapped inside each other here, regarding Rassilon's appearance. The first is that we… suspect it isn't licensed, but we have no hard evidence one way or the other. We don't know if the Robert Holmes estate has a claim to Rassilon or if he's BBC-owned only; if so, we don't know if the Holmes estate technically licensed him to BBV, for all that they were in contact about the Sontarans. (Similar questions exist in Faction Paradox with regards to whether the Imperator constitutes a licensed appearance by Morbius; on the whole we've erred on the side of "no".)
- This is problematic. It feels reckless to just err on the side of assuming Bill Baggs did his homework; he is, after all, Bill Baggs. But it's potentially libelous to actively claim otherwise, unless we're very careful. If we knew for a fact that Rassilon was unlicensed, and deemed this to be a Rule 2 breach, then the natural pathway as of Forum:Relaxing our fan works policy (within reason)#Conclusion would be to stop covering it in an in-universe way, and rename it Do You Have a Licence to Save this Planet? (fan work), but, like, we'd better be sure. Arbitrarily referring to commercial fiction as unlicensed fanfic due to a vague suspicion of illegality is… not something the Wiki should repeat, to say the least. Talk:The Concept of War (novel) was in some ways comparable, but since Do You Have A License… does have some DWU licenses and originated a character who went on to be mentioned in a valid source, simply deleting it off the Wiki is not an option — even setting aside the fact that it is not historically desirable.
- I am almost tempted to throw our hands up and say, yes, sure, the Legacies precedent applies. It's only a very short scene at the start; the TARDIS also makes a visual cameo which certainly wasn't licensed, but as essentially a cutaway gag I do think it makes sense to write it off on a Legacies-type basis. See also the one-panel cameo of the Seventh Doctor in The Death of Fifi. So I do think visual appearances have some standing provided they're "minor", it's not limited to mentions.
- But I'm not sure. He does arguably set the plot into motion and all, brief as his appearance is; and covering him as a "real" appearance of Rassilon even under the presumption that he was unlicensed would mean adding a spurious name to Category:Actors who portrayed Rassilon under the full knowledge that this Rassilon appearance was not, in itself, licensed.
- I could live with it, in the end. In the end I don't think think you really have to stretch the definition of "relevant" to argue that in a half-hour-long story that showcases licensed Sontarans and suchlike, a two-minute Rassilon appearances does not rise to the level of Rassilon's owner being "relevant copyright-holders" in Wiki terms, even if a lawsuit might hypothetically be viable. Certainly leaning on that possibility seems more viable than either continuing to claim on too little evidence that he's definitely, 100% "licensed by the Holmes estate" or actively saying that BBV was infringing copyright, until we get some clarity.
- But… it's not exactly a minor precedent to set, and it is, as I confessed, motivated reasoning as much as anything. So let's think about this. Scrooge MacDuck ⊕ 20:14, 24 July 2023 (UTC)
We do actually have precedent for saying that we just won't touch a BBV release in particular without BBV giving us evidence that they got the licenses needed. If there are serious doubts that they can get the rights to Rassilon, we can just Killing Stone the whole thing. I believe the wiki's current stance on Killing Stone isn't explicitly stating that BBV didn't get the rights, but that we're very skeptical, and aren't going to touch the subject without clarification. Seems to be easily transferrable here. Najawin ☎ 20:30, 24 July 2023 (UTC)
- Yes, but that's essentially the Concept of War option which I considered and dismissed. The problem here is that we can't just delete the page and not cover it at all. Even if we knew for sure Rassilon was unlicensed, and held this to be disqualifying under T:VS, we'd have just cause — we've have need, even — to retain the page, redabbed as "(fan work)", because it's a source for Sontaran/Non-valid sources, Cyberon/Non-valid sources, and so on. Indeed, even if it had no licensed DWU elements at all upon release, it'd warrant a page as per Forum:Relaxing our fan works policy (within reason) purely on the basis of the Chiropodist's subsequent cameo in a licensed source.
- (Unrelatedly, Killing Stone uses things which we know are BBC-owned, e.g., well, the Doctor. So there's a layer of ambiguity here that didn't exist there, namely "who even owns Rassilon, anyway?". But that's, to my mind, secondary under the current state of evidence, or rather lack thereof.) Scrooge MacDuck ⊕ 20:36, 24 July 2023 (UTC)
- I don't think that's quite analogous though. We do have pages for the Audio Visuals as a group, for instance, though not for the individual ones. R2 failure doesn't instantly imply we remove all mention of it from the wiki - we just did so with Concept of War because there was absolutely no evidence that it was something we should document at all. (I think we need more terms for "non coverage" tbh, there's like 2 to 4 different ways in which something can "not be covered" by this wiki. It gets pretty confusing.)
- Actually, my R4bp post, which is stalling a bit because I'm worried about how to avoid upsetting people as I quote them - always a delicate thing, should touch on a related issue with licensing. (R2bp :P) So maybe that might be helpful. Najawin ☎ 21:00, 24 July 2023 (UTC)
- Well, yes, we can, and would, retain the page. The problem is that there is no framework under current policy to have that page without making an active, and thus potentially libellous, claim thereon that Rassilon is unlicensed and that it is therefore a "(fan work)". We've got plenty of ways to give adequate coverage to unlicensed works, the problem is that we don't have precedent for giving coverage to things without committing to a position on whether they're unlicensed or not. I suppose we could cover it as a "(fan work)" while couching the lede in lots of "as far as this Wiki knows… thus we have cautiously decided…", but that still feels potentially iffy. Scrooge MacDuck ⊕ 21:20, 24 July 2023 (UTC)
- I know that Rassilon is included in the List of DWU concepts not owned by the BBC. But if that's true, then The End of Time and Hell Bent should have a credit that says "Rassilon created by Robert Holmes". Since they don't, does that mean Rassilon is in fact owned by the BBC? BastianBalthazarBux ☎ 01:44, 26 July 2023 (UTC)
- Well, yes, we can, and would, retain the page. The problem is that there is no framework under current policy to have that page without making an active, and thus potentially libellous, claim thereon that Rassilon is unlicensed and that it is therefore a "(fan work)". We've got plenty of ways to give adequate coverage to unlicensed works, the problem is that we don't have precedent for giving coverage to things without committing to a position on whether they're unlicensed or not. I suppose we could cover it as a "(fan work)" while couching the lede in lots of "as far as this Wiki knows… thus we have cautiously decided…", but that still feels potentially iffy. Scrooge MacDuck ⊕ 21:20, 24 July 2023 (UTC)
- Actually, my R4bp post, which is stalling a bit because I'm worried about how to avoid upsetting people as I quote them - always a delicate thing, should touch on a related issue with licensing. (R2bp :P) So maybe that might be helpful. Najawin ☎ 21:00, 24 July 2023 (UTC)
I'd call that particularly damning tbh. Would have to be Legacies. Najawin ☎ 03:55, 26 July 2023 (UTC)
- Yeah, fair point. Although to play devil's-advocate, @User:BastianBalthazarBux, it is not always the case that the BBC need to credit a concept's creator even if that concept is also externally licensable. (Or — well — I don't know if they theoretically need to, but sometimes they don't do it.) Scrooge MacDuck ⊕ 11:04, 26 July 2023 (UTC)
- As far as I can tell in S1 and S4 he's credited for them. He's not in S5. He is in S6, not in S7, but is in S8. They're delightfully inconsistent. It's BBV doing it for some and not the others that makes me really suspicious here. (In S5 during The Big Bang they didn't thank anyone for creating various aliens in the alliance. Nor did they thank Hulke during S7.) Najawin ☎ 06:58, 28 July 2023 (UTC)
- Oh, yes, I agree crediting him for the Sontarans but not Raz on the same production is pretty damning. I just meant that in the general case it would not have necessarily been too worrisome if he had not been credited for either. Scrooge MacDuck ⊕ 11:10, 28 July 2023 (UTC)
Conclusion
In theory, there is a succesful rule 4 by proxy case somewhere here. Ryan Fogarty's quotes do seem to imply that the inclusion of the Chiropodist was a serious reference to Do You Have a Licence to Save this Planet? and so rule 4 by proxy could be applied. However, this is only applicable to rule 4 concerns and, as this thread turned up, there seems to be larger concerns with rule 2 that would prevent this stories validity - or even full coverage - anyway. It does seem unlikely that Rassilon was licensed. For me, the clincher was Cgl1999's post:
The credits for DYHALTSTP actually credit Holmes with creating the Sontarans and Autons, as well as Robert Banks Stewart with Krynoids, but not Rassilon.
The inconsistency here of crediting someone for uses of some of their licenses but not others seems rather implausible and so really implies to me that Rassilon was not being used under license from Robert Holmes or anyone else. Note that we do not have complete positive evidence here, but it is enough for me to feel that we should take the more "cautious" route and consider Rassilon likely unlicensed until proven otherwise. As to the question of whether this would lead to a rule 2 violation, that means considering whether Rassilon's use is "relevent" and I'm going to have to go with saying that it is. Rassilon's use is not a cameo or name drop. He is a key character in the introduction that sets the plot into motion. For that reason, Do You Have a Licence to Save this Planet? fails rule 2 and hence is not elegible for full coverage, valid or otherwise.
However, the film does still feature licensed useage of a number of DWU concepts and so remains useful "/Non-valid sources" material for them. As such, Do You Have a Licence to Save this Planet? (home video) should be renamed to Do You Have a Licence to Save this Planet? (fan work) (with the existing title as a redirect) and rewritten to reflect its position. The page's lede should make this wiki's stance on Rassilon's licensing situation clear. Due to the film mostly being licensed and being of high historical importance, the "Publisher's summary", "Plot", "Cast", "Crew" and "Home video releases" sections should remain while "References" and "Continuity" are removed. Much of "Story notes" should be rewritten in plain text as part of a new "Connections with the licensed DWU" section. With regard to other articles, those about cast members, crew, characters and concepts only connected with Do You Have a Licence to Save this Planet? should be deleted while others will need to be rewritten. I will begin work on this myself but any help, from performing rewrites to marking pages for deletion, would be appreciated.
Moreover, this is still a film by BBV Productions so should continue to be listed on that page and may remain in category:BBV video dramas. (I'm less convinced that it should remain in category:BBV spin-off series as, well, it's not a series. As such, I will be removing it from this category and, if anyone feels particuarly strongly against this, feel free to bring it up at Talk:Do You Have a Licence to Save this Planet? (home video).)
I believe that that's everything but, if I've missed anything, please let me know on the talk page. In addition, if any further evidence surfaces regarding Rassilon's licensing situation, please do not hesitate to start a new thread. Thanks to all that have participated! Bongo50 ☎ 16:02, 5 August 2023 (UTC)